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  • £100.00

    Gloria (from Mass of the Children) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    Mass of the Children represents something new in the composer's work insofar as it was conceived with an integral role for a children's choir alongside an adult mixed choir, two soloists, and orchestra (now band). The role of the children's choir is to add a further dimension to the traditional Latin Mass sung by the adult choir, sometimes commenting, sometimes amplifying the meaning and mood. His musical understanding, sense of melody, harmony and orchestration are oftentimes fully capable of telling the story even without the text. In the setting for band alone, the children's choir part is generally set for solo trumpet.

    Estimated dispatch 7-14 working days

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  • £100.00

    Kyrie (from Mass of the Children) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    Mass of the Children represents something new in the composer's work insofar as it was conceived with an integral role for a children's choir alongside an adult mixed choir, two soloists, and orchestra (now band). The role of the children's choir is to add a further dimension to the traditional Latin Mass sung by the adult choir, sometimes commenting, sometimes amplifying the meaning and mood. His musical understanding, sense of melody, harmony and orchestration are oftentimes fully capable of telling the story even without the text. In the setting for band alone, the children's choir part is generally set for solo trumpet.

    Estimated dispatch 7-14 working days

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  • £395.00

    Mass of the Children (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    Mass of the Children represents something new in the composer's work insofar as it was conceived with an integral role for a children's choir alongside an adult mixed choir, two soloists, and orchestra (now band). The role of the children's choir is to add a further dimension to the traditional Latin Mass sung by the adult choir, sometimes commenting, sometimes amplifying the meaning and mood. His musical understanding, sense of melody, harmony and orchestration are oftentimes fully capable of telling the story even without the text. In the setting for band alone, the children's choir part is generally set for solo trumpet.

    Estimated dispatch 7-14 working days

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  • £100.00

    Sanctus and Benedictus (from Mass of the Children) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    Mass of the Children represents something new in the composer's work insofar as it was conceived with an integral role for a children's choir alongside an adult mixed choir, two soloists, and orchestra (now band). The role of the children's choir is to add a further dimension to the traditional Latin Mass sung by the adult choir, sometimes commenting, sometimes amplifying the meaning and mood. His musical understanding, sense of melody, harmony and orchestration are oftentimes fully capable of telling the story even without the text. In the setting for band alone, the children's choir part is generally set for solo trumpet.

    Estimated dispatch 7-14 working days

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  • £202.99

    Missa Tornacum (Choir with Concert Band - Score and Parts) - Waignein, Andre

    Felicien Doyen, the President of the Tornacum Royal Choir Circle of Tournai (Belgium) and a close friend of the composer commissioned this Mass. Missa Tornacum was originally composed for mixed choir and organ, gave a memorable performance of the piece in the Chartres Cathedral in France.Although it does not include the Credo, the work is composed according to the traditional structure of a Mass in five parts : Kyrie, Gloria, Sanctus, Agnus Dei, and Ite missa est. En the first two parts, a dialogue is created between the choir and the band. It is followed by the Sanctus cycle ("Sanctus" - "Hosanna" - "Benedictus"), which is remarkable for the contrasts between the tone colours characterising each of its three parts. The fourth part, Agnus Dei, takes on a tone of serene intimacy. A free counterpoint draws this section to a close by fading into an almost imperceptible quietness. Ite missa est begins with a series of imitations, which develop into a majestic and cheerful passage marking the end of the Mass. Choir parts are available separately.Duration: 17:00

    Estimated dispatch 7-14 working days

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  • £75.00

    I Believe in Springtime (Trumpet Solo (or Childrens Choir) with Concert Band - Score and Parts) - Rutter, John - Noble, Paul

    I Believe in Springtime is a celebration of life, with text and music by John Rutter. The original scoring was for children's choir, optional SATB chorus, and small orchestra. This arrangement maintains the original elements, with children's choir, optional SATB chorus, and band. In the absence of the children's choir, the arrangement is scored for solo trumpet, with the SATB parts performed by various sections of the band. Either way, the simple beauty of the melody gives this piece an air of refreshment to the meaning and beauty of life.

