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  • £149.99

    Trois Rag-Caprices - Darius Milhaud

    The French composer Darius Milhaud (1892-1974) was a member of the 'Groupe des Six'. This group of six composers gathering Honegger, Poulence, Auric, Durey, Tailleferre and Milhaud, imitated Erik Satie by revolting against the deeply rooted traditional conventions of that time. They reacted against impressionism (Debussy) and romanticism (Wagner, Mahler) and felt very strongly about the music of Satie and Strawinsky. Milhaud's most popular work is undoubtedly the ballet 'La Cration du Monde', one of the most striking examples of jazz influences in classical music. The premire at the 'Th?tre des Champs Elyses' in October 1923 caused a real scandal with the Paris public.The 'Trois Rag-Caprices' for piano were composed one year earlier, in the summer of 1922, and could be considered as a kind of preliminary sketch for 'La Cration du monde'. There are indeed clear similarities between both compositions as to the rhythmical and harmonic aspects. The 'Trois Rag-Caprices' were orchestrated for symphony orchestra by Milhaud himself some time later. The same happened to 'Saudades do Brasil' (1920), a piano composition punctuated with Latin-American influences, which was written after his stay in Rio de Janeiro (1917-18) exactly as his ballet 'Le Boeuf sur le Toit'. Johan de Meij's orchestration of 'Trois Rag-Caprices' for symphonic band is a most welcome addition next to the original band works of Milhaud, such as 'Suite Fran?aise' (1945) and 'West Point Suite' (1951).

    Estimated dispatch 7-14 working days

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  • £149.99

    Polish Christmas Music - Johan de Meij

    For many centuries Poland has bosted a very rich tradition ofChristmas Carols. Some hymns belong to church music, while others definitely do have a folk music character. Johan de Meij has used both these elements in this suite. You can hear the songs: Poklon Jezusowi; Mizerna, cicha; Aniol pasterzom mwil; Gdy sliczna Panna and Jam jest dudka.

    Estimated dispatch 7-14 working days

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  • £168.50

    Spirit of the Sequoia - Philip Sparke

    When Philip Sparke composed this piece he tried to create a work that characterised man's ability to overcome personal tragedy and the feeling of serenity gained when the tragedy is forgotten. To do this he decided to use the analogy of the sequoia, a generic name for the huge redwood trees, particularly the Californian redwood. The remarkable life cycle of these amazing trees involves them dropping seeds to the ground which require heat, such as a ferocious forest fire to re-grow. In a similar way, the human spirit can actually gain from setbacks - we become stronger after adversity. The music falls into sections which can broadly be characterised as doubt, conflict,catharsis, inner calm and finally triumph. A fantasic new major concert work from the pen of Philip Sparke.

    Estimated dispatch 7-14 working days

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  • £79.99

    The Painted Desert - Philip Sparke

    The south-western US state of Arizona has more than its fair share of stunning landscapes, natural phenomena and National Monuments. Best known is the Grand Canyon, but there are also numerous deserts, a petrified forest, extinct volcanoes and the huge Sunset Crater. Not surprisingly, it has featured as the backdrop to many Western movies.The Painted Desert is a narrow, crescent-shaped arc about 160 miles long which begins near the Grand Canyon and varies in width from 10 to 35 miles. It is largely void of vegetation and years of erosion by wind and rain have exposed sedimentary layers of rock up to 250 million years old. Chemical differences in the various layers result in aneffect not unlike a multicoloured layer cake with contrasting hues of red, orange and pink, blue, grey and lavender creating a silent and barren landscape which looks like it has been hand-painted. As with much of the planet's stunning landscapes all the observer can do is stand and stare.

    Estimated dispatch 7-14 working days

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  • £87.99

    Old Hundredth - Louis Bourgeois

    The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter "Pseaumes Octante Trois de David", where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins' Psalter for his paraphrase of Psalm 100 - All People that on Earth do Dwell, which is still the most familiar hymn sung to this noble tune. When Tate and Brady's "New Version of the Psalms" was published in 1696, the melody became know as the 'old' version - henceits current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.

    Estimated dispatch 7-14 working days

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  • £89.99

    Let's Get Loud - Gloria Estefan

    Jennifer Lopez caused a world-wide furore with this gigantic summer hit. What many people do not know is that this song was actually written by another pop diva, Gloria Estefan. Easy to play and masterfully arranged by our arranger, Steven Verhaert.

    Estimated dispatch 7-14 working days

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  • £134.99

    Fantasia - Ben Haemhouts

    This work consists of three movements that flow over into each other. A short melodious introduction is followed by a rhythmic passage whereby the theme is played in canon. In the melancholic and moving middle part, various instruments are given the opportunity to present themselves. Subsequently, a reprise of the first part with slight variations is played. This work is suitable for all orchestras, even if you do not have all the instruments available. Cues have been provided everywhere and the instrumentation is broad.

