Results
-
£54.00Chips, and Salsa Too
Written in an upbeat Latin rhythmic form, Chips, and Salsa, Too begins with percussion under a nice rhythmic motif in the winds. A tuneful minor melody in the clarinets, well below the break, continues above this Latin groove after the intro. The tubas (and cross-cued for euphoniums and bass clarinets) and flutes have a melody together, and the rest of the band is gradually layered in the mix until everybody is contributing to the mix. Latin rhythms, featured percussion, and lots of nice melodies for the winds makes this a piece your students and audiences will love!
Estimated dispatch 12-14 working days
-
£73.00Invocation and Dance
Starting from a lovely and haunting melody introduced by the clarinets, Carl Strommen's Invocation and Dance, in two contrasting sections, is an object lesson in how to write memorably for young musicians using simple, straightforward and appealing material. The fast second section begins with some wonderful quiet percussion writing and the phrase and meter shifting versions of the original tune cleverly vary it before leading to the fully-scored return of the melody in its original form. This selection is contest and festival material of the highest quality. Duration: 4'40"
Estimated dispatch 12-14 working days
-
£65.00A Little Night and Day Music
Commissioned by Carl Fischer for a school band series in the 1970s, A Little Night and Day Music is a classic of the modern band repertoire. The "Night Music" section is a study in color and atmosphere and makes striking use of contemporary instrumental techniques including clusters and aleatory. The second section ("Day Music") is a bright and brassy contrast, full of drive and an exhilarating momentum. (Only the first section of A Little Night and Day Music is included on the recording)
Estimated dispatch 12-14 working days
-
£12.00The Art of Expressive Playing for Winds and Percussion
While there are no absolute rules concerning expressive playing and phrasing, this innovative series clearly lays out basic concepts that help players become good musicians. The series focuses on the natural relationship between meter, rhythm, contour, tonality, style and historical period, and guides the player to a greater understanding of factors that can improve performance. This one of a kind text, written for teachers, woodwind, brass and percussion players, will help stimulate and cultivate more musical playing by individual musicians and by ensembles as a whole.
Estimated dispatch 12-14 working days
-
£99.95Sinfonietta No.2 - A Sign of the Times (Concert Band - Score and Parts) - Wiffin, Rob
It was an interesting challenge to return to the form of a sinfonietta some twenty years after the last one. This work is not hugely problematic to play but was written without regard for technical demands, following a series of compositions that needed to take difficulty level into consideration. The work has five percussion parts but the tuned percussion, although desirable, can be omitted. As for the band parts, Oboe 2 is largely covered elsewhere but the colour of the cor anglais would be a definite enhancement to the overall sound. The work was written in 2025 when it seemed as if the world was a particularly volatile place.The first movement 'Foment' seeks to capture that menacing mood of unrest and the potential for violence that seemed to erupt without warning and without efforts to contain it from warmongers posing as peacemakers. The music is severe and focussed with just a short scherzo-like episode of levity to balance the quasi-military mood.'A Dream of Peace' takes a few moments to contemplate a different, more peaceful world and several ideas are considered before settling on the slow waltz-like melody. This uses a very tonal language but is given a particular hue by its use of sevenths and ninths and there are moments of stress which disrupt the tranquillity.In 'Call to Arms' the warlike mood returns with a sense of restless energy that drives the music to its conclusion.- Rob WiffinDuration: 14.00
Estimated dispatch 7-14 working days
-
£32.95Bones in the Stores (Trombone Section feature with Concert Band - Score and Parts) - Wiffin, Rob
This arrangement for trombone section and band combines two well-known wartime songs The Quartermaster's Store and Bless 'em all to give the trombone section a thorough workout as well as a lot of fun. The Quartermaster's Store is a traditional song from England. The origins of both tune and words are uncertain and may actually date back as far as the English Civil War. The origins of Bless 'em All are also unclear. The words have been credited to Fred Godfrey in 1917 set to music composed by Robert Kewley but earlier versions of the song may have been in existence among British military personnel in the 1880s in India. It was first recorded by George Formby Jr in 1940 and became a patriotic song.Duration: 2.45
