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  • £60.99

    Chorale and Presto (Concert Band - Score and Parts) - Saucedo, Richard L.

    This impressive composition by Richard Saucedo features a variety of musical styles in a contemporary sounding setting. The Chorale is written with lush scoring and emotional peaks and valleys. The driving Presto uses mixed meters and a combination of woodwind flourishes and fanfare-like brass figures. The Chorale theme is creatively woven into this section as well, and the ending section builds to an exceptionally strong and rhythmic conclusion.

    Estimated dispatch 7-14 working days
  • £89.99

    Preludio All' Atto II (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco

    For the first draft of the libretto of Un ballo in maschera (1859), Giuseppe Verdi drew his inspiration from the grand-opra Gustave III by Auber, an opera performed for the first time in Paris in 1833 that depicted the assassination of the King of Sweden. However, censorship, first in Naples and then in Rome, intervened and imposed heavy modifications. Perhaps because it was too demanding, Verdi showed no intransigence with the requests coming from Naples and refused to alter the libretto. On the other hand, he yielded to the requests of the Roman authorities and agreed to change the site of the action and the identity of the protagonists. Consequently, the scene moved from Stockholm to Boston and King Gustav became the Count of Warwick, Governor of Massachusetts.The prelude to the second act is very short and introduces the scene at the place where the scaffold stands. In only a few measures, Verdi skilfully succeeds in condensing the interior restlessness of the protagonists, alongside a prayer of hope.Duration: 2:15

    Estimated dispatch 7-14 working days

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  • £79.99

    Guardians of Peace (Concert Band - Score and Parts) - Hosay, James L.

    Guardians of Peace is dedicated to the United States Atlantic Fleet. From their homeport of Norfolk, Virginia, they are ready and able to deploy to any region of the world at a moment's notice, to help maintain peace and stability throughout the world. They have a long, proud history of service and dedication, and played a major role in the success of Operations Desert Shield and Desert Storm. The level of dedication and self-sacrifice required by this type of service is the highest in all the military, as individuals must be separated from families and loved ones for long periods of time, while placing their lives and well-being in grave danger.Duration: 3.30

    Estimated dispatch 7-14 working days

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  • £174.99

    Et in terra Pax (Concert Band - Score and Parts) - Van der Roost, Jan

    This piece was commissioned by the Concert Band Vlamertinge and is a plea for peace: the title translates as Peace on Earth. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words Et In Terra Pax, an appeal for peace, at first jumbled together but later more rhythmically structured, developing into synchronized massed voices. The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the first explosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently coloured sound: the words Et in Terra Pax bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming chorale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words Et in Terra Pax are repeated again and again by the rest of the ensemble. The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.Duration: 13:45

    Estimated dispatch 7-14 working days

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  • £154.99

    Poet and Peasant Overture (Concert Band - Score and Parts) - Suppe, Franz Von - Takahashi, Tohru

    Preludes and overtures were often written to set the mood of Viennese folk plays and therefore might be used for more than one production. Such was the case for Poet and Peasant, which introduced a comedy of the that name in 1846. The piece had already been heard as the overture to the play Lots of money, short of sleep and may also have prefaced two other plays. This overture did not belong to an opera until several years after its 1845 composition date. The themes from this overture are among the most often quoted material for comic effects for stage productions and animated cartoons. Probably, they represent, in sound, an era of nostalgia from the old-time park band concerts and are familiar to audiences of all age groups. This composition deserves to be heard in its original context as a serious, but highly entertaining, selection.Duration: 10:15

    Estimated dispatch 7-14 working days

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  • £132.00

    Madurodam (Concert Band - Score and Parts) - De Meij, Johan

    Madurodam is a small scale miniature town at Scheveningen (near The Hague) and is since many years one of the most important tourist attractions of the conurbation of Western Holland (called Randstad). On a scale 1:25 a charming picture of The Netherlands is given in bird's eye view: several important buildings, churches and townscapes are reconstructed up to the smallest details. There is also a fine transport system: a network of railroads, harbours and motorways covers the park and Madurodam Airport enables air traffic with all continents. The miniature suite Madurodam consists of eight short parts presenting a musical impression of the smallest town in The Netherlands.Reveille the piccolo flute and the side drum announce a new dayToy Soldiers there is a military parade in front of the George Maduro BarracksBinnenhof/Buitenhof a solemn melody is the main theme of the suite and depicts the state buildings and the nearby lake Hofvijver at The HagueSmall Windmills everything that moves or whirls at Madurodam is described in this barrel organ waltzIntermezzo/Nocturne Madurodam by night is described by a solemn passage played in unison by the lower instrumentsThe Westerkerk Church also the capital Amsterdam is represented with the chimes of the famous Westerkerk churchThe Muiderslot Castle an elegant pavane recalls medieval atmospheresGrande Finale the windmill theme comes back and then the suite comes to an end with the Binnenhof theme, decorated by the first strains of the national hymn, Wilhelmus.Duration: 9.15

