Results
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£59.00Where No Band Has Gone Before (Concert Band - Score and Parts) - Neeck, Larry
The title says it all as you and your band embark on an exciting and harrowing musical adventure to the edge of the galaxy! An ethereal introduction leads to a heroic and vigorous, march-style theme, which gradually builds in intensity to a compelling climax. Bold thematic material, along with special instrumental effects, heighten the intensity and drama of the work. Perfect as a contest piece, or even that change-of-pace moment in your concert, "Where No Band Has Gone Before" provides an appealing and dazzling musical showcase for your band. Duration: 3.30
Estimated dispatch 7-14 working days
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£72.00Castles in Europe (Concert Band - Score and Parts) - Europe, James Reese - Wilson, Chandler L.
Composer James Reese Europe, one of the most famous African-American musicians of his day, was called the Martin Luther King of music by pianist Eubie Blake. The first African-American bandmaster in the United States Army, Europe gained great popularity as a dance band leader, a military band leader, recording artist, and a composer of merit. Known in New York music circles, and also for touring Europe with his National Guard band, Europe is remembered today for composing several works, including Castles in Europe with the subtitle, The Innovation Trot - Ragtime March. This delightful work is arranged for today's concert band by Chandler L. Wilson. An enjoyable ragtime work from an American composer to be remembered!Duration: 2.00
Estimated dispatch 7-14 working days
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£85.00Under Spanstind (Concert Band - Score and Parts) - Torskangerpoll, Idar
Suite in Three MovementsThis piece of music is a commissioned work for Lavangen School band and their band music convention in 2019. The piece was performed under the mountain Spanstind (located far north in Norway) by a band consisting of approx 400 amateur musicians. The mountain Spanstind is 1457 meters high and drops into the valley Spansdalen below, an especially scenic venue.The composition is inspired by the sami joik (folk song) Ru?gu?ohkka, the song to Spanstinden. It is also inspired by the nature of the surroundings. Mvt 1 "Ro" (calmless) describes the feeling of calmness in the midnight sun. Mvt. 2 "Uro" (unrest) describes a scene of wind, snow, avalance and the big forces of nature. Mvt 3 "Storhet" (greatness) describes the feeling of greatness the nature has, and how we experience it as majestic and exalted.The piece can be played with the movements alone, or one can add the signals played by soloist(s) off-stage or in the back of the hall. The signals are to be played before, in between, and after the 3 movements. All instruments can be soloists. The soloist performs the signals rhythmically aleatoric, where each soloist repeats the signal 4 times in his or her own tempo. Signal 1 is played before Mvt 1, signal 2 is played between Mvt 1 and 2, signal 3 is played between Mvt 2 and 3, and signal 4 is played while the band holds the last note (long, use stagger breathing). after a while, all the soloists end on the same note and the music fade out.Duration: 6.30
Estimated dispatch 7-14 working days
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£112.50Hereditas (Concert Band - Score and Parts - Schjelderup, Fredrick
Hereditas was commissioned by the Norwegian school band, Lilleaker Skoles Musikkorps for their 110th anniversary in 2019. The piece begins with a fanfare to celebrate the band. The theme continues and develops into different rhythmic patters inspired by the name of the band. Hereditas is the latin word for inheritance/heritage, which is central for the Norwegian school band who's been active since 1909. Duration: 7.45
Estimated dispatch 7-14 working days
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£60.00Skill Stretchers for Band II (Concert Band - Score and Parts) - Hoefle, Heather
Level 2: Moving Beyond the B-flat Concert Scale. Do you wish your clarinets would practice going over the break? Do you want your trumpets to practice lip slurs and your flute players to remember those high note fingerings? Do your percussionists forget the rudiments? Are you struggling to introduce chromatic fingerings in a heterogeneous classroom setting? Skill Stretchers For Band II is a set of exercises for group practice of all these concepts AT ONCE! A follow-up to Skill Stretchers For Band, this invaluable teaching tool will help your band move beyond B flat concert scale efficiently and effectively. Prepare your students for the next performance level in just minutes a day! Duration: 2.45
Estimated dispatch 7-14 working days
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£50.00First Things First (Concert Band - Score and Parts) - Hoefle, Heather
From composer and educator Heather Hoefle, "First Things First" is a basic blues/rock tune for the very beginning band that is playable with just the first five notes introduced in most beginning band methods. Pedagogically sound and musically effective, it is the perfect choice for the first full band arrangement for your beginning band. Your students will love this musical experience! Duration: 1.20
Estimated dispatch 7-14 working days
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£55.00Speak Up (Concert Band - Score and Parts) - Hoefle, Heather
Connect your band with the music of today's youth. "Speak Up" is a young band piece in a hip-hop style and feel. Your musicians will love the groove and the featured soli sections. Based on a Bb blues scale, this piece for the beginning band will help solidify the concert Db firmly into your student's musical vocabulary. Heather Hoefle's educational and musical artistry are clearly evident throughout. Your band and audience are going to love this! Duration: 2.15
Estimated dispatch 7-14 working days
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£96.00Reflections (Concert Band - Score and Parts) - Langenfeld, Robert
Reflections is a musical portrayal of the people and moments in our lives which shape and change us. Musical elements from various sources are woven into a rich tapestry of sounds and colors that show the full expressive range of the band. Perfect for contest and festivals! Reflections by Robert Langenfeld, was commissioned by a consortium (alumni/friends/family/UCM Bands/ CTS Pubs) for Dr. Russell Coleman in celebration of his 90th birthday and his service as director of bands at the University of Central Missouri (CMSU) for 32 years. Langenfeld was given guidelines for the composition which included a clarinet soli (Coleman is a clarinetist), excerpts from "Dance Prelude" (commissioned by Dr. Coleman and the UCM Phi Mu Alpha chapter, written by Claude T. Smith for the CMSU (UCM) Band in 1978), the UCM Alma Mater and the UCM fight song, "Go Mules." This work was premiered on June 17, 2018 by the Warrensburg Community Band, under guest conductor, Dr. Anthony Pursell, at the 2018 Missouri Bandmasters Association Summer Convention at Tan-Tar-A in Osage Beach, MO. Dr. Russell Coleman has been the conductor for the Warrensburg Community Band since 1985. Duration: 5.30
Estimated dispatch 7-14 working days
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£75.00Aria (from Suite Antique) (Flute Solo with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. This arrangement for Concert/Wind Band and Solo Flute adheres to the original presentation, but is expanded for a full band accompaniment to the solo flute. The harpsichord is optional, being cued elsewhere, but may be performed as in the original score by either harpsichord or an electronic keyboard with a similar setting. A jazz drumset is optionally included in the fourth (jazz waltz) movement, and other percussion discretely added in other movements. It is exciting to hear earlier musical forms brought into today's music appreciation, and this setting of a flute solo with band is especially refreshing for both soloist and band.
Estimated dispatch 7-14 working days
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£95.00Chanson (from Suite Antique) (Flute Solo with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. This arrangement for Concert/Wind Band and Solo Flute adheres to the original presentation, but is expanded for a full band accompaniment to the solo flute. The harpsichord is optional, being cued elsewhere, but may be performed as in the original score by either harpsichord or an electronic keyboard with a similar setting. A jazz drumset is optionally included in the fourth (jazz waltz) movement, and other percussion discretely added in other movements. It is exciting to hear earlier musical forms brought into today's music appreciation, and this setting of a flute solo with band is especially refreshing for both soloist and band.
Estimated dispatch 7-14 working days
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