Results
-
£209.99Machu Picchu - Satoshi Yagisawa
Commissioned for the Ensemble Liberte Wind Orchestra, Kawaguchi City, 30th Anniversary ConcertExplaining the significance of Machu Picchu begins with remembering the Incan empire at its zenith, and its tragic encounter with the Spanish conquistadors. The great 16th century empire that unified most of Andean South America had as its capital the golden city of Cuzco. Irresistible to Francisco Pizarro, while stripping the city of massive quantities of gold, in 1533 he also destroyed Cuzco's Sun Temple, shrine of the founding deity of the Incan civilization.While that act symbolized the end of the great empire, 378 years later an archeologist from Yale University, Hiram Bingham, rediscovered "Machu Picchu", a glorious mountaintop Incan city that had escaped the attention of the invaders. At the central high point of the city stands its most important shrine, the Intihuatana, or "hitching post of the sun", a column of stone rising from a block of granite the size of a grand piano, where a priest would "tie the sun to the stone" at winter solstice to insure its seasonal return. Finding the last remaining Sun Temple of a great city inspired the belief that perhaps the royal lineage stole away to this holy place during Pizarro's conquest.After considering these remarkable ideas I wished to musically describe that magnificent citadel and trace some of the mysteries sealed in Machu Picchu's past. Three principal ideas dominate the piece: 1) the shimmering golden city of Cuzco set in the dramatic scenery of the Andes, 2) the destructiveness of violent invasion, and 3) the re-emergence of Incan glory as the City in the Sky again reached for the sun.(Satoshi Yagisawa)
Estimated dispatch 7-14 working days
-
£104.99Ceremonial March - Jan Van der Roost
In the course of the two centuries following the death of Henry Purcell in 1695, no British composer of any statue was apparent. Consequently, the break-through of Edward Elgar (1857-1934) as an internationally known and respected composer at the end of the last century, was of considerable importance. As a composer Elgar was largely self-taught and he looked towards the continent for his inspiration. He is without doubt on par with his contemporaries such as the somewhat younger Richard Strauss. The Belgian composer Jan Van der Roost is a genuine admirer of Elgar's music and on the occasion of the fiftieth anniversary of the composer's death in 1984 he composed the "CeremonialMarch". Van der Roost was inspired by the most famous and frequently played works from Elgar's catalogue of works, the characteristic "Pomp and Circumstances" marches, and decided to add his own, sixth march to the existing collection.
Estimated dispatch 7-14 working days
-
£60.99They are Coming - John Emerson Blackstone
There are people who are capable of planning well. They live their lives in a well-structured manner and know exactly what they have to do. On the other hand, there are also people who are the exact opposite: they want to do too many things at once and are often somewhat absent-minded, which occasionally results in frantic situations. The outcome of one such situation is 'They are coming'. John Emerson Blackstone had been working on a new composition for some time when he received a telephone call from his editor, who told him that the deadline was approaching rapidly, even worse, that it would expire at the end of that same day and that he would drop by in person to fetch thecomposition! Blackstone set to work in a frenzy and completed the last details. When his editor arrived, the piece was finished ..... and got its definitive title: 'They are coming'.
Estimated dispatch 7-14 working days
-
£140.80
Summer Dances - Adam Gorb
'Summer Dances' is a joyful work in three short movements celebrating my favourite season where people are happiest outdoors. Each movement is a celebration the first movement 'Summer Day' celebrates the open air, with a bold and arrogant melody in 10/8 time, whose rhythm dominates the movement. The next movement 'Summer Night' could be described as a 'Beach Habanera' led by a sensuous trumpet melody. The movement ends with an ambiguous harmonic build-up, which is resolved at the start of the finale 'Summer Party' with a folk like theme that is passed round the ensemble, building up, (with suggestions of the first movement theme) to a riotous and festive ending. Summer Dances was commissioned by HAFABRA Music, Louis Martinus in collaboration with Biblioservice Gelderland/Music department MUI, Arhnhem, the Netherlands. Regarding interpretation suggestions: Movement 1) Lively but not too fast very much a piece for the full ensemble, up until the final six bars when things become more subtle and intimate maybe sunset.... Movement 2) Very laid back and sexy. The movement should be thought of as a wonderfully promising 'first date' or 'wedding night', with great possibilities with the unresolved chord at the end of the movement.... Movement 3) As fast as is comfortably possible. The start should be delicate and chamber music like, but increase in general excitement, particularly from figure 31. Something should be saved up for a true fortissimo at 34.
