Results
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£84.99Claribelle - Wim Laseroms
Claribelle is fairly unique as a solo piece as rather than using one soloist it uses the whole clarinet section to play the solo part. . The composition is characterised by a fast tempo and by a theme which primarily consists of scale patterns that create a virtuoso character. Wim Laseroms wrote the piece in ABA-form with the accompaniment in the middle section having a somewhat more lyric character than that of the first and last sections. In the coda, the solo and the accompaniment join forces and conclude this short work in style with a brilliant fortissimo.
Estimated dispatch 7-14 working days
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£110.00Three Spanish Dances (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
These characteristic and expressive dances are written for solo oboe or solo clarinet. (A creative approach might be to include a dialogue between the two instruments.) The solo parts are of medium difficulty, with an extended cadenza in the first movement. The harp part (or electronic keyboard or piano) is important, but the work may be performed successfully without harp. The suite may be performed as a set or as individual pieces. This is a delightful showcase for the soloist(s), and holds great audience appeal with the typical Spanish rhythms.
Estimated dispatch 7-14 working days
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£84.99
Claribelle (Concert Band - Score and Parts)
Claribelle is fairly unique as a solo piece as rather than using one soloist it uses the whole clarinet section to play the solo part. . The composition is characterised by a fast tempo and by a theme which primarily consists of scale patterns that create a virtuoso character. Wim Laseroms wrote the piece in ABA-form with the accompaniment in the middle section having a somewhat more lyric character than that of the first and last sections. In the coda, the solo and the accompaniment join forces and conclude this short work in style with a brilliant fortissimo. 03:00
Estimated dispatch 7-14 working days
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£115.00
DIVERTIMENTO FOR BAND (Concert Band) - Woolfenden, Guy
Includes:I. ToccataII. AubadeIII. ScherzoMany of the principal musical ideas for Divertimento for Band are derived from music composed for a documentary film called Country Camera, which celebrated the work of the earliest photographers who recorded a way of life which vanished at the outset of the first World War.The three movements are played without a break. The Toccata pits a four-note motif (which always appears with its mirror image) against several other derived ideas, including a sour horn (later trumpet) figure, a tiny lyrical passage initiated by a solo alto saxophone, and a more gentle, but still staccato episode. Many polytonal devices keep the four-note motif active. The Aubade contrasts a lyrical pastorale, initiated by a solo flute, with a more intense central section on the brass. The Scherzo finale has three main ideas; a tune for principal bassoon and euphonium of a playful child-like nature, a rushing figure for the woodwinds later developed by the full band, and a solo for trumpet and clarinet, involving a descending scale and a lyrical wide-leaping recovery. The exuberant coda is derived from themes from the previous two movements.The world premiere of Divertimento for Band was given at the conference of the World Association for Symphonic Bands and Ensembles in Killarney on 13th July 2007 conducted by the composer, and is affectionately dedicated to Keith Allen, Jayne Rollason and Birmingham Symphonic Winds. -GW
Estimated dispatch 7-14 working days
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£104.99
Sugar Blues Wind Band Set (Score & Parts)
Imagine yourself in a smoky pub with all the joys that entails. A nice jazzy solo puts you in the mood. This Sugar blues dates from the thirties and is a classic in the jazz scene. A wonderful solo in this case, a saxophone, but also for other instruments such as clarinet, trumpet or trombone (there are different transpositions of the solo part included). 03:00
Estimated dispatch 7-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£271.99Patriotic Favorites
Here is the ultimate collection of Patriotic songs arranged to be played by either full band or by individual soloists (with optional accompaniment CD). For each song in the individual student books, there is a page for the full band arrangement as well as a page for solo use. In the same popular format as Michael's Movie Favorites and Broadway Favorites, each arrangement in Patriotic Favorites is correlated with a specific page in the Essential Elements 2000 Band Method. However, you don't need to be using this particular method to enjoy these wonderful arrangements! Includes: America, The Beautiful; America (My Country, 'Tis of Thee); Armed Forces Salute; Battle Hymn of the Republic; God Bless America; Hymn to the Fallen; The Patriot; The Star Spangled Banner; Stars and Stripes Forever; This Is My Country; Yankee Doodle/Yankee Doodle Boy Kit contents: 1 Conductor Book with CD 6 Flute 1 Oboe 1 Bassoon 6 Clarinet 1 Bass Clarinet 4 Alto Saxophone 1 Tenor Saxophone 1 Baritone Saxophone 6 Trumpet 2 F Horn 2 Trombone 1 Baritone B.C. 1 Baritone T.C. 1 Tuba 2 Percussion 1 Keyboard Percussion
Estimated dispatch 7-14 working days
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£72.99Wild Rose Jamboree - Robert Buckley
Wild Rose Jamboree conjures up the pioneer spirit and the big-sky panorama of Alberta, Canada's heartland. The cinematic approach to the music captures the essence of life in wild rose country - famous for its rodeos, warm-hearted people, majestic mountains and wide-open spaces. With a high-spirited hoedown and a rich, reverent theme that features a trumpet solo and a flute/clarinet duet, this composition could be a dynamic show opener or festival piece. Wild Rose Jamboree can be effectively performed by a mixed group (junior band and senior band, for example), the upper parts being at a medium level and the lower parts (flute 2, clarinet 3, alto saxophone 2, trumpet 3, horn 2 and trombone 2) at an easier level. Dur: 5:05
Estimated dispatch 7-14 working days
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£72.99Theme from Schindler's List - John Williams
Violin, Clarinet, or Flute solo with band. John Williams collected an unprecedented fifth Oscar for his exquisite musical score for Steven Spielberg's monumental movie. Calvin Custer's adaptation allows your band to feature either a violin, clarinet, or flute soloist on this simple yet poignant theme.
Estimated dispatch 7-14 working days
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£149.99Out of the Darkness, into the Light - Philip Sparke
Out of the Darkness, Into the Light is about optimism. All of us experience disappointments in our lives, such failed relationships or the loss of loved ones, but the indomitability of the human spirit allows us to overcome such set backs and get through the darker moments. For some, faith and religion may be the answer, but this piece is more about the internal strength that we can all call upon.Opening in sombre mood, the first phase of the work symbolises the doubts we all have about ourselves and our lives. The opening phrase on solo clarinet appears throughout the piece and could be seen as the central idea of the work, the human spirit itself. The faster, centralsection is about the struggle to overcome the pain we experience and at bar 88 the moment of catharsis occurs. This signals a change of mood and from then on, the clarinet motif is transformed into a feeling of joy and optimism. We have entered the light.
Estimated dispatch 7-14 working days
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