Results
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£96.50The Dark Waters - Matt Conaway
The mythological rivers of the underworld provide a backdrop to this programmatic piece by Matt Conaway. Alternatively powerful and restrained, this journey down the River Styx evokes images of velocity, dread, and salvation. An engaging and impressive work for your next concert or festival performance!
Estimated dispatch 7-14 working days
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£77.30Thor - The Dark World - Brian Tyler
Estimated dispatch 7-14 working days
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£62.95Dark Ride - Randall D. Standridge
A moonlit chase through a darkened forest... A haunted galop-esque character that adds to the thrill... This exciting work features dissonant harmonies, driving percussion, and optional synthesizer to create everything from an organ to voices and an eerie harpsichord. A frighteningly good choice to offer a little something different on your next concert!
Estimated dispatch 7-14 working days
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£244.99Voyage au Centre de la Terre (Journey to the Centre of the Earth) (Concert Band - Score and Parts) - Janssen, Harrie
This composition was based on the world-famous novel by the French author Jules Verne. This novel describes the attempt to reach the centre of the earth. The descent of the crater of the volcano called Snaeffels, situated in Iceland, marks the beginning of this voyage to the sublunary world. The German geologist, professor Lidenbrock, is accompanied on this trip by his nephew Axel and an Icelandic guide named Hans. The last mentioned will be helpful in many occasions.Dark colours & mist: The composer tried in this single work to give a musical expression to various significant moments from this novel. In the introduction he sketches an image of the dismal ambience on the island by using dark colors. Rising fragments of mist reveal the flanks of the monumental mountain Scataris. The composer tries to catch this image in a majestic and broad chorale.Away from Iceland: Subsequently the ostinato rhythmicity and virtuosity represent the hectic descent of the crater of the volcano. The party descends ever more and more and travels south, away from Iceland. On the way, they see all kinds of rock formations, fossils and minerals. At a depth of thirty hours walking distance, at about 150 kilometres below the surface, they reach a sub terrestrial sea which is called the Lidenbrock sea.Genuine eruption of sounds: Strange electric manifestations and unpredictable weather conditions accompany this singular phenomenon. An orchestral tutti-episode expresses this impression musically. On a make-shift raft, the party continues its voyage, heading to the south coast of this huge sea. Once ashore, an enormous rock obstructs the passage. The blowing up of this obstacle unleashes a genuine eruption of sounds in the orchestration.Spat out by the volcano: But the explosion has an unforeseen side effect. The sea - travellers and raft included - is sucked upwards into a dark hole. Again, our heroes are accompanied on their involuntary voyage, while left to fend for themselves, by an ever increasing ostinato rhythmicity. Before an eruption can destroy the raft, the threesome manages to escape and climb up through a cave towards the daylight. They seem to be spat out by the Stromboli volcano on the island of Sicily, far from home. The composition ends with triumphant sounds that represent the scientific triumph of these adventurers.Duration: 22.00
Estimated dispatch 7-14 working days
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£244.99Journey to the Centre of the Earth - Harrie Janssen
This composition was based on the world-famous novel by the French author Jules Verne. This novel describes the attempt to reach the centre of the earth. The descent of the crater of the volcano called Snaeffels, situated in Iceland, marks thebeginning of this voyage to the sublunary world. The German geologist, professor Lidenbrock, is accompanied on this trip by his nephew Axel and an Icelandic guide named Hans. The last mentioned will be helpful in many occasions. Dark colors & mist The composer tried in this single work to give a musical expression to various significant moments from this novel. In the introduction he sketches an image of the dismal ambience on the island by using dark colors. Risingfragments of mist reveal the flanks of the monumental mountain Scataris. The composer tries to catch this image in a majestic and broad chorale. Away from Iceland Subsequently the ostinato rhythmicity and virtuosity representthe hectic descent of the crater of the volcano. The party descends ever more and more and travels south, away from Iceland. On the way, they see all kinds of rock formations, fossils and minerals. At a depth of thirty hours walking distance, atabout 150 kilometers below the surface, they reach a sub terrestrial sea which is called the Lidenbrock sea. Genuine eruption of sounds Strange electric manifestations and unpredictable weather conditions accompany thissingular phenomenon. An orchestral tutti-episode expresses this impression musically. On a make-shift raft, the party continues its voyage, heading to the south coast of this huge sea. Once ashore, an enormous rock obstructs the passage. The blowingup of this obstacle unleashes a genuine eruption of sounds in the orchestration. Spat out by the volcano But the explosion has an unforeseen side effect. The sea - travelers and raft included - is sucked upwards into a dark hole.Again, our heroes are accompanied on their involuntary voyage, while left to fend for themselves, by an ever increasing ostinato rhythmicity. Before an irruption can destroy the raft, the threesome manages to escape and climb up through acave towards the daylight. They seem to be spat out by the Stromboli volcano on the island of Sicily, far from home. The composition ends with triumphant sounds that represent the scientific triumph of these adventurers.
