Results
-
£79.99
Three Holiday Scenes - Timothy Johnson
An imaginative look at a good old-fashioned Christmas! From aromas of family favorites cooking in the kitchen, to the images of decorated trees, snow scenes, and caroling - all are a part of that wonderful celebration.Rather than just taking the same old Public Domain Christmas carols for one more go 'round, Timothy Johnson has composed the majority of THREE HOLIDAY SCENES using fresh and original melodies. The first scene opens with fragments of "Oh Tannenbaum" but quickly moves into a beautiful Christmas waltz. An "effets de neige," or "Snowfall effect," carries the luscious second and contrasting scene. In the 3rd and final scene, the phrases from well-known carols mergewith one another, creating the effect of "caroling." Finally, melodies serve as counterpoint for one another and bring this delightful vignette to a close. This piece presents an excellent opportunity to work with the Art department in creating drawings and paintings of holiday images. Pull your chair a little closer to the fireplace and sit back for a winsome holiday treat!
Estimated dispatch 7-14 working days
-
£60.99
Chorale and Caprice - James Curnow
This two-movement work has an overall rich and dark quality, brought about by the modal tonal centers. The broad, flowing "Chorale" is based on an original tune by James Curnow and is written with wonderful variety in texture. The "Caprice" creates an interesting contrast with its more lively, aggressive feel.
Estimated dispatch 7-14 working days
-
£159.99
Slavia - Jan Van der Roost
Jan Van der Roost originally composed each and every note of 'Slavia' (as in case in 'Puszta', 'Rikudim' and 'A Highland Rhapsody'). Consequently, 'Slavia' does not contain any arrangement of existing tunes, but is an original composition 'in the style of...'. The introduction has an ABA structure and exposes a broad melodic line. Following a short cadenza, there is a second movement in a fast and fiery tempo. The tempi increase, gradually culminating in an exciting final climax, making this 'Slavonic Rhapsody' a spell-binding experience to the very last note.
Estimated dispatch 7-14 working days
-
£204.99
Credentium - Jan Van der Roost
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.
Estimated dispatch 7-14 working days
-
£84.99
Railroad Ramble - Peter Kleine Schaars
This composition was commissioned by the Concert Band of the NS (the Dutch railroad company) and is intended as an opening piece, bringing the band and the audience on track for an exciting concert! The ascending chords over theostinato bass of the introduction represent the energetic pulling away of the train. The main theme in 10/8 time makes one drift away in the rhythm of full speed. The clownish middle section reflects the seemingly disorderlyactivity in a station hall during rush hour. This is followed by a reprise of the main theme and the introduction, which brings this fascinating musical rail journey to an end.
Estimated dispatch 7-14 working days
-
£139.99
The Heaven Tree - Thierry Deleruyelle
The Heaven Tree is based on the fi rst book in an intensely imagined trilogy by author Edith Pargeter. Set during the golden age of cathedral building, this adventure novel explores the splendour and cruelty of the Middle Ages. Thierry Deleruyelle's work is an ideal accompaniment to the novel. With an obvious sense of suspense, his music helps us get in touch with a distant reality that brings the past to life.
Estimated dispatch 7-14 working days
-
£58.50
The Forbidden Caverns - Quincy C. Hilliard
A legend that describes the fate of an Indian princess comes to life in this new work by one of music education's best friends, Quincy C. Hilliard. Slightly contemporary in nature, the work features an extensive rubato alto sax solo. Dramatic and powerfully triadic, in the Hilliard tradition, this is an excellent work for most any programming situation.
Estimated dispatch 7-14 working days
-
£62.95
Through Courageous Eyes - Brian Balmages
This innovative work makes use of an optional piano part that is most likely playable by someone already in the band. It was written in honor of Matt Rhodes, a student at John T. Baker Middle (Damascus, MD), who passed away during a battle with spina bifida. It represents his kindness, courage, and determination despite his confinement to a wheelchair. An opening ethereal section and chorale moves into an exciting portrayal of life which concludes with a humorous ending that was very characteristic of Matt. A very musical new composition which teaches much more than notes.
Estimated dispatch 7-14 working days
-
£224.99
Les Marteaux de la Marine - Rob Goorhuis
Les Marteaux de La Marine was composed in 1999 as a commission by the Marine Band of the Royal Netherlands Navy. The composition contains three static elements which interchange. Static in this case means that development of the material isnot pursued (by the composer). The first element with which the piece begins is tranquil and colourful. The second element is sharp and incisive, while the third expresses energy. In all elements a repeated tone is the starting point whichexplains the hammers in the works title.The instrumentation is richly variegated with a harp also determining the palette of colours in the slower movements. The composition opens with an atmospheric Larghetto containing fine harmonies in thesoft and subtly moving wood-winds. The introduction breathes an impressionistic atmosphere in which expressive cantilenas and soloistic agile motifs stand out. A strong setting is followed by an Allegro virtuoso containing fast motifs contrasted withshort and rhythmic stars of the various instrumental sections. Trumpets and horns add a virtuoso bugle-call motif. After a short stringendosection, the transparent Larghetto returns with a varied setting of the opening elements. The beautifulleading roles in this section are reserved for cornet (trumpet) and horn. Subsequently, the flashing Vivo starts with continuous movements in triplets from both wood-winds and brass. Next, the opening Allegro re-appears once again and thus LesMarteaux de la Marine ends with a fast and virtuoso climax. Les Marteaux de La Marine was selected as a compulsory grade 6 contest piece for symphonic bands in the Netherlands.
Estimated dispatch 7-14 working days
-
£174.99
Excelsior - Rob Goorhuis
Excelsior was composed by Rob Goorhuis in the year 2000 on the occasion of the 75th anniversary in 2001 of the Amsterdam-based concert-band Jong Excelsior. Excelsior is a one-movement fantasia, consisting of contrasting themes. The first theme (the Excelsior theme) is characterized by angular figures moving in an upward direction. The second theme is playful and humorous in nature. Rob Goorhuis, who was born and bred in Amsterdan, may even have utilized memories of his own juvenile pranks in this second theme. The third theme, which is introduced by the cor anglais is melancholy and melodious. The elements mentioned above interchange in a thoroughlycaptivating manner, which ultimately results in an attractive composition fully capable of adding lustre to an anniversary. Excelsior werd door Rob Goorhuis gecomponeerd ter gelegenheid van het 75-jarig jubileum van muziekvereniging Jong Excelsior te Amsterdam. Excelsior is een doorgecomponeerde fantasie, bestaande uit met elkaar contrasterende themas. Het eerste (Excelsior)thema wordt gekenmerkt door hoekige stijgende figuren. Het tweede thema is speels en humoristisch van karakter. Rob Goorhuis, geboren en getogen Amsterdammer, verwerkte hierin wellicht herinneringen aan de kwajongensstreken uit zijn jeugd in Amsterdam. Het derde thema, ge?ntroduceerd door de Engelse hoorn, is melancholiek en zangerig. Genoemde elementen wisselen elkaar op boeiende wijze af, zodat een attractieve compositie is ontstaan. Dit werk is opgenomen in het Klein repertorium, harmonie - 1e divisie
Estimated dispatch 7-14 working days