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  • £279.99

    Analecta Varia Wind Band Set (Score & Parts)

    Harrie Janssen composed Analecta Varia in memory of Henk van Lijnschooten (1928-2006). He has been of great influence on the Dutch music for wind instruments. As a conductor and as a member of the jury, but above all as a prominent composer. Consists of eight sound studies that can also be performed separately. In each part a particular orchestral aspect is the central point. The eight parts 1. Choral: ensemble in monophonic texture. 2. Air: relatively free line patterns combined with a constant pulse. 3. Pavana: constant rhythmicity culminating in an orchestral tutti. 4. Lullaby: dissonant harmony above an organ point in a filigree instrumentation. 5. Chaconne: color and virtuosity combined with a rigid pasacaglian theme. 6. Interlude: antithesis woodwind/brass and followed by a synthesis of the before. 7. Fugue: ensemble in a polyphonic texture. 8. Epilogue: final canto in a preponderating strong dynamic, where a constant euphony has to be pursued. 22:00

    Estimated dispatch 7-14 working days

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  • £154.99

    Castellum Wind Band Set (Score & Parts)

    This work consists of two movements. The first part is rather quiet and pastoral in character, written in a gently rocking 12/8 time and expressing the tranquillity of the area around the medieval town of Oudenburg in Belgium. After a beautiful orchestral climax the second section, inspired by the Roman past of Oudenburg, begins. A somewhat oppressive and impending introduction leads to the musical reflection of an army parade: Oudenburg was a so-called "castellum," and the remains of the fortress are still visible in the current town plan. A more dynamic passage follows featuring the low brass. After that, the solemn rhythm of the parade is recaptured, culminating in a triumphant ending. 0:09:00

    Estimated dispatch 7-14 working days

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  • £115.00

    CELEBRATION (Concert Band) - Woolfenden, Guy

    Three Movements:RondoValseTristeMarchThis work was commissioned as a celebration of the life and work of Murray Slater, the inspirational musical director of Derbyshire City & County Youth Wind Band, who sadly died in 2000. Murray was greatly loved and respected in the wind and brass band world, was a fine trumpeter and teacher, and was universally known as "Man of Music".Celebration attempts to capture facets of Murray's personality. The Rondo's theme has a witty rhythmic twist to it, the Valse Triste features a solo trumpet, and the concluding March contrasts a Prokofievian theme with a slower "big tune" that attempts to match the stature of the man.The first performance took place on 12th July 2002 in Chesterfield with the Derbyshire City & County Youth Wind Bands, conducted by the composer.Duration 15 minutes

    Estimated dispatch 7-14 working days
  • £115.00

    DIVERTIMENTO FOR BAND (Concert Band) - Woolfenden, Guy

    Includes:I. ToccataII. AubadeIII. ScherzoMany of the principal musical ideas for Divertimento for Band are derived from music composed for a documentary film called Country Camera, which celebrated the work of the earliest photographers who recorded a way of life which vanished at the outset of the first World War.The three movements are played without a break. The Toccata pits a four-note motif (which always appears with its mirror image) against several other derived ideas, including a sour horn (later trumpet) figure, a tiny lyrical passage initiated by a solo alto saxophone, and a more gentle, but still staccato episode. Many polytonal devices keep the four-note motif active. The Aubade contrasts a lyrical pastorale, initiated by a solo flute, with a more intense central section on the brass. The Scherzo finale has three main ideas; a tune for principal bassoon and euphonium of a playful child-like nature, a rushing figure for the woodwinds later developed by the full band, and a solo for trumpet and clarinet, involving a descending scale and a lyrical wide-leaping recovery. The exuberant coda is derived from themes from the previous two movements.The world premiere of Divertimento for Band was given at the conference of the World Association for Symphonic Bands and Ensembles in Killarney on 13th July 2007 conducted by the composer, and is affectionately dedicated to Keith Allen, Jayne Rollason and Birmingham Symphonic Winds. -GW

    Estimated dispatch 7-14 working days
  • £144.95

    FANFARE TO PLANET EARTH and MILLENNIUM MARCH (Prestige Concert Band - Score and Parts) - Fanshawe, David - Sparke, Philip

