Results
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£164.95Elgar Variations (Concert Band - Score and Parts) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95Elgar Variations (Concert Band - Score only) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£73.50Academy Nights Remembered (The Music of Diane Warren) (Concert Band - Score and Parts) - Roszell, Patrick
From the opening music right through the end of the awards, this very musical medley has your audience right there! Featuring "How Do I Live," "Nothings Gonna Stop Us Now," and "Because You Love Me," the medley concludes with all the grandeur from the awards broadcast. All composed by award winner Diane Warren, this medley is sure to bring the house down! Duration: 5.30
Estimated dispatch 7-14 working days
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£41.50Treasure of the Pirate King (Concert Band - Score and Parts) - Orcino, Leonard A.
Avast me hardies! A high sea adventure is about to unfold. The ship rocks gently as its bell summons all to board. The pirate crew begins singing to pass time as it prepares the ship for a long voyage. What lies ahead? Are there ships with gold and treasure to be taken? Will there be hopes of riches to share and bury at a secret location? All are eagerly confident. All are members of the pirate brotherhood. All are united and led in their glorious pursuit by "The Pirate King." "Shiver me timbers, lads, a pirate's lot is never done. Do ye work or walk da plank. All for treasure and treasure for all! Arrrgh!"Duration: 2.15
Estimated dispatch 7-14 working days
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£87.99Old Hundredth (Concert Band - Score and Parts) - Sparke, Philip
The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter "Pseaumes Octante Trois de David", where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins' Psalter for his paraphrase of Psalm 100, All People that on Earth do Dwell, which is still the most familiar hymn sung to this noble tune. When Tate and Brady's "New Version of the Psalms" was published in 1696, the melody became know as the 'old' version - hence its current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.Duration: 2:30
Estimated dispatch 7-14 working days
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£42.50The Joyful Bells of Christmas (Mallet Percussion feature with Concert Band - Score and Parts) - Murtha, Paul
How many times have you wondered what to do with all those bell players? Here's a great solution in this clever holiday arrangement featuring 2-part mallet percussion (bells or vibes). Including "Joy To The World" and "Angels We Have Heard On High", these players finally get the spotlight they deserve!Duration: 1:30
Estimated dispatch 7-14 working days
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£37.50First Classic Suite (Concert Band - Score and Parts) - Hannickel, Mike
This is an opportunity for you to introduce some great classic melodies to your beginning band. The Baroque, Classical and Romantic periods are represented in creative and accessible ways so that your students can be successful in concert and gain a real feel for some of history's great composers. You can also work with the History department to do some cross-curricular study. The suite format means that you can perform all three pieces in order, play only the movements your group has time to prepare, or intersperse the three sections with other groups or soloists you may choose to program. Any way you use it, this is a solid educational tool. Useful!Duration: 2:30
Estimated dispatch 7-14 working days
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£64.99Devil Went Down to Georgia (Flexible Solo with Concert Band - Score and Parts) - Brown, Michael
Solo feature for Flute, Violin, Clarinet, Alto Saxophone, or Xylophone and optional narrator.Take your best soloist and turn him (or her) loose to do musical battle with the devil! In this cleverly designed novelty number, solo parts are provided for flute, violin, clarinet, alto sax, and mallet percussion. In addition, an optional narration is included along with alternate passages to work with any of the soloists. This tune was a number 1 hit for the Charlie Daniels Band back in 1979, and it could very well be the number 1 hit of your next band concert!
Estimated dispatch 7-14 working days
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£48.95Warriors (Concert Band - Score and Parts) - Lewis, Brian
The crunch and clash of metal is heard when ancient warriors do battle in this new work for young bands. Written in C minor, all instruments will get a chance to play the melody, while the percussion section adds rhythmic drive. A perfect selection to end your spring concert. Duration: 1.30
Estimated dispatch 7-14 working days
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£79.99Rumble on the High Plains (Concert Band - Score and Parts) - Sweeney, Michael
Unleash your percussion section and let the full ensemble do some rumbling themselves on this masterful and unusual work. The composition explores the tumultuous storms across the Kansas plains, as well as emotional and civil storms from the early days of statehood. Filled with bold statements and unparalleled rhythmic vitality (including a percussion duel), the final dramatic and uplifting segment is a tribute to the perseverance and triumph of the human spirit.Duration: 7:00
Estimated dispatch 7-14 working days
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