Results
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£39.95
Yuletide Rag - Score and Parts - Richard Phillips
Program NotesYuletide Rag originally appeared in The Salvation Army's 'Unity Series' Band Journal, which is a publication that caters for smaller bands. This 'ragtime' arrangement is based on the well known Christmas song Deck the Halls and this rescored version for wind band will undoubtedly prove to be a useful addition to Christmas repertoire.
Estimated dispatch 7-14 working days
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£56.00New Horizons Fanfare and Processional
This is the perfect fanfare and processional for your band to play at graduation, concert, or any ceremonial event.The 1st trumpet's highest note is Eb. Only the 1st clarinets cross the break.
Estimated dispatch 12-14 working days
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£64.00On Wind and Sails - Roger Cichy
The programmatic theme of this composition is sailing in the waters of Narragansett Bay and sail boat racing. It is an exciting work in 6/8 time. 1st trumpet's highest note is A. Clarinets play above the break.
Estimated dispatch 12-14 working days
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£56.00Bravery and Grace
This new piece from composer George Sweet is a delightful combination of Scotland the Brave and Amazing Grace. Each tune on its own is wonderful, but in Sweet's setting, they are masterfully layered to reflect the composer's Scottish-American heritage. This presentation of a Scottish melody with Americana-inspired harmonies is a stunning example of compositional craft.
Estimated dispatch 12-14 working days
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£86.00Irish Tune from County Derry and Shepherd's Hey - Percy Grainger
Performable either together or separately, the first selection, commonly known as Danny Boy) is a masterful example of the pure beauty of sound and melody, while Shepherd's Hey is a sprightly dance.
Estimated dispatch 12-14 working days
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£59.95The Good, The Bad and The Ugly - Ennio Morricone - Ray Farr
This humourous theatrical arrangement takes a satirical look at the many "spaghetti" Westerns. Ennio Morricone's immortal theme is the basis for a "shoot-out" between "Clint Eastwood" and a "Mexican Bandit", but (un)fortuantely the conductor gets caught in the crossfire! A...
Estimated dispatch 5-7 days
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£87.00
B.B. and C.F. - James Ord Hume - Bertrand Moren
British Bandsman and Contest Field (BB & CF)
Estimated dispatch 10-14 working days
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£79.95Variations on 'Was Lebet' (Concert Band - Score and Parts) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£87.95Phoenix Fanfare & Journey Into Light (Concert Band - Score and Parts) - Holmes, Chris
A Phoenix Fanfare opens with bold, rhythmic motifs built around the interval of a perfect fourth, a musical gesture symbolising strength and renewal. These rhythmic ideas are energetically passed around the wind band, creating a sense of movement and vitality. As the piece progresses, textures build and interplay intensifies, culminating in a striking moment where glissando horns soar above the ensemble--this feature should be given due prominence, as it evokes the mythical rise of the phoenix and adds a dramatic flourish to the conclusion.In contrast, Journey into Light captures the feeling of a 'return to normality' following the lifting of COVID restrictions. The music begins with a short passage in a reflective minor key, representing the uncertainty and isolation of lockdown. Gradually, optimism emerges as the harmony brightens and the tempo increases. The arrival of the presto section marks a turning point--joyful, exuberant, and full of life. From here, the music remains uplifting, celebrating the renewed freedom to rehearse, perform, and connect through music.This piece would make an ideal concert opener or start to a second half of a concert.Duration: 3.30
Estimated dispatch 7-14 working days
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£49.95A Life Well Lived (Concert Band - Score and Parts) - Wiffin, Rob
A Life well lived was commissioned by the Morrish family in 2023 on the death of Ian Morrish. It is dedicated to them with the inscription in loving memory of Ian.I knew Ian from early days at Southall Citadel Salvation Army Corps and then our paths crossed again briefly when I joined the Central Band of the Royal Air Force. Ian had been a euphonium player in the band for many years and was about to leave to take up a teaching post in Surrey. He was always very involved in choral music, conducting choirs throughout his life. I therefore wanted to keep this piece song-like and actually started with the song which appears from letter D to the end, which can always be performed on its own. From there I used the rising octaves that introduce the song to form the beginning of the work, with the feeling in the back of my head of a river starting to flow. There is nothing referential in the more dramatic sections towards the beginning, but every life has its dramas and I wanted something to give some balance to the tranquil nature of much of the piece. In the middle of the work I use a little motif taken from a song I remember Ian singing in his floating tenor voice. I develop the motif a little as an accompaniment to a new line which has, for me, a sense of purpose and directness and has an oblique reference to the RAF March Past. This builds to the aforementioned song and from there the music flows with its highs and lows to its peaceful conclusion.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
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