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£137.99Theme Park Fun! - Wilco Moerman
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit, you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition.Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day full of fun and pleasure awaits! You and the other visitors willbe confronted with all the rides, attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! A parade of colorful floats and park figures is passing by.Letthe fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun, is the Haunted House. Here visitors will be challenged to visit a house full of ghosts, creepy figures and otherominous things. The clock strikes twelve, there is no turning back. Ghosts are whispering, yelling, screaming... Fortunately it is almost one oclock, so we can leave this creepy place quickly.Part 3: The Swinging Galleon [withillustrations]What a huge pirate ship! Each time you swing back and forth, you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have a fantastic view over the park, but you can not enjoy itfor long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions, it is time for a peaceful tour in The Fairy Tale Ride.Surrounded by a fairytale setting, you will discover fable figures, talking animals and colorful designs. Such a beauty and tranquility. Having had this experience, we are ready again for the big rides in the park!Part 5: The Bumper Cars[with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bump against someone else. In this tough ride you can prove yourselfas a real driver, or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest, fastest and scariest ride in the park ... we should definitely do the Roller Coaster! All together in the train, theover-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the top and the train will be plunged down the first drop! Loops,corkscrews and other spectacular coaster elements will follow... Before you know it, the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [with animation]Unfortunately everything comes to an end. Thisday in the theme park is over, but we have a lot new experiences to talk about! The memories of all the funny and spectacular rides will come up when we walk through the park to the exit. Just one look over the shoulder, the amusement park figuresare waving at us. Hopefully we will come back again soon!
Estimated dispatch 7-14 working days
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£101.50Passacaglia and Interlude - Gerald Sebesky
Gerald Sebesky brings us back to an era for style and form of the past, but with a modern sound. Not dissonant, but changing time meters, and counterpoint all within the Grade 4 performance level. First trumpet's highest note is B flat.
Estimated dispatch 7-14 working days
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£123.40Cherubic Hymn of Ukraine - Yakiv Yatsynevych
Ukraine was invaded on February 24, 2022, and the world again became spectators to a conflict between unequal opponents. Once again we saw lies, injustice and brutality up close.I must admit that a feeling of powerlessness arose when experiencing this, an empty feeling of not being able to do anything useful.One early Monday morning, a few weeks into the conflict, I sat down to listen to Ukrainian music.I hardly knew any Ukrainian music, but I was familiar with the composer Mykola Leontovych, the man who composed "Carol of the Bells". He was a member of the Ukrainian liberation movement, and he was assassinated by a Soviet agent in 1921.One of his contemporary colleagues was the composer, teacher and conductor Yakiv Yatsynevych (1869-1945). He wrote church music and choral music, and I became very taken by his Hymn to the Cherubim, a part of the Orthodox Mass.I could not find any sheet music for this. But I have listened to numerous choral recordings, and I have tried to notate the music as I believe the composer himself has done originally.I chose to do the arrangement for a solo group of 4 players. These players can be placed at a distance from the ensemble, maybe on a gallery or at the back of your concert hall.The arrangement was made for Brttum Brass for their participation in the Oslo Brass Festival in April 2022.The performance in the church this particular night was met with a long-lasting silence after the last note. The warm respect, the moving response and love we felt from the audience is a memory I will carry with me for a long time.In the lyrics to this psalm, one finds the phrase:Let us now lay aside all earthly cares- John Philip Hannevik - |
Estimated dispatch 7-14 working days
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£98.20Golden suite - Lorenzo Pusceddu
In the Non Valley, during spring when the water of Lake Santa Giustina starts lowering, the old main traffic system and the steep terrain with the Groppello vineyards resurface. The majestic and uncompromising Mount Ozolo dominates this landscape and acts like a guard of the fertile valley. The people who had to walk along the Regiai road to leave their village in search of fortune keep those memories very alive. Their trip started by descending the valley along the Regiai road, walking through the luxuriant vineyards that were supported by dry stone walls, downright mosaics of stones built to help the growth of the vineyard. Those who left and casted a glance at their village for one last time could catch sight of the Ozolo, the mountain of the primordial man, of hunting and friendship. They also had to cross a bold stone bridge that still exists and is jealously safeguarded by the lake water, which has also sunken together with the bridge hectares of vineyards of Groppello, the vine of the traditional and vigorous wine produced in the Non Valley. Its name is said to come from the typical structure of the grapes, which are compact and resemble a thick tangle ("groppo" in local dialect), almost a defense against the shifting temperatures of the fall that gives the grapes a bright color and a honey-like sweetness. The production at the end of the nineteenth century was of circa fifty thousand hectoliters of wine, but today it has reduced to only five hundred hectoliters produced by about thirty courageous farmers who want to preserve an authentic patrimony of taste and flavor. These wine makers have the will to safeguard a vineyard that is at risk of extinction and work the land as they used to do many years ago: with hoe, shovel, and a lot of sweat! The Groppello vineyard extended to the bottom of Mount Ozolo, but on the higher slopes the more rigid temperatures allowed only for the growth of pines, spruces, larches, broad-leaved trees, and pastures. In the course of the years, this typical vegetation of the mountain has provided the population with the raw material to build houses, to keep warm during the winter, and to feed the animals. Mount Ozolo has also been since ancient times the "sacred" mountain of the valley, and today it has become a game preserve and a site of socialization for young people who know how to love and respect nature.
Estimated dispatch 7-14 working days
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£113.30Enjoy - Marco Tamanini
"Enjoy", but also savour, relish: this is not descriptive music, but music to be appreciated. From three points of view: the rhythm of the first movement, the melody of the second and the swing of the third. This piece is characterised by a continuous variation of timbres and colours, in a quest for instrumental solutions that are constantly changing. Examples of this are the main theme in the first movement, which provides the rhythmic backing for the introduction of the third movement, or the sinuous melody of the Bolero, which unravels in a constant development of sounds and timbres.
Estimated dispatch 7-14 working days
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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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£104.50Tour De Force - Robert Jager
Looking for an exciting, different but still traditional setting of a march ? Then you and your students will enjoy this original work composed in 1973 for a foreign tour band. Both woodwind and brass writing is playable for good junior high bands as well as high school groups. Ranges are moderate, rhythms tricky but within the grade level of the work. (2 minutes 30 seconds)
Estimated dispatch 7-14 working days
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£71.50Zombies Knocking On Your Door - John Prescott
Imagine that you are being pursued by a horde of Zombies, the living dead, who have decided to make you one of them. You run inside your house and lock the door, but they come knocking. You tell them to go away, but they just knock louder and as time goes on their knocking grows more and more insistent. How will it end? Listen to this scary piece and judge for yourself.
Estimated dispatch 7-14 working days
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£82.50The Shady Grove - Travis J. Weller
Shady Grove is a folk song that began to be heard in the southern Appalachians around the time of the Civil War. The memorable melody has a distinctively haunting quality that one cant help but be affected by. Many different lyrics exist for the song (some estimate it could be as many as 250), but the central themes are that of longing, love, and friendship. The use of washboard and spoons at one point brings this catchy bluegrass tune to life, helping us connect to this delightful American folk song.
Estimated dispatch 7-14 working days
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£149.40Brigade Nords Marsj - Vilje til seier - Stig Nordhagen
The march is based on the motto "Commitment to Victory". The main theme is loosely built around a Norwegian dance; halling from Senja. It has a "kvnsk" origin (Finnish-Hungarian spark), but the source is probably even more far east.In themarch, the halling is affected by other melodies which play counter-voices, but despite the attempt to force the melody in another direction, it triumphs victorious. The music is the North Brigade's "Will to Win".
Estimated dispatch 7-14 working days
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