Results
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£64.50Hedgehog, Monkey and Waffles! (Concert Band - Score and Parts) - Gripp, Parry - Story, Michael
This three-piece suite is based on the widely popular music of talented songwriter Parry Gripp. Parry's music has gone viral on YouTube, where his songs accompany many internet videos, as well as his own music videos. The three catchy songs included are "Boogie Boogie Hedgehog," "Baby Monkey (Riding Backwards on a Pig)," and "Do You Like Waffles?" If you aren't familiar with these viral tunes, just ask your students!Duration: 2.45
Estimated dispatch 7-14 working days
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£66.95Batman: Arkham City, Selections from (Concert Band - Score and Parts) - Arundel & Fish - Story, Michael
From the acclaimed video game soundtrack, Batman: Arkham City includes three prominent, yet contrasting themes (I Think You Should Do As He Says; It's Not Even Breakfast; Arkham City Main Theme). This through-played medley is certain to energise players and audiences alike. Game on!Duration: 3:30
Estimated dispatch 7-14 working days
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£82.95And In the End It Was Earth (Concert Band - Score and Parts) - Barrett, Roland
Inspired by the Native American proverb, "We do not inherit the earth from our ancestors, we borrow it from our children." Roland Barrett has scored this original composition to musically reflect that sentiment conveying the inherent beauty, majesty, and grandeur of planet Earth. Combining fluid moving melodic components with energetic and driving rhythmic pulse, the work will capture the imagination of all.Duration: 5:30
Estimated dispatch 7-14 working days
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£70.50A New Birth of Freedom (Narrator with Concert Band - Score and Parts) - Bass, Randol Alan
This narrative setting of Lincoln's immortal Gettysburg Address is as beautiful as the speech is on paper, the best way to appreciate Lincoln's musical instinct for timbre, phrasing, and rhythmic patterns is through recitation and American composer Randol Alan Bass has created a unique musical opportunity for us to do that.Duration: 4:30
Estimated dispatch 7-14 working days
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£164.95Elgar Variations (Concert Band - Score and Parts) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95Elgar Variations (Concert Band - Score only) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£73.50Academy Nights Remembered (The Music of Diane Warren) (Concert Band - Score and Parts) - Roszell, Patrick
From the opening music right through the end of the awards, this very musical medley has your audience right there! Featuring "How Do I Live," "Nothings Gonna Stop Us Now," and "Because You Love Me," the medley concludes with all the grandeur from the awards broadcast. All composed by award winner Diane Warren, this medley is sure to bring the house down! Duration: 5.30
Estimated dispatch 7-14 working days
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£41.50Treasure of the Pirate King (Concert Band - Score and Parts) - Orcino, Leonard A.
Avast me hardies! A high sea adventure is about to unfold. The ship rocks gently as its bell summons all to board. The pirate crew begins singing to pass time as it prepares the ship for a long voyage. What lies ahead? Are there ships with gold and treasure to be taken? Will there be hopes of riches to share and bury at a secret location? All are eagerly confident. All are members of the pirate brotherhood. All are united and led in their glorious pursuit by "The Pirate King." "Shiver me timbers, lads, a pirate's lot is never done. Do ye work or walk da plank. All for treasure and treasure for all! Arrrgh!"Duration: 2.15
Estimated dispatch 7-14 working days
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£87.99Old Hundredth (Concert Band - Score and Parts) - Sparke, Philip
The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter "Pseaumes Octante Trois de David", where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins' Psalter for his paraphrase of Psalm 100, All People that on Earth do Dwell, which is still the most familiar hymn sung to this noble tune. When Tate and Brady's "New Version of the Psalms" was published in 1696, the melody became know as the 'old' version - hence its current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.Duration: 2:30
Estimated dispatch 7-14 working days
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£42.50The Joyful Bells of Christmas (Mallet Percussion feature with Concert Band - Score and Parts) - Murtha, Paul
How many times have you wondered what to do with all those bell players? Here's a great solution in this clever holiday arrangement featuring 2-part mallet percussion (bells or vibes). Including "Joy To The World" and "Angels We Have Heard On High", these players finally get the spotlight they deserve!Duration: 1:30
Estimated dispatch 7-14 working days
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