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  • £24.95

    Sinfonietta - Score only - Rob Wiffin

    Program NotesSinfonietta is a challenging, extended work for symphonic wind band. It is in three movements: Dance with the Devil, A Glimpse of Paradise and Reyes Magos. The first two movements are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene. The first and final parts of the second movement were originally written for a sequence in the Royal Military Tattoo 2000, played under the John Magee poem High Flight – ‘Oh I have slipped the surly bonds of Earth...Put out my hand, and touched the face of God’ - with videos of eagle owls in flight dramatically projected onto the buildings of Horse Guards in Whitehall, London.The last movement, Reyes Magos, is the joyous fiesta of the Three Kings. I wrote Sinfonietta while living in Spain and there January 6th, rather than Christmas Day, is the main day of present-giving, marking the Epiphany, the arrival of the Kings from the Orient at the Nativity.Sinfonietta is technically and expressively demanding but is written within the realms of tonal language.

    Estimated dispatch 7-14 working days
  • £64.95

    Stai si, defenda! (Stand Up and Defend) - Score and Parts

    Stai si, defenda romontsch, tiu vegl lungatg (Stand up, defend your old Romansh language): This composition was named after a quotation from a poem by famous Romansh poet Giachen Casper Muoth. The arrangement deals with various well known songs for male choir such as A Trun sut igl ischi (In Trun under the malpe tree), Si sededesta Rezia (Wake up, land of Raetia), Il pur suveran (The independent farmer) or Il paun palus (The rosted bread). An atmospheric beginning over a pedal point uses quotations from these songs and leads eventually into a dark but warmly orchestrated section on Nossa viarva (Our language) by H. Erni. The piece ends, once more quoting A Trun sut igl ischi by J. Heim, a dedication to struggle for freedom and independence.

    Estimated dispatch 7-14 working days
  • £16.50

    Stai si, defenda! (Stand Up and Defend) - Score only

    Stai si, defenda romontsch, tiu vegl lungatg (Stand up, defend your old Romansh language): This composition was named after a quotation from a poem by famous Romansh poet Giachen Casper Muoth. The arrangement deals with various well known songs for male choir such as A Trun sut igl ischi (In Trun under the malpe tree), Si sededesta Rezia (Wake up, land of Raetia), Il pur suveran (The independent farmer) or Il paun palus (The rosted bread). An atmospheric beginning over a pedal point uses quotations from these songs and leads eventually into a dark but warmly orchestrated section on Nossa viarva (Our language) by H. Erni. The piece ends, once more quoting A Trun sut igl ischi by J. Heim, a dedication to struggle for freedom and independence.

    Estimated dispatch 7-14 working days
  • £64.00

    Snallygaster!

    Snallygaster! brings to life the spooky creature of American folklore, known for its terrifying features and eerie presence. The piece begins with a dark, minor theme that represents the Snallygaster's approach, followed by dynamic, metallic percussion that mimics its sharp beak and claws. The music evolves through different stages, depicting the creature's terrorizing antics, from flapping wings to the ultimate victory of the Snallygaster. The playful yet ominous character of the piece makes for an engaging performance that will thrill audiences.

    Estimated dispatch 12-14 working days
  • £64.00

    Arzachel

    Arzachel is a thrilling composition inspired by the lunar impact crater. The piece starts with a dark, minor melody that evokes the excitement of exploring the moon. Percussion plays a prominent role, representing the dramatic impacts of meteors striking the lunar surface. The piece's intensity and rhythmic drive build excitement, transporting the listener to a world of exploration and discovery.

    Estimated dispatch 12-14 working days
  • £45.00

    The Cauldron

    The Cauldron explores the transformation of an ancient ritual, combining dark harmonies with intense, swirling rhythms. The piece begins with eerie simmering sounds, building tension through percussion and brass. As the piece progresses, the music becomes more fiery and dramatic, evoking images of magic and ritual. The climax leaves listeners with a sense of mystery and unanswered questions, perfect for a spooky or dramatic performance.

    Estimated dispatch 12-14 working days
  • £64.00

    Bad King Wenceslas

    Bad King Wenceslas is a playful twist on the familiar Christmas carol Good King Wenceslas. Throughout the piece, rhythmic and melodic motifs from the carol are presented in a dark, mysterious context. The introduction features an ostinato in the flute, building in momentum before revealing the melody in double time in the lower winds. The piece progresses with alternating eighth-note patterns and a variety of thematic development, culminating in a canon that features different instrument sections. The piece transitions through a dramatic key change and ends with fanfare motifs in the brass. The conductor should ensure that the melody remains balanced throughout, and all percussion parts are integral to the mood and momentum.

    Estimated dispatch 12-14 working days