    Estimated dispatch 7-14 working days

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  • £134.99

    The Legend of Ratu Kidul - Filip Ceunen

    The Legend of Ratu Kidul carries us into the world of Indonesian mythology, on the island of Java:Once upon a time, the Queen of the Southern Seas was a kind and beautiful princess. She was the daughter of Prabu Munding Wangi, the favourite ofthe entire court and the local people. Her royal father doted on his daughter. Her name was Dewi Kadita, but many called her Dewi Srengenge or the Angry Princess.Prabu Munding Wangi longed for an heir, but Dewi Kadita's mother couldn't fulfil thiswish. So he took a second wife, called Poetri Moentiara, who was very jealous of the lovely princess and her mother. She begged the king to banish both her rivals from court. However Prabu Munding Wangi didn't do as she asked. He loved his first wifeand her daughter. The second wife bore him a healthy heir, but the monarch remained firm. So Poetri Moentiara called upon the renowned witch, Djahil. She promised her a princely reward, if Dewi Kandita and her mother were banished. Djahil thought fora moment and incanted this rapal (spell): "May leprosy befall you both". Soon both mother and daughter began to suffer this dreadful disease. According to the law of the land, they were to be banished to the wild forest high on the mountain. With aheavy heart, King Munding Wangi saw the law carried out. So the two set off on their way to the forest, covered in terrible sores. A great sadness fell across the land, except for Poetri Moentiara, the second wife of the king, who had achieved heraim. The princess fell on hard times. In the forest lived a hermit, who took pity on the mother and daughter. The queen couldn't bear the shame and within a few days had died. Now Dewi Kandita was all alone in the world. There was still the hermit,however, who fortunately provided food and shelter in a cave temple. He bound her weeping sores but couldn't relieve her emotional pain. Dewi Kandita became increasingly bitter and eventually left the hermit. She travelled southward from village tovillage, further and further, until eventually she reached the shores of the Southern Sea. She climbed upon a high cliff and gazed out onto the sea that spread before her. She was tempted to dive into the deep green and blue. In the cool waters shewould be able to forget all her pain and suffering. Suddenly awaking from these thoughts, she jumped into the deep. The gods, who had looked on Dewi Kandita throughout her hardships, were filled with deep compassion. So they transformed her into apowerful spirit of the netherworld, Ratu Kidul, and to this day she resides in her grand palace under the sea.

    Estimated dispatch 7-14 working days

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  • £84.99

    The Soldier & The Princess - Bert Appermont

    This work is based on the story of the soldier and the princess from the film Cinema Paradiso. The story is about a poor soldier who fell in love with a beautiful princess. He had nothing to offer her, but he managed to meet her and declared his love for her. Do you want to know what happens next...?

    Estimated dispatch 7-14 working days

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  • £134.99

    Recalls - Ben Haemhouts

    Recalls obviously refers to memories. This piece of music is in fact a series of flashbacks, however, it does not highlight the actual memories of specific thoughts, people or events.The composition evolves around the late Frans Steurs, who for manyyears was the inspirational artist behind the brass band that is currently commissioning this work. The main theme of the work is based on the name STEURS". E = mi, U = do, R = re and S = "si" which is Dutch for the note "ti". This idea forms themusical theme for the entire composition and different variations are used throughout. The structure of the work is based on the concept of a story which father Steurs is telling his two daughters, who play the flute and the clarinet. Each part ofthe work has a story-like character:1. Introduction: following a short ominous intro, the main theme is presented for the first time.2. The Story: father Steurs has both his daughters on his knee and he tells them stories from the old days. Trumpetsand trombones play variations of the theme. The story gets very exciting (accelerande, poco a poco agitato) until the tale takes a dramatic turn when the father tells an exciting story at the time of the Second World War. He tells of being hunteddown by the occupying army and these adventurous episodes are related to us musically in part3. Danger, with its skilful references to "vor dem Sturm" from "Eine Alpensinfonie" by Richard Strauss.4. called Fugitives, is about how he fled in the nightfrom the enemy and this is reflected in the bass tones of a new theme. The aggression of the war is illustrated from bar 117 onwards, by a harsh brass section. The main theme is repeated once again and this time up-tempo. The second theme is broughtonce again from bar 149 onwards.5. Dialogues, depicts the conversations between the two daughters and their father. Father speaks (bar 155); the daughters answer (bar 164 - flute, bar 166 - clarinet); bar 178: father answers with the tune of the maintheme to the two daughters. The discussions gradually intensify but ultimately end in peace in the last part called Conclusion.The piece of music "Recalls" is a free interpretation by the composer who consulted the letters between the two daughtersof Steurs and their father and in this respect it is not really music for a programme."

    Estimated dispatch 7-14 working days

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