Estimated dispatch 7-14 working days
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£79.95Acentos Oscuras (Concert Band - Score and Parts) - Wiffin, Rob
A powerful, brooding piece in minimalist style, Acentos Oscuras (Dark Accents) is a new departure for Rob Wiffin. He wanted to try and write a reasonably extended piece of minimalism but make the necessary rhythmic shifts by means of accents across the bar rather than continually changing the metre. Hence the ear picks up a lot of patterns of 5 that are actually placed across an even beat of 2. Without necessarily trying for a dark atmosphere the piece naturally evolved in that mood. There are episodes that are lighter and more playful but the primal power and obscure quality pervade much of the music.Duration: 8
Estimated dispatch 7-14 working days
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£62.95Der Erlkonig (Concert Band - Score and Parts) - Watson, Scott
Der Erlkonig, or "The Elf King," is based on Johann Goethe's late 18th-century poem of the same name in which a father and his young son ride home on horseback one dark and eerie night. The father tries to calm the increasingly fearful son by explaining everything the boy reports as simply leaves rustling in the wind or willows moving in the fog. Nonetheless, the father rides faster and faster home only to find the boy is dead in his arms when they arrive. Goethe's dark and Gothic tale is brought to spine-tingling life in this harrowing, fast-paced tone poem for band.Duration: 3:20
Estimated dispatch 7-14 working days
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£48.95In Darkest Night (Concert Band - Score and Parts) - Kopetz, Barry E.
In Darkest Night was composed to highlight the dark, thick and rich quality of the key of C minor. As musical keys have long been associated with various states of emotion, C minor has often been called the "key of darkness." The slow introduction presents the primary theme in augmented fashion over a C pedal point, leading to the robust Allegro Ritmico. The theme is aggressive, poignant, terse, and yes... dark! The piece concludes with a series of rapid, pounding, off-beat C minor triads preceding the final chord. Duration: 2.15
Estimated dispatch 7-14 working days
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£109.99Boreas Wind Band Set (Score & Parts)
In Greek mythology, Boreas is the God of the North Wind. When thinking of the north wind we particularly think of the bleak wind coming from the freezing cold north, but in Homers' work we see a more varied picture. As shown in the following two stories, Boreas often does play the role of a storm wind that blows forth heavy dark clouds while whipping up the dark waves of the tempestuous sea to mountainous heights. When the stake of the fallen Patroclos refuses to burn, Achilles begs for some wind. When Iris, the swift messenger of the Gods, asks the winds for assistance, they raise themselves up with tremendous roaring and rush to Troy. Upon their arrival they blow the divine fire of Patroclos' stake far up into the sky. When Troy was destroyed, the Greeks returned home. After many wanderings, Odysseus, however, ends up with the beautiful nymph, Calypso, who keeps him as a prisoner. As ordered by Zeus, Calypso frees him and sends him off on a handmade wooden raft. At sea, Odysseus is threatened by the aggressive sea god, Poseidon, who stirs up the winds and thrashes the waves with his trident. The goddess, Athena, stems the violence of all the winds except for the north wind, and thus it is Boreas, who sends Odysseus to the land of the hospitable Phaiakes. Jan Bosveld composed Boreas for OLTO, a music association in Loenen, The Netherlands, for which he had served as conductor for many years. Turbulent movement in both tempo and dynamics characterize this composition. The result is a whirling piece that races by in a positive manner. Boreas is in de Griekse mythologie de god van de noordenwind. Bij noordenwind denken wij vooral aan de gure wind uit het ijskoude noorden, bij Homerus echter zien we een meer gevari?erd beeld. Natuurlijk speelt Boreas, zoals uit de twee onderstaande verhalen blijkt, meestal de rol van de stormwind die de zware zwarte wolken voor zich uit blaast en de donkere golven van de onstuimige zee torenhoog opzwiept. 05:00
Estimated dispatch 7-14 working days
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