    Estimated dispatch 7-14 working days

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  • £75.00

    Once in Royal David's City (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks

    Once in Royal David's City is a Christmas carol originally written as a poem by Cecil Frances Alexander. The carol was first published in 1848 in her hymnbook Hymns for Little Children. A year later, the English organist Henry John Gauntlett discovered the poem and set it to music. According to The New Oxford Book of Carols, the text was conceived by Cecil Alexander after overhearing a group of her god children complaining about the dreariness of the catechism. Cecil masterfully took doctrines from the Apostle's Creed and simplified them for her hymns. Cecil wrote about 400 hymns in her lifetime, among which are All things bright and beautiful and There Is a Green Hill Far Away. She used the money for charitable purposes, and was a tireless advocate (and visitor) of the poor and sick. Henry John Gauntlett had spent the first half of his career as a lawyer before abandoning his practice to pursue music. He served as the organist at a number of leading London churches. Gauntlett was a prolific writer and is said to have composed over 1000 hymn tunes. He made tremendous contributions to the world of music, even inventing mechanical improvements to the organ. As a result, he was praised by the famous Felix Mendelssohn and was awarded an honorary doctorate in music from the Archbishop of Canterbury. In 1919, Arthur Henry Mann, organist at King's College (1876-1929), introduced an arrangement of Once in Royal David's City as the processional hymn for the service. In his version, the first stanza is sung unaccompanied by a boy chorister. The choir and then the congregation join in with the organ on succeeding stanzas. This has been the tradition ever since. It is a great honor to be the boy chosen to sing the opening solo--a voice heard literally around the world. In this arrangement for band accompaniment, the first five verses may be performed as directed by the conductor, with different groupings of instruments for each verse, i.e., Vs.1, A cappella; Vs. 2, Fl., Oboe, E.H., Bsns; Vs. 3 Cl., Saxes; Vs. 4, Brass; Vs. 5, All, and Vs. 6 as written with featured descant. This arrangement is one of the Series of Band Arrangements compatible with the David Willcocks Carols for Choir, Book 2 (#31).

    Estimated dispatch 7-14 working days

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  • £85.00

    Arise, Shine (from Visions) (Flute or Violin Solo with Concert Band and Optional Treble Choir - Score and Parts) - Rutter, John - Noble, Paul

    Visions is one of John Rutter's most recent compositions (2016). It was written for violin solo, treble voice choir, strings and harp. This arrangement maintains the violin solo as an option, but it is presented as a flute (and optionally with a movement for alto flute) solo with band. The vocal parts are included as an option, but the arrangement is also scored so that it may be performed without the treble choir. Visions is a tribute to Jerusalem, with the four movements titled: 1. Jerusalem the blessed; 2. Arise, shine; 3. Lament for Jerusalem; 4. Finale: The holy city. A showcase for the soloist, the depth of meaning and feeling in this music will make it an important addition to the repertoire of the Concert/Wind Band.

    Estimated dispatch 7-14 working days

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  • £75.00

    Blow, Blow, Thou Winter Wind (from When Icicles Hang) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    John Rutter received an early commission for a piece of music that was seasonal for winter, though not necessarily linked to the Christian traditions of Christmas, in the early '70s. The request came from his friend Russell Burgess, a well-known conductor in the English musical scene and head of the Wandsworth School Boys' Choir through the '60s and '70s. Rutter responded with a six-movement work for orchestra, boys' choir, and mixed chorus, called When Icicles Hang. He chose his texts, characteristically, from Elizabethan and other early English poetry, each text dealing with images from the wintery season, be they the cold, ice-bound landscape and its winds; an older man's weariness in the face of the season; or the contrapuntal pleasures of ale and honey love for those safely inside on winter nights. The movements are: I. Icicles; II. Winter Nights; III Good Ale; IV Blow, blow, thou winter winds; V. Winter wakeneth all my care; VI . Hay, ay. With sparkling orchestration which has been faithfully set for Concert/Wind Band, the work may be performed with chorus as originally written, or may be performed effectively by band alone. The work is available as a complete set of six movements, or each movement may be purchased and performed individually.

    Estimated dispatch 7-14 working days

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  • £95.00

    Finale: The Holy City (from Visions) (Flute or Violin Solo with Concert Band and Optional Treble Choir - Score and Parts) - Rutter, John - Noble, Paul

    Visions is one of John Rutter's most recent compositions (2016). It was written for violin solo, treble voice choir, strings and harp. This arrangement maintains the violin solo as an option, but it is presented as a flute (and optionally with a movement for alto flute) solo with band. The vocal parts are included as an option, but the arrangement is also scored so that it may be performed without the treble choir. Visions is a tribute to Jerusalem, with the four movements titled: 1. Jerusalem the blessed; 2. Arise, shine; 3. Lament for Jerusalem; 4. Finale: The holy city. A showcase for the soloist, the depth of meaning and feeling in this music will make it an important addition to the repertoire of the Concert/Wind Band.

    Estimated dispatch 7-14 working days

     PDF View Music