Results
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£85.00Emperata Overture (Flexible Ensemble - Score and Parts) - Smith, Claude T. - Earp, Joseph Benjamin
Emperata Overture is a wind band classic for concert and festival alike. The original publication of this work established Claude T. Smith's use of the 7/8-time meter as his signature rhythmic device for instrumental ensembles. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated dispatch 7-14 working days
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£85.00Dramatic Prelude (Flexible Ensemble - Score and Parts) - Smith, Claude T. - Earp, Joseph Benjamin
Dramatic Prelude begins with a dramatic fanfare, which is followed by an easily accessible melody; a del segno takes you back to the dramatic fanfare and an ending as exciting as the beginning. This flexible arrangement allows ensembles to perform the work with as few as twelve musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated dispatch 7-14 working days
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£85.00Declaration Overture (Flexible Ensemble - Score and Parts) - Smith, Claude T. - Earp, Joseph Benjamin
Declaration Overture has a five-note motive in an opening slow section, followed by a driving Allegro where the original five-note motive is put through a series of variations. This flexible arrangement allows ensembles to perform the work with as few as ten musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated dispatch 7-14 working days
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£85.00Castlebrooke Overture (Flexible Ensemble - Score and Parts) - Smith, Claude T. - Earp, Joseph Benjamin
Dedicated to William (Bill) Maupin, a friend and fellow music educator of Claude T. Smith, Castlebrooke Overture is a perfect piece to introduce younger ensembles to meter changes and a couple measures in 3/8 time. This flexible arrangement allows ensembles to perform the work with as few as ten musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated dispatch 7-14 working days
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£85.00Mozart's Sandbox (Concert Band - Score and Parts) - McKenzie, J. Scott
What kind of music would Mozart write if he were alive today and had been exposed to jazz, rock 'n' roll, and polytonality? This piece supposes that he would start with what he knew and then figure it out on the fly! Mozart's Sandbox is a piece rich with depth and humour, but thoughtfully scored for young bands.
Estimated dispatch 7-14 working days
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£85.00Avondale Overture (Flexible Ensemble - Score and Parts) - Smith, Claude T. - Earp, Joseph Benjamin
Avondale Overture is perfect for younger concert bands. Simple key changes, tempo changes, and one 7/8 measure provide appeal and interest for students and teachers alike. This flexible arrangement allows ensembles to perform the work with as few as ten musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated dispatch 7-14 working days
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£90.00God of Our Fathers (Flexible Ensemble - Score and Parts) - Smith, Claude T. - Earp, Joseph Benjamin
God of Our Fathers is based on the hymn with the same name and is one of the most iconic American Christian hymns dating back to the 19th-century. Claude T. Smith's concert band arrangement of this hymn has become a staple of band literature. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated dispatch 7-14 working days
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£85.00Concert Variations (Flexible Ensemble - Score and Parts) - Smith, Claude T. - Earp, Joseph Benjamin
Concert Variations was written for the Lambda Chapter of Phi Beta Mu and originally premiered at the Missouri Music Educators Convention in 1975. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated dispatch 7-14 working days
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£49.50A Moorside March (Flexible Ensemble - Score and Parts) - Holst, Gustav - Brand, Michael
Holst composed A Moorside Suite for Brass Band in 1928. It is in three movements, this March being preceded by a Scherzo and Nocturne. It is an extraordinary mature work for band from a master composer. There is very little fortissimo writing and there are no semiquavers at all. Instead, Holst has written clean melodic lines with each part being woven into a texture based on the modal lines of English folk music; but these represent its stylistic origin rather than using actual folk tunes as in Holst's earlier band writing. The March is stirring and flowing and is an ideal standalone piece to open or close any concert or festival programme. Duration: 4.15
Estimated dispatch 7-14 working days
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£63.50Tigerstaden (The City of Oslo March) (Concert Band - Score and Parts) - Strand, Oyvind
The expression comes from the great poet Bjornstjerne Bjornson where he in the poem Siste sang (Last song) describes a battle between a tiger and a horse. The tiger symbolizes the big city (Oslo) while the horse symbolizes the countryside, ie the traditional battle city vs country. Hence Oslo (Kristiania) got the negative nickname Tigerstaden (Tiger City), but as time went on, the name established itself as something positive and familiar, and has become a beloved nickname, without negative associations, in the Capital. Duration: 3.30
Estimated dispatch 7-14 working days
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