    Estimated dispatch 7-14 working days

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  • £149.99

    Nemu-Susato (Concert Band - Score and Parts) - Van der Roost, Jan

    Commissioned by the Japan Band Clinic Committee of Yamaha for the Nemu Band Directors Clinic in Nemu no Sato, May 18-20, 1997. The surprising title of this work is an indication of its content. By combining the somewhat similar names 'Nemu no Sato' and 'Susato' into a new word, Jan Van der Roost has produced a significant and interesting subject. The Yamaha corporation has extensive facilities in Nemu no Sato, Japan, including a concert hall, recording studios, hotel and so on. Concerts, workshops, clinics and other events are held here, including the annual Nemu Band Directors Clinic, which consists of numerous musical events. Jan Van der Roost served as guest conductor and speaker in 1994. He was invited again for the 1997 clinic, this time with a composition assignment. The difficulty level of his piece was to be Grade 2 - 3 bands. With this in mind, Mr. Van der Roost strove to create a renaissance-like sound. Simultaneously he wished to create a tribute to Tielman Susato who, like Jan Van der Roost, lived and worked in Antwerp in the 16th century. The first performance of Nemu-Susato was conducted by the composer, performed by the Tokyo Metropolitan Police Band, and took place during the Nemu Band Directors Clinic on May 19, 1997.Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £189.99

    Godzilla Eats Las Vegas (Concert Band - Score and Parts) - Whitacre, Eric

    Note from Composer:It took me seven years to get my bachelor's degree from the University of Nevada, Las Vegas. By the time I graduated I was ready to eat Las Vegas.Tom Leslie asked me to write another piece for the group as I was leaving, and I thought it would be a blast to do something completely ridiculous. The players are called upon to scream in terror, dress like Elvises (Elvi), and play in about thirty different styles from mambo to cheesy lounge music. The audience follows a script that I wrote simulating a campy, over the top Godzilla movie (is there any other kind?).I wrote the bulk of the piece while in my first year at Juilliard, and no kidding, I used to act out the script every morning devouring animal crackers, wreaking havoc all over the breakfast table. The script was originally twice as long, and had an entire subplot devoted to a young scientist and his love interest. As I started to finish the piece, however, it didn't seem that funny and that story (along with an extended Elvis tribute) ended up on the cutting room floor.The idea that this piece is being played all over the world in such serious concert venues is the single funniest thing I have ever heard. It has been played on the steps of the Capitol by the United States Marine Band, by the Scottish National Wind Symphony (they play in kilts, so help me God), and I have a video of a Japanese audience visibly confused and shaken by the whole experience. Can you imagine? I'm laughing my head off even as I write this!Godzilla Eats Las Vegas! was commissioned by the University of Nevada Las Vegas, Thomas G. Leslie, conductor, and received its premiere November 28th, 1996.The performers are encouraged to go crazy: wear showgirl costumes, Elvis costumes, act out scenes on stage, use video and lighting - anything to get a laugh.

    Estimated dispatch 7-14 working days
  • £344.00

    T-Bone Concerto (Trombone Solo with Concert Band - Score and Parts) - De Meij, Johan

    The T-Bone Concerto was Johan de Meij's first composition for solo instrument and symphonic band. It consists of three movements called respectively 'Rare', 'Medium' and 'Well Done'. In addition to the solo trombone, an important role has been allotted to a kind of chamber music ensemble within the band. This group introduces new thematic material and accompanies the soloist, thus creating a delightful transparant accompaniment. The ensemble consists of a double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 french horns and 2 bassoons) plus a cor anglais and a double bass. Parts I and II are written in the A-B-A form and allow the soloist to display both the technical and the lyrical characteristics of the instrument. Part III at first develops into a kind of neo-baroque style using the thematic material of the first and second movement, and finally leads to a triumphant finale and a virtuoso conclusion. Duration: 25.00

    Estimated dispatch 7-14 working days

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  • £111.00

    Well Done (Movement III from T-Bone Concerto) (Trombone Solo with Concert Band - Score and Parts) - De Meij, Johan

    The T-Bone Concerto was Johan de Meij's first composition for solo instrument and symphonic band. It consists of three movements called respectively 'Rare', 'Medium' and 'Well Done'. In addition to the solo trombone, an important role has been allotted to a kind of chamber music ensemble within the band. This group introduces new thematic material and accompanies the soloist, thus creating a delightful transparant accompaniment. The ensemble consists of a double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 french horns and 2 bassoons) plus a cor anglais and a double bass. Parts I and II are written in the A-B-A form and allow the soloist to display both the technical and the lyrical characteristics of the instrument. Part III at first develops into a kind of neo-baroque style using the thematic material of the first and second movement, and finally leads to a triumphant finale and a virtuoso conclusion. Duration: 6.15

    Estimated dispatch 7-14 working days

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