    These two works may be performed individually or, as published, together. Fanfare to Planet Earth - the Fanfare opens dramatically with heraldic trumpets answered by sforzando strikes on deep percussion. The Fanfare embraces the splendour and grandeur of our planet Earth, molto grandioso, and culminates in a chordal cluster - a blaze of brass and percussion in G major, describing feelings of optimism at the start of the 21st century. Performance time 1'50". Millennium March - constructed along classical lines, the theme of Millennium March is catchy and not without humour. Its recurring motif on trumpets, con brio, develops the opening bars of the Fanfare. The March gathers momentum through several dramatic key-changes and ends with a surprise flourish of chromaticism, marked Tempo Apocalyptic. Cannons and fireworks are optional! Performance time 4'10'

    Estimated dispatch 7-14 working days
  • £32.95

    FANFARE TO PLANET EARTH and MILLENNIUM MARCH (Prestige Concert Band - Score only) - Fanshawe, David - Sparke, Philip

    These two works may be performed individually or, as published, together. Fanfare to Planet Earth - the Fanfare opens dramatically with heraldic trumpets answered by sforzando strikes on deep percussion. The Fanfare embraces the splendour and grandeur of our planet Earth, molto grandioso, and culminates in a chordal cluster - a blaze of brass and percussion in G major, describing feelings of optimism at the start of the 21st century. Performance time 1'50". Millennium March - constructed along classical lines, the theme of Millennium March is catchy and not without humour. Its recurring motif on trumpets, con brio, develops the opening bars of the Fanfare. The March gathers momentum through several dramatic key-changes and ends with a surprise flourish of chromaticism, marked Tempo Apocalyptic. Cannons and fireworks are optional! Performance time 4'10'

    Estimated dispatch 7-14 working days
  • £224.99

    Les Marteaux de la Marine Wind Band Set (Score & Parts)

    Les Marteaux de La Marine was composed in 1999 as a commission by the Marine Band of the Royal Netherlands Navy. The composition contains three static elements which interchange. Static in this case means that development of the material is not pursued (by the composer). The first element with which the piece begins is tranquil and colourful. The second element is sharp and incisive, while the third expresses energy. In all elements a repeated tone is the starting point which explains the hammers in the works title.The instrumentation is richly variegated with a harp also determining the palette of colours in the slower movements. The composition opens with an atmospheric Larghetto containing fine harmonies in the soft and subtly moving wood-winds. The introduction breathes an impressionistic atmosphere in which expressive cantilenas and soloistic agile motifs stand out. A strong setting is followed by an Allegro virtuoso containing fast motifs contrasted with short and rhythmic stars of the various instrumental sections. Trumpets and horns add a virtuoso bugle-call motif. After a short stringendosection, the transparent Larghetto returns with a varied setting of the opening elements. The beautiful leading roles in this section are reserved for cornet (trumpet) and horn. Subsequently, the flashing Vivo starts with continuous movements in triplets from both wood-winds and brass. Next, the opening Allegro re-appears once again and thus Les Marteaux de la Marine ends with a fast and virtuoso climax. Les Marteaux de La Marine was selected as a compulsory grade 6 contest piece for symphonic bands in the Netherlands. 17:45

    Estimated dispatch 7-14 working days

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  • £94.95

    NORTHERN LANDSCAPE (Concert Band) - Graham, Peter

    Northern Landscapes is scored for professional brass quintet and grade 3/4 wind band. The four movements provide musical mood pictures of various aspects of working life in Northern Ireland. 1) Industry opens the suite with the bustle of factory machinery, followed attacca by 2) Seascapes, which evokes the calmness of local waters during a fishing expedition. 3) Earth Dance references the mining industry where the blackness of the environment is mirrored by the darkness of the music. 4) Flight evokes the path of an aircraft on its maiden journey in this tribute to the aircraft industry.

    Estimated dispatch 7-14 working days

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  • £184.95

    PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol

    This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35

    Estimated dispatch 7-14 working days

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  • £44.95

    PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol

    This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35

    Estimated dispatch 7-14 working days

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