Results
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£154.99The Fever Tree - Rob Goorhuis
The composition ".The Fever Tree". in 2008 was commissioned by the Music Association of Central and Eastern Netherlands St.Willibrord as a gift to all its members on the occasion of the formation of a national music organization and the elimination of the music union for Central and Eastern Netherlands St.Willibrord. The fever tree is a controversial legend about St. Willibrord (658-739). The daughter of a pagan chieftain of Hoemannen that made the area around Heumen unsafe, was seriously ill. They feared for her life. The chief of the gang turned to predatory Willibrord, who same time in this region led mission. Willibrord commanded theman to repent and a headband of the girl to a certain special tree to hang. The desperate captain obeyed, and his daughter was a miraculous heal. Then came the anger of the Hoemannen against their leader, who in their eyes had committed treason by the group to convert. They abused themselves to him and killed him brutally. The daughter remained behind in great sorrow, comforted by Willibrord. The composition has the following scenes: - Andante moderato - the calling of Willibrord - Allegro moderato - Willibrord passes through the province of Brabant and try to people to repent - Vivace - Hoemannen terrorize the inhabitants of the area Heumen - Andante - the healing of the sick girl and the conversion of the centurion - Inquieto - the revenge of the Hoemannen - Adagio - elegy on the death of the chief
Estimated dispatch 7-14 working days
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£149.99St. Martin's Suite - Jan Van der Roost
This suite was composed by Jan Van der Roost on the occasion of the 110th anniversary of the 'Koninklijke Sint Martinusfanfare' (Royal Saint Martinus Fanfare Band) from Halle (Belgium). The composer was required to create a suite in three movements based on three images associated with the 'Sint Martinusfanfare' from the small town of Halle in the province of Brabant. The first movement (Andante Pomposo) describes Martin, a soldier in the Roman army. In Andante Moderato we see the image of Martin, who become a Christian and chooses to devote his life to God. In this movement, the composer was inspired by the Brabantine gothic art of the Sint Martinus Basilica in Halle. Thecontrast between the dark Basilica and the statue of Our Lady between the soaring pillars will vividly come to life for audiences of this descriptive piece. The final movement, Allegro Molto Vivace', could have been an image for a frivolous peasant in the Halle carnival. In a triptych about St. Martin it is more fitting to refer to it as an apotheosis, the crown on the pastoral work of Martin, Bishop of Tours, Patron Saint of the Fanfare Band and the Basilica of Halle.
Estimated dispatch 7-14 working days
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£94.99Ebony Fantasy - Filip Ceunen
Ebony Fantasy is a short solo piece for B flat clarinet and wind band - an ideal piece to put young soloists into the spotlight! After a short introduction, in which the theme - more-or-less - is first heard, there follows a lyrical Andante espressivo and a powerful Allegro. The entire ensemble participates in a short cadenza before returning to the lyrical Andante, which brings the piece slowly and gradually to a close.
Estimated dispatch 7-14 working days
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£275.99UFO Concerto - Johan de Meij
Ufo Concerto, the first solo work by Johan de Meij for euphonium solo, is not a traditional concert work in the classical sense. It is comprised of five movements that are thematically interconnected: Andante - Con moto , Giocoso - Vivo, Andante cantabile, Vivace, and Alla Marcia - Vivace.
Estimated dispatch 7-14 working days
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£78.50Bleak Forest (Concert Band - Score and Parts) - Ziegelback, Andreas
Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022.Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales... don't they?Andreas Ziegelback studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universitat, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelback's interest in composing. In 2021, Andreas Ziegelback completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.Duration: 6.00
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated dispatch 7-14 working days
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£119.99Hermitage (Concert Band - Score and Parts) - De Haan, Jan
Concertante Variations on an original theme after Pyotr Ilyich TchaikovskyJan de Haan drew inspiration for this work from five paintings exhibited in The Hermitage in Saint Petersburg, one of the largest and most versatile museums in the world. He used the melodious Andante cantabile from the String Quartet Op. 11 by the Russian composer Pyotr Ilyich Tchaikovsky as its starting point. Thus, he created his own musical painting, which is just as varied as the underlying canvases, from Cheerful Company by Dirck Hals to Dance II by Henri Matisse. A true work of art!Duration: 13.30
Estimated dispatch 7-14 working days
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£57.50Solveig's Song (from Peer Gynt Suite No.2) (Concert Band - Score and Parts) - Grieg, Edvard - Vinson, Johnnie
Composed by Edvard Grieg in 1875, music from Peer Gynt was originally incidental music for Henrik Ibsen's five-act play. The beautiful "Solveig's Song" is from the second orchestral suite later extracted by Grieg. Johnnie's tender setting opens with a lyric theme scored for the trumpet section. A brief andante section features the woodwinds before returning to the opening melody this time richly scored for full band. A beautiful work for teaching lyric style playing.
Estimated dispatch 7-14 working days
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£110.00Gloria, Movement II (Concert Band with opt. Choir - Score and Parts) - Rutter, John - Noble, Paul
The Andante movement from Gloria, one of Rutter's most ambitious concert works. Its premiere was the occasion for his first visit to the US, in May, 1974. As with many of Noble's arrangements of John Rutter's compositions, this work is written for combined Chorus and Concert Band, but may be performed by Concert Band alone.
Estimated dispatch 7-14 working days
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£295.00Gloria (Concert Band with opt. Choir - Score and Parts) - Rutter, John - Noble, Paul
Gloria is one of Rutter's most ambitious concert works, and its premiere was the occasion for his first visit to the US, in May, 1974. Rutter himself sees this work as analogous to a symphony, with three movements-- allegro vivace, andante, vivace e ritmico--i.e., fast, slow, fast, in common with symphonic practice, and, says Rutter, "exalted, devotional and jubilant by turns". As with many of Noble's arrangements of John Rutter's compositions, this work is written for combined Chorus and Concert Band, but may be performed by Concert Band alone.
Estimated dispatch 7-14 working days
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