Estimated dispatch 7-14 working days
-
£87.95Meet the Band (Concert Band - Score and Parts) - Holmes, Chris
Meet the Band was composed in August 2023 and is written to showcase and contrast, in varying styles, the sound and textures of the different instrument groups in a Concert Band.It was first performed in April 2024 by Salisbury Concert Band, conducted by the composer.Includes:The High WoodwindsThe Low Woodwinds and SaxophonesHorns, Trumpets and Tenor TrombonesLow Brass and Percussion (and Finale)
Estimated dispatch 7-14 working days
-
£112.95Four Irish Dances (Prestige Concert Band - Score and Parts) - Arnold, Malcolm - Rogers, Ron
Malcolm Arnold's Four Irish Dances are from the latter stage of his career. The 1986 piece complements his other regional dance suites for orchestra, including Cornish, English and Scottish dances, though it darker in mood and colour. Stomping brass and drums in the opening Allegro con Energico give way to two spare middle movements: a Comodo made from anguished melodic imitation and a lilting Piacevole with eerie solo piccolo and miniature trio for trumpets. The 11 minute piece concludes with a wild, contrapuntal jig in triple time.The original orchestra version of the work was premiered at the Leeds Castle Festival on 10 October 1987, by the Wren Orchestra conducted by the composer.
Estimated dispatch 7-14 working days
-
£49.95Cav Party (Concert Band - Score and Parts) - Wiffin, Rob
Cav Party was commissioned by The Band of the Household Cavalry in 2020. The idea was to showcase the various musical elements of the band in a party piece that gets more boisterous as it goes on. It utilises three Eighteenth century melodies associated with the band, starting off with a folkish setting of Handel's March from Scipio for harp, violin, flute and cor anglais (all fully cued on regular wind band instruments) and then into Keel Row where the accordion is featured before the whole band enters, and finally to Money Musk. Both Keel Row and Money Musk are played as Trot Marches by the band.The regimental slow march Scipio comes from Handel's opera of 1725 The Mercy of Scipio, which was based on the life of the Roman General Scipio Africanus.Keel Row is a traditional folk song evoking the life and work of the keelmen of Newcastle upon Tyne. It was first published in 1770, although it could be considerably older. The opening lines of the song describe Sandgate, the part of the quayside overlooking the River Tyne to the east of the city centre where the keelmen lived.Money Musk, also known as Monymusk or Monnymusk was originally a pipe tune composed by Scottish fiddler Daniel (sometimes Donald) Dow (1732 - 1783) in 1776. It takes its name from a baronial estate in Aberdeenshire, Scotland called Monymusk House. The tune first appeared in Dow's Thirty Seven New Reels, c. 1780 under the title Sir Archibald Grant of Monemusk's Reel.Duration: 3.45
Estimated dispatch 7-14 working days
-
£49.95A Life Well Lived (Concert Band - Score and Parts) - Wiffin, Rob
A Life well lived was commissioned by the Morrish family in 2023 on the death of Ian Morrish. It is dedicated to them with the inscription in loving memory of Ian.I knew Ian from early days at Southall Citadel Salvation Army Corps and then our paths crossed again briefly when I joined the Central Band of the Royal Air Force. Ian had been a euphonium player in the band for many years and was about to leave to take up a teaching post in Surrey. He was always very involved in choral music, conducting choirs throughout his life. I therefore wanted to keep this piece song-like and actually started with the song which appears from letter D to the end, which can always be performed on its own. From there I used the rising octaves that introduce the song to form the beginning of the work, with the feeling in the back of my head of a river starting to flow. There is nothing referential in the more dramatic sections towards the beginning, but every life has its dramas and I wanted something to give some balance to the tranquil nature of much of the piece. In the middle of the work I use a little motif taken from a song I remember Ian singing in his floating tenor voice. I develop the motif a little as an accompaniment to a new line which has, for me, a sense of purpose and directness and has an oblique reference to the RAF March Past. This builds to the aforementioned song and from there the music flows with its highs and lows to its peaceful conclusion.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
View Music