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  • £84.99

    Animal Kingdom Wind Band Set (Score & Parts)

    In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing in swing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with the opportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore very expressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animals always plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style also emphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friends and intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtis the Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. Betty Butterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Even members of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised using scales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces the gypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swing rhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition. 07:30

    Estimated dispatch 7-14 working days

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  • £84.99

    Variations on a Theme by Elgar - Árpád Balázs

    In rpd Balzs's diverse and varied oeuvre, works for wind orchestra play a prominent role alongside choral music. He composed the Elgar Variations in 2022 on the theme of one of Edward Elgar's (1857-1934) short early works (Love's Greetings, 1888). As rpd Balzs writes ''The theme I used as the starting point for my work may already be considered a variation, since I 'peeled off' the dense ornamentation and the tonicisations from it, and what remained was the melody, beautiful in its own place. What come back from time to time from the theme in the variations are: the arched structure, the double peak point, and mostly the major sixth leaping downwards, then upwards. The modest, transparent orchestration, which then is amplified at the repetition of the theme is also a defining feature. There is a personal family secret hidden in the third variation: a late compliment to a loyal spouse for the past half century... The closing variation is calm and quiet - similarly to the chorale-like slow movement in Bla Bartk's 3rd Piano Concerto. It is like a message from an old composer to the Future.'' The Elgar Variations together with the Concertino (1992, Z. 14909) and the Rhapsody (2015-2021, Z. 15167) form an ambitious, emotionally wide-range trilogy for a concert band.

    Estimated dispatch 7-14 working days
  • £74.99

    Fanfare for an Occasion - Philip Sparke

    Fanfare for an Occasion was written to celebrate the 20th anniversary of the founding of Anglo Music Press, the publishing company dedicated to the works of British composer, Philip Sparke. It is a bright and festive work in which the main theme starts on the tenor instruments of the band before appearing as canonical imitation by all sections in turn. A short, repeated bridge passage leads to a second theme on the saxes that is taken up by the full band and leads back to a return of the main theme and a repeat of the second subject, which brings the fanfare to a brilliant close.

    Estimated dispatch 7-14 working days

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  • £252.10

    Holberg Suite - Edvard Grieg

    Edvard Hagerup Grieg (1843-1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folkmusic in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity. Grieg is regarded as simultaneously nationalistic and cosmopolitan in his orientation, for although born in Bergenand buried there, he traveled widely throughout Europe, and considered his music to express both the beauty of Norwegian rural life and the culture of Europe as awhole.1884 was the bicentenary year of the birth of Ludvig Holberg (1684-1754)and as a part of the celebrations various Scandinavian composers were commissioned to write commemorative pieces. From Holbergs Time was one of Griegs contributions. It was first written for piano but in 1885 the composer transcribed it for stringorchestra. For his suite Grieg went back to some of the musical forms used by Holbergs contemporaries but although the forms and style may be rococo the contents are unmistakably characteristic of Grieg himself. Grieg gave the first performance ofthe piano version in Bergen, Holbergs birthplace, in December 1884.

    Estimated dispatch 7-14 working days
  • £79.99

    Villages - Michael Sweeney

    Calling for the band to be divided into four separate ensembles (and spread apart if space permits), Villages explores a wide range of harmonic and rhythmic interplay between each of these musical villages. The opening creates adense canopy of sound, out of which the unique identity of each group variously emerges then melts back into the texture. As the fast pace continues, melodic fragments are bounced from group to group with interjections from thepercussion. A slower lyric section provides contrast before the frantic pace returns leading to the exciting conclusion. Innovative in its conception, this stunning work will expose your students and audience to dramatically newsounds for band! Dur: 8:15

    Estimated dispatch 7-14 working days
  • £64.99

    Barn Dance - Douglas Court

    Young bands love to play rhythmic music. Audiences love to tap their feet. Directors want to keep BOTH the young players and their listeners happy. What better way than a BARN DANCE to bring people together?! Carefully scoring gives first and second year players the thrill of performing energetic and joyful music. Let's step back to a simpler time. Put on your best overalls! It's time for a hoedown!

    Estimated dispatch 7-14 working days
  • £84.99

    Three Holiday Scenes - Timothy Johnson

    An imaginative look at a good old-fashioned Christmas! From aromas of family favorites cooking in the kitchen, to the images of decorated trees, snow scenes, and caroling - all are a part of that wonderful celebration.Rather than just taking the same old Public Domain Christmas carols for one more go 'round, Timothy Johnson has composed the majority of THREE HOLIDAY SCENES using fresh and original melodies. The first scene opens with fragments of "Oh Tannenbaum" but quickly moves into a beautiful Christmas waltz. An "effets de neige," or "Snowfall effect," carries the luscious second and contrasting scene. In the 3rd and final scene, the phrases from well-known carols mergewith one another, creating the effect of "caroling." Finally, melodies serve as counterpoint for one another and bring this delightful vignette to a close. This piece presents an excellent opportunity to work with the Art department in creating drawings and paintings of holiday images. Pull your chair a little closer to the fireplace and sit back for a winsome holiday treat!

    Estimated dispatch 7-14 working days

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  • £62.95

    Of Wizards and Warriors - Roland Barrett

    Transport your audience back to medieval times in this spirited and bold new work for young band. The noble opening instantly conjures images of a world where magic and chivalry abound. As tempo picks up, the entire ensembledrives forward as layer upon layer is added. A beautiful lyrical section builds to a powerful impact before the piece moves to a final section beginning with a trumpet ostinato that alternates between 4/4 and 2/4. As layers areadded in different speeds, the piece builds to a dramatic conclusion! (5:07)

    Estimated dispatch 7-14 working days
  • £115.60

    Hymne til gleden - Ludwig van Beethoven

    Schiller's text of 1785 was partially used by Beethoven in1824 when he did finish the 4th movement of his 9th Symphony. The melody has later been used in very many contexts. As the anthem of the European Union, a lot of movies (A clockwork Orange, Die Hard, etc.), music to video games, as the anthem of Rhodesia, as rebel song in Chile and by FIFA. Therefore, it can be used in most settings This Young Band arrangement focuses on the main melody. In the original, the B part is repeated in each variation, but to get three variations (out of four), this repetition has been cut. The first variation should be played as soft as possible, but still with a nice sound. Crescendo to forte(f) and going back to pp should be as a surprise.

    Estimated dispatch 7-14 working days

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  • £82.50

    Romp! - Darren W. Jenkins

    Romp! was inspired by and dedicated to the composers very cute tabby who decided that his computer table (where he composes) was his spot to be... also when coming up with ideas for this piece, it seemed to fit him very well. The piece represents how he tends to wake up instantly and spring into action... running and darting here and there. The solo breaks and legato section represents how he can shift gears, stopping quickly, then springing right back to his romping around. There is optional "cat meowing" at the end that can be done by one person, if your group has someone who does a good cat meow, or electronically if you have the equipment. Or you can leave it out, though it does add a nice touch.

    Estimated dispatch 7-14 working days