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£111.40
Millions, millions, et millions dtoiles! - Maxime Aulio
Estimated dispatch 7-14 working days
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£124.99Fireworks Op 4(P.O.D.) (W-Oversize Score) - Igor Stravinsky
Estimated dispatch 7-14 working days
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£87.50 -
£72.95
Philharmonic Phun Phest - Joseph Compello
This is a clever medley of classical favorites that kicks off with a grandiose setting of the opening of Bach's Toccata and Fugue in D Minor, continues with excerpts from Johann Strauss' beloved Blue Danube Waltz and the opening theme of Mozart's Eine Kleine Nachtmusik and concludes with the rollicking Can-Can from Gait?? Parisienne. A light-hearted medley that is a delight to experience and a perfect way to introduce these classic pieces to young performers. Duration: 2'20 Key: Bb Ranges: Trumpet - D, Horn - D, Trombone - C
Estimated dispatch 7-14 working days
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£239.99The Three Musketeers, Op. 8 - Maxime Aulio
Les Trois Mousquetaires (The Three Musketeers) was commissioned by the Miraphone company for the Miraphone Tuba Quartett and the Musique des Gardiens de la Paix (Paris, France). It was premired in Guebwiller (France), on 28 June 2003 by its dedicatees.Even if you have never read a line of the mythical novel The Three Musketeers (1844) by Alexandre Dumas, father, you will at least have heard of the "four invincibles"; four extraordinary names - D'Artagnan, Athos, Porthos, and Aramis - and one unique motto "All for one, and one for all." The musical texture of Les Trois Mousquetaires is focused on specific elements of a character's personality rather thanon its influence on the book's plot. Maxime Aulio has largely turned his attention on D'Artagnan, the sensitive, romantic and perfect gentleman who is easily charmed by women such as the gentle Constance Bonacieux and the perfidious Milady de Winter whose beguiling beauty seduced him. The first movement - D'Artagnan - is true to the character of the young provincial noble of the Gascony region: heroic and enthusiastic in all circumstances. The second movement entitled Constance Bonacieux, is romantic, delicate and passionate. The third and last movement is as duplicitous as the bewitching femme fatale its reveals: Milady de Winter.
Estimated dispatch 7-14 working days
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£264.99Pome Montagnard - Jan Van der Roost
Jan Van der Roost received the commission for this work from the 'Orchestre d'Harmonie du Val d'Aoste' and dedicated the composition to Lino Blanchod, the conductor of the orchestra. The first performance was on 26th January 1997 by the orchestra itself and under the direction of the composer. This extensive symphonic poem depicts the atmosphere and history of the autonomous French speaking region 'Val d'Aoste' in northern Italy, and is meant as a musical homage to the historical figure Cathrine de Challant.The opening of this piece describes the rugged nature of this region dominated by Mont Blanc, the roof of Europe. A brief, combative passage conjures up the numerous warsfought here through the ages, later expanding into a surprising 'Renaissance Dance' with an original and fitting recorder quartet. A broad, lyrical theme portrays the love that has always played an important role here. After recapturing several of the earlier themes, the piece closes with the renaissance dance, this time played by the brass. A spectacular finale brings this symphonic poem to a close.
Estimated dispatch 7-14 working days
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£53.00Project (March)
This bright and freshly scored arrangement, carefully tailored for younger musicians, will introduce a classic Harold Bennett (aka Henry Fillmore) march to a whole new generation. Duration: 2' Keys: Bb, Eb Ranges: Trumpet - F; Horn - D; Trombone - D
Estimated dispatch 12-14 working days
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£35.95Paseo (Oboe Solo with Concert Band - Score and Parts) - Wiffin, Rob
Paseo is a Spanish word for a leisurely walk or stroll. The soloist takes the musical line for a walk with no great sense of hurry. There is one moment where the pleasantness of the stroll is threatened but it quickly passes and the good mood is resumed. Technically this needs a good sense of cantabile and control over the range from low D to D two octaves higher.In order to allow the oboe soloist to sing through without fighting the accompaniment, the saxophones, trumpets and percussion have been omitted.Duration: 4.15
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated dispatch 7-14 working days
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£59.99D'Artagnan (Flexible Ensemble - Score and Parts) - Ceunen, Filip
D'Artagnan, a short work for flexible youth band is the follow-up to a previous piece from the same series, The Three Musketeers. It was commissioned by the 1-1-1 orchestra workshop in Wehr, Germany, where it premiered on 5th May 2019 at a play-in for young musicians. D'Artagnan describes the lively and whimsical personality of this young, fourth musketeer. It is a joy to play and listen to! Duration: 2.30
Estimated dispatch 7-14 working days
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