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£174.99The Legend of Flathead Lake - Carl Wittrock
In Scotland, the monster of Loch Ness is a hot issue, but the American state of Montana enjoys a comparable phenomenon going by the name of Montana Nessie. In the western part of this remote state lies Flathead Lake: a lake of 45 kilometres /38miles in lenght and 24 kilometres /15 miles breath. At several places, its depth exeeds 100 metres.Nessies discovery takes us back to the year 1889, when captain James Kerr aboard the passengership U.S.Grant was startled by a ship unknown to himsuddenly approaching his vessel across Flathead Lake. However, it turned out not to be a ship but an undefinable animal of immense size.From that moment onwards, life would never be the same again in and around Flathead Lake.The composer wasinspired by the story, and summarized the events into a symphonic poem, but from a surprising angle:that of the monster. The exiting opening allows us to follow the monster in its natural surroundings.The fast follow-up movement depictsMontana Nessie trotting and frolicking about the Montana woods and prairies.From its abode, it thorougly enjoys everything around it. This period abruptly ends in a short climax (Chimes). The solo for cor anglais marks a new period in themonsters life.The presence of people has a paralizing effect and the apprehensive atmosphere of the slow movement may be felt profoundly.The monster observes and mildly teases the ship. Abhor sounds force the ship to a withdrawal.The movingmusical continuation depicts the triumphant monster dancing an ironic waltz. The monsters fear and anger at the intrusion of his freedom run through the piece like continuous threads, and develop into the works final theme.
Estimated dispatch 7-14 working days
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£117.80Freedom Defended - Rossano Galante
Inspired by the non-violent civil rights protest of February 1, 1960 against a segregated lunch counter in Greensboro, NC, Freedom Defended strives to encapsulate the story of this now historic event. Commissioned by the band directors of the North Carolina Central District and East Central District Bandmasters Associations, this four movement piece honors each of the North Carolina Agricultural and Technical State University students known as the "Greensboro Four", Joseph McNeil, Franklin McCain, Ezell Blair Jr., and David Richmond. Their actions directly led to the Civil Rights Act of 1964 which mandated desegregation in public spaces. Movement 1 (Da Sogno) - The opening thematic material is dream-like and idyllic as the "Greensboro Four" enter the Woolworth Store at 132 South Elm Street and peacefully sit at the lunch counter and order coffee. Movement 2 (Con Fuoco) - The piece takes a dark turn when they are refused service and are told "We don't serve Negros here". The music is somewhat dissonant and rhythmic but a heroic theme captures the tenacity and courage of these brave young men. Movement 3 (Molto Cantabile) - A plaintiff theme portrays the hopelessness the four freshmen faced as they continued to be refused service until they leave when the store closed that night. Movement 4 (Con Spirito) - Undeterred, the "Greensboro Four" returned the next day, this time joined by more than twenty other black students. While they were again refused service, the sitins began to attract media attention and each day more and more students, both black and white, joined the cause. By February 4th, over 300 students staged sit-ins not only at the Woolworth Store but also the lunch counter at Greensboro's S. H. Kress & Co. The music is rejoicing and uplifting, similar to the opening statement, but now fully orchestrated and more fully developed. Coda - a quiet theme based on the motives from the opening thematic material brings the work to a reflective close as we remember these four men who, in the face of adversity, stood up for equality for all men and women.
Estimated dispatch 7-14 working days
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£154.60Den store dagen - Benny Borg
This beautiful song contains a huge contrast between the hopeful and the disappointing. A mother has her birthday and is waiting her children to celebrate it. Each verse starts optimistically, but the short chorus is characterized by the disappointment, that everyone calls, and cannot come. This has been tried recreated musically, mostly in the last two choruses, as it dawns on her that she will not receive a visit. It's a beautiful tune, but with a serious message that it's easy to take someone for granted.One of the elements the musicians came up with after rehearsal, was that they really liked the change between the ballad parts with even eights and the swing parts. This also gives the piece a sense of "parlando" character, which tells a story, and is therefore important to focus. It is not quite simple, as the melody also in those parts with even eights has some triplet rhythms. Therefore, this is a topic you can work on.Regarding instrumentation, Flugelhorn, Alto Saxophone and Euphonium have important roles, in addition to the rest of the first parts in the Band. The arrangement is written so you are not depending on "special" instruments. Important details are also often duplicated so you can use the arrangement for a smaller Wind Band.It is also possible to use a vocal soloist, but then you must soften the instruments that holds the melody.
Estimated dispatch 7-14 working days
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£109.99Arctic Funk - Torstein Aagaard-Nilsen
Arctic Funk might just as well have been a flashing sequel to a scene from Leonard Bernstein's West Side Story. Popular music but with a difference, as indicated by the title. The work's quiet section temporarily soothes down the heated passion of its two corner movements, but everywhere else action is required throughout. The work was commissioned in 1991 by Troms? Brass. Situated just above the Polar Circle, Troms? is one of Norway's northernmost towns. Topographically, the town probably comes across as freezing cold, but Troms? is famous for its 'warm' night-life. The Composer: In Arctic Funk you might get a feeling of a party that takes place betweenice-rocks and snow-capped mountains.
Estimated dispatch 7-14 working days
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£39.95Nearest Thing by Far to Heaven (Flute Solo with Concert Band - Score and Parts) - Wiffin, Rob
An expressive solo for flute and band, this slow, blue-tinged piece is the result of the opportunity given by the Covid lockdown of 2020 to look anew at some old songs. In this one, a fairly straightforward but expressive melodic line is stated in its original form then repeated in a much expanded and occasionally florid setting, allowing the soloist to cover a range from low C up to top A. Eventually the music returns to the tranquillity of the opening.The band accompaniment was written in 2024 and is kept light but colourful allowing the soloist to be expressive without fighting to project through the texture.Duration: 3.45
Estimated dispatch 7-14 working days
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£33.95Song Without Words (Cornet, Oboe or Violin Solo with Concert Band - Score and Parts) - Wiffin, Rob
This simple but poignant little piece presents no technical challenges but needs expression and good control.Duration: 3.15
Estimated dispatch 7-14 working days
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£144.99Serenata (Euphonium Solo with Concert Band - Score and Parts) - Van der Roost, Jan
While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!Duration: 12.00
Estimated dispatch 7-14 working days
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£87.99General Sherman (Concert Band - Score and Parts) - Jeanbourquin, Marc
General Sherman is a giant sequoia situated in the Sequoia National Park, in California. The naturalist James Wolverton named it in homage to the famous American general William Tecumseh Sherman. The impressive character of this sequoia inspired the composer, but the introduction could also evoke General Sherman arriving in the distance. Marc Jeanbourquin imagined how this giant could be in all its grandeur, attempting to climb into the foliage to find the light that filters from the top. But energetic passages indicate that the presence of the general is never far. The work concludes with a reminiscence of the initial theme, full of mystery.Duration: 5.15
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated dispatch 7-14 working days
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£116.00Triptych (Concert Band - Score and Parts) - Moe, Oyvind
Triptych was commissioned by Midtun Skoles Musikkorps for their 60th anniversary in 2018.The term triptych originally meant a three-part altarpiece but is used today to denote any piece of art in three parts. This piece has no direct link to the visual arts, religious or not, but retains the original format of a central section with two wings. The main theme of the piece is presented in the slow middle movement, while the outer movements, a rhythmic and energetic opening and a dramatic and eventually triumphant finale, are built around variations of this theme. The intention has been to create a total expression that maintains the connectedness and sense of whole implied by the title, rather than simply being a work in three parts.Duration: 14.30
Estimated dispatch 7-14 working days
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