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  • £46.95

    Grace Valley Overture (Concert Band - Score and Parts) - Hodges, Steve

    This energetic overture opens strongly with the low brass presenting a melodic arpeggio motive that recurs throughout the A section of the piece. The B section provides an excellent contrast with an expressive presentation by the woodwinds leading to a sensitive chorale setting. With shifting minor and major modes, the section builds with the brass before ending in a tranquil manner. A repeat of the opening section leads to a dynamic coda, bringing the piece to an exciting conclusion.Duration; 3.45

    Estimated dispatch 7-14 working days

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  • £289.99

    Atlas Symphony (Concert Band - Score and Parts) - Deleruyelle, Thierry

    The Atlas Symphony for symphonic wind band is an impressive and subtle work, thematically complex, with a rich orchestration, but also great beauty. The composer was keen to draw a parallel between an atlas, where all the geographical maps of the world are collected in one book, and his score, which brings together all the facets of his musical style. Despite being written without any breaks, the symphony is structured around three main ideas. It is based upon a series of notes that will become the very essence of the piece, its building blocks. Like the works of composers of serial music, the series appears in different forms - melodic and harmonic, thematic or simply as an accompaniment. With its wealth of rhythms and contrapuntal power, this piece is a compelling concerto for orchestra. The Orchestre de la Police Nationale was the first to be attracted to this work and premiered it with excellence under the baton of composer Thierry Deleruyelle.Duration: 16:30

    Estimated dispatch 7-14 working days

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  • £98.50

    Rhapsodic Celebration (Concert Band - Score and Parts) - Sheldon, Robert

    This multi-faceted work includes three brief connected and musical tableau's that each present their own distinct mood and style. The opening Intrada explores 6/8 time using an uplifting fanfare and rhythmical motifs. The slower Serenade provides contrast that begins with an alto saxophone solo, then utilises the full ensemble to create warm, rich timbres in this gentle and lyrical movement. The closing Galop is as tuneful as it is technical, providing the ensemble with an energetic and fast-paced romp to conclude this delightful piece.Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £78.00

    Angelo del Cielo (Soprano or Cello Solo with Concert Band - Score and Parts) - Puccini, Giacomo - De Meij, Johan

    The one-act opera Suor Angelica is set in the cloisters of an Italian convent at the end of the seventeenth century. Of noble birth, Angelica has been a nun for seven years, forced there by her family as punishment for an unknown sin. When her aunt visits her, she tells Angelica that her child had died. This terrible news becomes the reason for her only aria, Senza Mamma, a heart-wrenching song of restraint and dignity to her little 'angel in heaven' (Angelo del Cielo).The set contains solo parts, for soprano voice, cello and a duet for soprano and cello.There is also an optional solo part for trombone or euphonium.Duration: 5.00

    Estimated dispatch 7-14 working days

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  • £104.99

    Time To Say Goodbye (Concert Band - Score and Parts) - Mashima, Toshio

    This beautiful duet was an appropriate way to mark the end of Henry Maske's career and simultaneously introduce Andrea Bocelli to the international music scene. His collaboration with Sarah Brightman resulted in an unforgettable performance. Perfect for ending or providing an intimate moment during your concert, this arrangement exhibits the high standards the New Sounds for Concert Band series is known for.Duration: 4:30

    Estimated dispatch 7-14 working days

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  • £73.50

    Memor Vita! (Concert Band - Score and Parts) - Karrick, Brant

    There is nothing more precious on this Earth than human life, and every day we wake up to start a new day, we choose how to live our own. Memor Vita! is a musical celebration of life, particularly remembering the life of Zachary Joseph Heringer. Zach was diagnosed with cancer when he was 10 years old. He remained positive throughout the many months of treatments and had strong hopes of being cured. He was a vivacious boy who loved sports, the outdoors, and playing the trumpet in band. He was also an excellent student. He was looking forward to joining his high school band with his older sister, Beth, and his friends. However, the cancer continued to spread and at the age of 14, Zach passed away. He fought his cancer with faith, compassion, and an attitude to never give up, and his steadfast optimism left an indelible impression on all who knew him.Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £139.99

    The Heaven Tree (Concert Band - Score and Parts) - Deleruyelle, Thierry

    The Heaven Tree is based on the first book in an intensely imagined trilogy by author Edith Pargeter. Set during the golden age of cathedral building, this adventure novel explores the splendour and cruelty of the Middle Ages. Thierry Deleruyelle's work is an ideal accompaniment to the novel. With an obvious sense of suspense, his music helps us get in touch with a distant reality that brings the past to life.Duration: 8:15

    Estimated dispatch 7-14 working days

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  • £164.95

    Elgar Variations (Concert Band - Score and Parts) - Ellerby, Martin

    The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra

    Estimated dispatch 7-14 working days

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  • £32.95

    Elgar Variations (Concert Band - Score only) - Ellerby, Martin

    The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra

    Estimated dispatch 7-14 working days

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  • £75.00

    Cotswold Dances 1. Seven Springs (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul

    The program notes are included for each of the five movements: 1.The first movement refers to the source of the River Thames, with its rippling accompaniment figures. 2.Badminton House is a picture of the world-famous Horse Trials, with an archaic touch here and there to point to the House itself. 3. Pittville Park is the largest open space in Cheltenham, England, with Gustav Holst's birthplace at one end and the famous Pump Room at the other. The composer remembers childhood walks there and varying degrees of catching newts and the like in the central lake. 4. Cleeve Hill is the highest point in the Cotswold chain, just reaching a thousand feet above sea level at one point, making it, officially, a mountain, albeit a gentle one. Nevertheless, the extremes of weather through the seasons are reflected here, with an ominous note or two suggesting Belas Knap, an ancient burial ground sited nearby. 5. The final movement takes the traditional Gloucestershire wassail song, heard at Christmas, and manipulates it through any number of filters and distortions. (Note: Some harp parts are doubled, some are more essential. If no harp, the part can be played either by electronic keyboard or piano.)

    Estimated dispatch 7-14 working days

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