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£161.00
Parade - Erik Satie
Parade is a ballet with music by Erik Satie and a one-act scenario by the French artist Jean Cocteau composed in 1916-1917 for Sergei Diaghilev's Ballets Russes and premiered in 1917 in Paris, with costumes and sets designed by Pablo Picasso. Cocteau started writing a scenario - the theme being a publicity parade in which three groups of circus artists try to attract an audience to an indoor performance - to which Satie composed the music. The score contained several 'noise-making' instruments (typewriter, foghorn, an assortment of milk bottles, pistol,...), which had been added by Jean Cocteau. Dutch arranger Guus Dohmen transcribed Satie's Parade for Symphonic Band including all of Jean Cocteau's extraordinary additions.
Estimated dispatch 7-14 working days
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£134.99Voyage into the Blue - Naoya Wada
Voyage Into The Blue describes an airplane that takes off into the endless blue of the heavens. In the second movement the plane swoops through a star-spangled night sky before finally landing in an impressive sunrise. In the true sense of theword, an uplifting musical journey.
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£102.99
Valse Sacre - Frédéric Devreese
For Frdric Devreese, a dance, and especially the waltz, is increasingly linked to the person as a dancer, so that a dance becomes an experience, an adventure; and as a result, they in fact waltz to human emotions. Those who follow Devreese's music a little know that, for him, the different facets are not separate from each other. The film scores and the concert pieces strengthen and influence one another. His most famous film score themes, such as the Valse Sacre", belong to the collective memory of Flemish music. This waltz was composed for the Hugo Claus film "The Sacrament". The assignment was to compose a whirling waltz for a dance scene set during an emotional familycelebration."
Estimated dispatch 7-14 working days
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£349.99Symphonic Dances - Yosuke Fukuda
Symphonic Dances for Wind Ensemble was commission by the Central Band of the Japan Air Self Defense Force. The suite's five movements present "dances of the world". While the energetic quality and spirituality of each dance should be captured, the collection is still intended to entertain. Each movement is complete and can be performed accordingly.I. Renaissance DancesAn homage to European flavor and style from the time of Gervaise, Susato and Praetorius, after the introduction, the steps of courante, pavane, galliard, and branle appear. Please perform with vigor and contrast!II. TangoThis section is more an earthy and piquant Argentine romance than an elegant continental tango. Perform the alto saxophone theme and solis for each section very passionately!III. HoedownHere is the scene of the rodeo and a free-spirited western swing feel. The introductory clarinet solo can be done ad libitum. Maintain the mood by swinging slightly throughout. Present this movement playfully!IV. Spirituals (Bon-Odori-Uta)This is a requiem on the Bon-Okuri ceremony guiding ancestors back to the spiritual world. The initial piccolo motif repeats a chant in the rhythm of bon odori (a bon dance) and develops as a variation on Owara-bushi, a beautiful folk song from Toyama prefecture. The traditional bon odori have evolved into summer festival entertainment.V. Belly DanceThe belly dance is typically Arabic, its music performed by strings and drums.All should play with passion and flamboyance and a sense of bacchanalia and abandon. Employ a heavy sense of rhythm, also with a "Darbuka" (traditional Turkish goblet drum) if possible. Additionally, a "big-bang" coda is not only allowed, but encouraged!(Yosuke Fukuda)
Estimated dispatch 7-14 working days
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£69.99
Scale Studies for Band - James Curnow
An important part of our Essentials of Musicianship Series, Scale Studies for Band is designed to be used as an instructional aid during your normal daily practice. Written so that the scale studies can be interlaced at appropriate times into your rehearsal, they enable you to address the scale and key considerations of your next piece just before starting that piece. For instance, if the next arrangement you will rehearse has a section in the key of G Major, you can take a moment and review the study in that key (Study Number 7). It's amazing how many wrong notes can be avoided by reviewing the key signature in an interesting and exciting manner, before diving into theperformance piece rehearsal. In the long run, this "key signature review" approach can actually save more rehearsal time than it uses. In addition to the full band aspect of Scale Studies, you may find value in quickly and easily administered "playing tests" using these materials. However you choose to use them, the Scale Studies from the Curnow Music Press Essentials of Musicianship Series will be valuable indeed!
Estimated dispatch 7-14 working days
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£159.99Slavia - Jan Van der Roost
Jan Van der Roost originally composed each and every note of 'Slavia' (as in case in 'Puszta', 'Rikudim' and 'A Highland Rhapsody'). Consequently, 'Slavia' does not contain any arrangement of existing tunes, but is an original composition 'in the style of...'. The introduction has an ABA structure and exposes a broad melodic line. Following a short cadenza, there is a second movement in a fast and fiery tempo. The tempi increase, gradually culminating in an exciting final climax, making this 'Slavonic Rhapsody' a spell-binding experience to the very last note.
Estimated dispatch 7-14 working days
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£189.99Manhattan Pictures - Jan Van der Roost
In this colourful composition, Jan van der Roost recreates the energetic and multi-racial city life in Manhattan, using four contrasting movements. The opening movement is rather short and rhytmical. In the second "Picture", a variety of musical entities accumulate into a coloured "sound curtain", on top of which the brass section presents a broad theme. In contrast to the two previous movements, the third movement is exremely quiet, featuring the first flute, clarinet an oboe in broad melodies. Again, the orchestration plays an essential role. Following on a majestic "tutti" (almost "movie-like....) the serenity of the very beginning reappears. Finally, the nervousness anddynamic style of the two first movements come back in an exciting apotheosis with rich and sometimes surprising instrumentation which explores the multiple possibilities of the large symphonic wind band to the full.
Estimated dispatch 7-14 working days
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£118.99
Asteroid - Otto M. Schwarz
Asteroids and comets have played an important role throughout the history of life on earth. It is quite probable that the dinosaurs have been exterminated by an asteroid's impact in the Gulf of Mexico. Huge tidal waves and fire storms wiped out all life. This is the year 2067 according to the Christian calendar. A collision has just taken place in the asteroid belt between Mars and Jupiter and caused an asteroid to enter the earth's power of gravitation. It is instoppably approaching the blue planet. As its peoples have been fighting each other continuously, they missed the building of a global defence system against dangers coming from space. A scanner records the asteroid andimmediately sends a message to the President of the Anglo-American Union. The probability that the asteroid will hit the earth is judged 50% by the experts. Plans are made to shoot the celestial body with rockets live with hydrogen bombs or laser guns in order to throw it off its track, but they fail. The asteroid's size seems to threaten the existence of mankind. Those in the know stare at the night sky in bewilderment. But for the time being, there is still peace on earth....
Estimated dispatch 7-14 working days
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£76.99Tara's Theme
Max Steiner was born in Vienna in 1888, and grew up surrounded by music. He was a student of the Imperial Academy of Music, having among his teachers Gustav Mahler. In 1936 he signed an agreement with Warner. Steiner, considered the father of symphonic music in Hollywood style. One of his most famous and popular masterworks is, without any doubt, Gone with the Wind (1939). The movie was an immediate success and won ten Academy Awards. In spite of the years passed, this movie still moves young audiences around the world. Lorenzo Bocci has chosen the song Tara's Theme from this movie and turned the romantic music into an arrangement for concert band.
Estimated dispatch 7-14 working days
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