Results
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£49.95Pop Goes the Band (Concert Band - Score and Parts) - Bernotas, Chris M.
Watch your ensemble spring to life in this fun and engaging arrangement of the traditional tune "Pop Goes the Weasel," called "Pop Goes the Band." Each section of the band stands up to perform their part of the melody and gets a moment to shine. Sure to be a hit with your beginning band!Duration: 1.50
Estimated dispatch 7-14 working days
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£164.99Zodiac Dances (Concert Band - Score and Parts) - Sparke, Philip
Six miniatures based on animals from the Japanese 'Junishi'. Zodiac Dances was commissioned by the Izumiotsu City Band, Osaka, Japan to celebrate their 50th anniversary. Sparke had previously written the piece, Prelude to a Celebration for the band, and in composing a new piece for their 50th anniversary wanted to personalise it to reflect the band's history. He chose to write a set of six dance-miniatures based on the decades following the band's foundation and the equivalent signs from the Japanese 'Junishi'. During the piece, all aspects of true musicianship come to the surface. Energetic playing, phrasing, melodic music making, technique and a spectacular finale make this work a perfect test or concert work! Duration: 11.00
Estimated dispatch 7-14 working days
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£72.99Flying Colors (Concert Band - Score and Parts) - Buckley, Robert
Third Movement of A Tribute to Arthur Delamont.Imagine a band far off in the distance marching toward you - soft at first, the music becomes louder and louder; the red capes of the band sway in the wind, getting closer and closer. It was this image that inspired Flying Colors. Famed bandmaster Arthur Delamont always programmed a march in his concerts, and the hallmark of his band was their red capes. The work begins very softly with a distant snare drum beat. The trumpets enter quietly with the melody, and with each new melodic entry the music grows and intensifies to a roaring finish. This is a fresh new take on a march, and is sure to please players and audiences alike! Flying Colors is the third movement of A Tribute to Arthur Delamont and was commissioned by the West Vancouver Youth Band.Duration: 3:10
Estimated dispatch 7-14 working days
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£66.95The Haunted Carousel (Concert Band - Score and Parts) - Svanoe, Erika
Winner of the 2014 National Band Association Young Band Composition Contest, "The Haunted Carousel" was conceived as a piece for band utilising the sound of a theremin, an electronic instrument often used in old science fiction and horror movies. The part is optional and all critical material is doubled with other instruments of the band. The theremin part is designed to be performed live on an amplified iPad with the GarageBand application. This is one Halloween piece your entire audience will be talking about long after the concert!Duration: 4:30
Estimated dispatch 7-14 working days
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£75.00Ding Dong! Merrily on High (Concert Band with Optional Choir - Score and Parts) - Noble & Rutter
Since first hearing John Rutter's orchestration of Stuart Nicholson's adaptation of this piece, I have wanted to bring it to the repertoire of the Concert/Wind Band. It is written for combined Concert Band and Chorus, but may be performed by Band alone. The choral part is shown in the conductor's score, but is not included in the set. This is the happiest and most joyful presentation of the 16th-century French carol that will delight your audience and band alike!
Estimated dispatch 7-14 working days
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£110.00To Every Thing There is a Season (Concert Band with Choir or Trumpet Solo - Score and Parts) - Rutter, John - Noble, Paul
Upon first hearing this beautiful composition by John Rutter, it seemed obvious that it would not only be a great piece for combined Band and Chorus, but also would be a perfect solo for trumpet. Therefore, in addition to the arrangement for either combined band and chorus, or trumpet solo and band, this arrangement for Brass Band is now available as well. The beauty and simplicity of the piece should certainly allow it to become a mainstay in the repertoire of trumpet solos at any level.
Estimated dispatch 7-14 working days
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£45.95Parade Procession (Concert Band - Score and Parts) - Salerno, Christopher
This piece is designed to create the impression of a marching band passing by during a parade. As the piece begins, the percussion is heard off in the distance, and as the band approaches, more instruments can be heard until the moment the marching band passes by and the entire band is playing. The piece ends as it began, with instruments heard sporadically as the percussion fades away.Duration: 2:15
Estimated dispatch 7-14 working days
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£73.50Alarums, Opus 27 (Concert Band - Score and Parts) - Mailman, Martin
Martin Mailman (1932-2000) composed "Alarums for Band, Op. 27" in 1962 in Greenville, North Carolina. The word "alarum" means a "call to arms." The piece was originally titled "Overture for Band" and was later changed to "Alarums for Band" sometime between its completion in 1962 and publication in 1969 with John Barnes Chance, Mailman's colleague and friend, probably suggesting the change in title sometime during this period. Bold and commanding, a cherished addition to the Belwin Classic Band series. Durtion: 6.00
Estimated dispatch 7-14 working days
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£87.50Liturgical Music for Band (Concert Band - Score and Parts) - Mailman, Martin
Liturgical Music for Band, Op. 33, was completed in 1963. Since then, the piece has become a landmark work in the band repertoire with countless performances by several generations of students. The piece is based on four movements selected from the Mass "Proper" and "Ordinary." The band plays in a chime-like style to announce the opening movement, "Introit." The second movement has the same three sections as the "Kyrie" from the Mass (Kyrie eleison -- Christe eleison -- Kyrie elieison). The theme of the third movement is the same rhythm as the word "Gloria," and the style is jubilant, just like the Mass text ("Glory to God in the highest . . . "). The fourth movement, "Alleluia," features an energetic fugue and an exciting climax. Duration: 12.30
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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