Estimated dispatch 7-14 working days
-
£126.50Slava! - Wind Band - Leonard Bernstein
The first theme of Slava! is a vaudevillian razz-ma-tazz tune filled with side-slipping modulations and sliding trombones. The second theme is a canon, and after a brief development section, the two themes recur in reverse order. Near the end, they are combined with a quotation (proclaimed by the ubiquitous trombones) from the Coronation Scene of Moussorgsky's 'Boris Goudonov', where the chorus sings the Russian word slava!, meaning, glory! In this way, the composer is paying homage to his friend Mistislav Rostropovich, called 'Slava' by his friends and to whom the overture is fondly dedicated. The overture was written to celebrateRostropovich's inauguration as music director of the National Symphony Orchestra in Washington, D.C., in 1977. Leonard Bernstein, the son of a Russian immigrant, was born near Boston, Mass., and studied composition at Harvard. Called 'an authentic American hero, an arts hero,' Bernstein had a distinguished career as composer and conductor. - James Huff
Estimated dispatch 7-14 working days
-
£114.99Conga del Fuego Nuevo (Concert Band - Parts only) - Marquez, Arturo - Nickel, Oliver
Score available separately.Following on the success of Arturo Marquez's Danzon No.2 adapted for band, Oliver Nickel's transcription of Conga del Fuego Nuevo (Conga of New Fire) gives an added kick to the concert band repertoire. In contrast to the elegant, sinuous Danzon, Conga is an up-tempo, celebratory piece, bright and catchy, with the percussion section providing the signature kick at the end of the conga pattern. Marquez slows things down in the middle section to spotlight the 1st trumpet in a melody that recalls the mariachi tradition. The alto saxes pick it up and relax into a ritard, only to be interrupted by the return of the opening material. The piece ends in fiery fashion.Duration: 5:00
Estimated dispatch 7-14 working days
-
£23.99
Conga del Fuego Nuevo (Concert Band - Score only) - Marquez, Arturo - Nickel, Oliver
Parts available separatelyFollowing on the success of Arturo Marquez's Danzon No.2 adapted for band, Oliver Nickel's transcription of Conga del Fuego Nuevo (Conga of New Fire) gives an added kick to the concert band repertoire. In contrast to the elegant, sinuous Danzon, Conga is an up-tempo, celebratory piece, bright and catchy, with the percussion section providing the signature kick at the end of the conga pattern. Marquez slows things down in the middle section to spotlight the 1st trumpet in a melody that recalls the mariachi tradition. The alto saxes pick it up and relax into a ritard, only to be interrupted by the return of the opening material. The piece ends in fiery fashion.Duration: 5:00
Estimated dispatch 7-14 working days
-
£49.95BLACK FIRE (after Paradise Lost) (Violin Solo with Concert Band - Score only) - Clarke, Nigel
This is not a straight forward concerto, but rather a symphonic drama for violin and ensemble. It uses the soloist as both protagonist and ensemble player, much as Berlioz treated the viola in his symphony 'Harold in Italy'. Black Fire is written in one movement though it has three clear sections (slow, fast and slow). The music reflects the various shades of darkness and suffering that dominate the atmosphere of the early part of the poem. The violinist takes the role of Satan, reflecting his moods, from righteous indignation to sorrowful remorse. A motif from Wagner's opera 'Gotterdaemmerung' (Twighlight of the Gods) is used throughout the work to represent Satan's brooding hatred. At the end of the work you will find Satan in the form of the solo violin heroically travelling towards Paradise to corrupt 'Mankind'. Duration: 26:00
Estimated dispatch 7-14 working days
-
£109.99Frida's Whiskers Wind Band Set (Score & Parts)
David Well composed 'Frida's Whiskers' in commemoration of his own cat, who met an untimely end. Frida (whose real name was 'Godefrida van Coopersburg thoe Nieuwenhuys') was a lively creature, who led a playful and uncomplicated life. She used to sleep in her basket for hours, but when she woke up she upset the entire house and its furnishing. Curtains were inspected from top to bottom and flower pots fell from window-sills just like that! Outside, in the open air she was in her element. She used to frolic, bouncing into the air. After such playful moods she would return to her basket tired but satisfied where, being the cleanly cat that she was, she subjected her entire body, whiskers included, to a thorough wash. 04:30
Estimated dispatch 7-14 working days
-
£109.99Metalla Wind Band Set (Score & Parts)
Metalla was commissioned by the 'Kreisverband Altenkirchen' of Germany and dedicated to Ottomar Jung. The composer himself conducted the premiere of the piece, which was performed by the 'Jugendorchester Kreisverband Altenkirchen' on 25 March 1999.The region of Altenkirchen is known for its iron mines, which find musical expression in the dark mood of the introduction (andante misterioso). This effect is accomplished with overlapping seventh intervals, orchestral crescendos, a succession of broad chords and the presentation of most themes in the middle register of the band.The dynamic section (allegro energico) that follows the introduction is characterized by concise figures in the brass and a second motif, a kind of rippling motion depicting the Sieg River, an important element in the landscape of the Altenkirchen region.The work closes with a final theme that returns a number of times, albeit in different guises. After a brief repeat of the seventh intervals from the beginning, a last radiant chord signals the end of the piece. 0:05:15
Estimated dispatch 7-14 working days
View Music