Results
-
£154.99The Power of the Megatsunami - Carl Wittrock
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions ofmany countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature.
Estimated dispatch 7-14 working days
-
£59.99Sumba Samba - Ron Gilmore
The Samba is a Latin American dance, which is mostly associated with parties, as a result of the fast tempo in which it is usually played. 'Sumba Samba' forms an exception to this rule. In order to get this samba to swing it is important to stick to the tempo prescribed. 'Sumba Samba' starts with a motif which will play an important role throughout the piece. This motif can be heard in the first notes of the 'refrain' and, as said before, has been used in the introduction, as well as in the transition after the middle part (letter G). Furthermore, it plays an important role in the middle part itself (letter E), in which the samba has momentarily disappeared and acompletely different atmosphere has been created. At letter H we pick up where we left off with the samba and swing to the end of this composition.
Estimated dispatch 7-14 working days
-
£109.99The Horn of Plenty - Marc Cunningham
The Horn of Plenty is a composition which allows to present the Horn in many styles. The opening has an heroic character and exudes an Spanish atmosphere. The next part is a playful and lighthearted Leggiero. The melody used in bar 38 has an oriental sound through melodic use of the harmonic scale. The Andante is a parody on a piano etude by the composer Stephen Heller, a Frenchman of Hungarian descent. The piece ends with a relaxed swing area in which the Horn also in a different way can be heard.
Estimated dispatch 7-14 working days
-
£57.50Grandmother Song
Grandmother Song is an introduction to the Mohican tradition of sung syllables, or what Native Americans call vocables. Combining them with traditional wood flute songs, composer Brent Michael Davids offers a fresh look at the sound of Native American songs. Band instruments are performed less as musical instruments and more as talking sticks, singing reeds, rustling winds and shooting thunder. Through this beautiful ballad, students are given the materials to understand how Native Americans celebrate the world around them through the blending of words and song. (Includes score and parts.) BandQuest, an exciting series of new music and accompanying curricula for band, is a program published by the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new, fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have created challenging pieces that are a true departure from standard middle school repertoire. Every BandQuest project includes a residency component in which the composer works collaboratively with a middle school as they create their new piece. Many BandQuest pieces are accompanied by an interdisciplinary curriculum designed to assist students as they learn the music and to integrate each piece with non-music studies. Learn more on YouTube. Visit www.bandquest.org to learn more about this innovative series, and email [email protected] to request a free downloadable audio catalog.
Estimated dispatch 7-14 working days
-
£57.50Mosaic - Stephen Paulus
Mosaic is an aural representation of the varied qualities each of us possess and contribute to the whole of our American society. As a kaleidoscope of various musical elements coming together, this work evokes a visual of mosaics - tiny tiles individually glued together to create a broader image. Composer Stephen Paulus integrates layers of sound with varying meters that feature every instrument in the band. Learn more on YouTube! BandQuest, an exciting series of new music and accompanying curricula for band, is a program published by the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new, fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have created challenging pieces that are a true departure from standard middle school repertoire. Every BandQuest project includes a residency component in which the composer works collaboratively with a middle school as they create their new piece. Many BandQuest pieces are accompanied by an interdisciplinary curriculum designed to assist students as they learn the music and to integrate each piece with non-music studies. Visit www.bandquest.org to learn more about this innovative series, and email [email protected] to request a free downloadable audio catalog.
Estimated dispatch 7-14 working days
-
£77.90La matita di leonardo - Luciano Feliciani
2019 coincided with the 500-year anniversary of the death of Leonardo Da Vinci, one of the greatest men of genius in history, a universal genius who was a scientist, philosopher, architect, painter, musician, engineer, anatomist, botanist, designer, and planner. This composition entitled La Matita di Leonardo (Leonardo's Pencil), represents an ideal journey into the mind of the Tuscan genius: in the first part of the piece, percussion instruments underline the ticking of the passage of time that anticipates the birth of the idea, while short thematic cells in various instruments alternate, drawing the rhythmic melodic line. On this background, we hear the main theme entrusted to the dark tones of trombone and euphonium. The music proceeds with a growing pace and an adventurous character to represent the genesis of Leonardo's machines, which are in fact the result of the drawings of his pencil. In the second, more animated part, a new theme is introduced, varied, and elaborated, thus giving life to a vigorous movement meant to describe the drawings that come to life, leaving the pages of Leonardo's codes. In the coda the two themes overlap, transporting the listener towards a resolute and rhythmically energetic conclusion in an enthralling and engaging finale.
Estimated dispatch 7-14 working days
-
£207.00Das Liebesverbot - Richard Wagner
This young, comic opera, composed in 1835 on one of Wagner's own libretti, based on a play by Shakespeare, was unsuccessful at the Magdeburg theatre in 1836 and even the composer considered it a "sin of youth". After attempting in vain to have his first opera, "Le Fate", performed in Germany, Richard Wagner decided that his lack of success was due to the overwhelming competition of Italo-French music. He listened to Bellini, and became aware of the objective reasons for the great success of this music, comparing the warmth of life of Italian music to the frozen and meticulous German style. Hence he composed " Das Liebesverbot " with the sole aim of giving intense pleasure tothe public, without worrying about succumbing to the clichs of French and Italian music. That is why, when we listen to this music without knowing the name of the composer, we find ourselves in an embarrassing situation. We could easily attribute the work to some French composer, Meyerbeer, or Auber, for instance, but then the melodic ease and constructive linearity would bring Rossini to mind. By paying closer attention, however, we notice a boldness, an aggressiveness and a wealth of ideas that, together with clever orchestration, reveal the touch of the great German musician. " Das Liebesverbot " deserves to be performed more often, and we feel sure that the transcription for band will be an excellent vehicle of diffusion for this symphony.
Estimated dispatch 7-14 working days
-
£110.00Mount Everest - Kees Vlak
This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.
Estimated dispatch 7-14 working days
-
£154.99Dynamic Overture - Franco Cesarini
This piece is written in the form of an overture (A-B-A). The beginning features a prominent, dynamic theme, which determines the character of the whole piece. This theme is repeated in every part of the composition; in the slow middle movement it appears in lyrical phrases, supported by broad harmonies, which feature in an unexpected manner. Dynamic Overture ends with an adapted repeat of the first movement, finishing in a flashing coda.
Estimated dispatch 7-14 working days
-
£94.99Diamonds Are Forever - John Barry
Diamonds Are Forever is both the name of the song and the name of the 1971 James Bond movie it was composed for. The original recording featured vocalist Shirley Bassey and in keeping with the original Otto Schwarz's arrangement contains an optional part for solo voice. Depending on your needs, the vocal part can also be played by an alto or tenor saxophone or a trombone, making it an extremely verstile addition to your repertoire.
Estimated dispatch 7-14 working days
View Music