Results
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£77.00MORNING HAS BROKEN (Flexible Solo with Easy Concert Band) - Richards, Scott
Solo for Flute, Oboe, Clarinet, Basson, Alto Sax, Trumpet, Trombone or Euphonium. Duration: 2:45
Estimated dispatch 7-14 working days
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£132.95MUSIC FOR AROSA (Prestige Concert Band - Score and Parts) - Sparke, Philip
This work was commissioned in 1996 by the Arosa Cultural committee and first performed in Arosa in that year. The majestic introduction opens with trombones and euphonium, heralding a legato theme, chorale-like in character. A pair of flutes introduce a new theme. A trumpet introduces a series of highly syncopated solos, which feature many metre changes, and the tempo increases when playful motifs are exchanged between various sections of the band. A solo clarinet introduces an expressive tune. A brass chorale follows, with interruptions from the flute and bassoon, until the clarinet tune is played by the whole band. This reaches a climax and the mood subsides to reach a quiet horn chord. The broad legato tune returns and the excitement increases until the march theme triumphantly returns to full band. This leads to the coda which is based on the opening fanfare and closes the work emphatically. (Grade 5) Performance time 11'01" (Recorded on QPRM138D BREAKING THE CENTURY, Central Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£37.95
MUSIC FOR AROSA (Prestige Concert Band - Score only) - Sparke, Philip
This work was commissioned in 1996 by the Arosa Cultural committee and first performed in Arosa in that year. The majestic introduction opens with trombones and euphonium, heralding a legato theme, chorale-like in character. A pair of flutes introduce a new theme. A trumpet introduces a series of highly syncopated solos, which feature many metre changes, and the tempo increases when playful motifs are exchanged between various sections of the band. A solo clarinet introduces an expressive tune. A brass chorale follows, with interruptions from the flute and bassoon, until the clarinet tune is played by the whole band. This reaches a climax and the mood subsides to reach a quiet horn chord. The broad legato tune returns and the excitement increases until the march theme triumphantly returns to full band. This leads to the coda which is based on the opening fanfare and closes the work emphatically. (Grade 5) Performance time 11'01" (Recorded on QPRM138D BREAKING THE CENTURY, Central Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£115.00My Way (Flexible Solo with Concert Band - Score and Parts) - Francois & Revaux - Kadlec, Jirka
Solo for Flute, Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Trumpet, Horn, Trombone, Euphonium, Violin, Viola or VioloncelloDuration: 3.45
Estimated dispatch 7-14 working days
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£115.00Oblivion (Flexible Solo with Concert Band - Score and Parts) - Piazzolla, Astor - Moren, Bertrand
Solo for Flute, Clarinet, Bassoon, Trumpet, Trombone, Euphonium, Violin or VioloncelloDuration: 4.15
Estimated dispatch 7-14 working days
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£64.95
PURCELL VARIANTS (Advanced Concert Band) - Meechan, Peter
Purcell Variants is based on Purcell's Queen Mary's Funeral Music, which consists of four canzonas, two elegies and an anthem. The first movement begins by sounding some of Purcell's original music in the trombones and horns, underpinned by a timpani roll with the woodwind articulating the beginnings and endings of the phrases. This leads into a cadenza for trumpet and alto saxophone before the movement heads in different directions, leading us to its mysterious end, where the original music is sounded this time in the 'stabs' of the clarinets and alto saxophone. Originally composed for the funeral of Queen Mary in 1695, Purcell's original funeral music was used later that same year for Purcell's own funeral - he died aged only 34. The second movement is an elegy, inspired by this story. After an introduction (a disjointed last post), the main melody of the movement is introduced by the solo euphonium, with other solo roles for flute, oboe and alto saxophone. This is then taken over by the trumpets who lead us into the middle section of the movement. This is a quasi funeral march, inspired by the image of Purcell's coffin being taken to its final resting point. The main melody returns in the flute, oboe and alto saxophone, this time more elaborated. The movement ends with a snare drum fading away - perhaps a metaphor. The Finale is a fast and furious movement combining thematic material from the two previous movements with new rhythmical ideas. This takes us through to the final passage - the triumphant return of Purcell's original theme. Duration: 13.00
Estimated dispatch 7-14 working days
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£49.50RHYTHMATA (FJH Young Band) - Morales, Erik
Spectacular! Rhythm becomes the focus of this work from the opening measures as a large battery of percussion sets the stage for the invigorating opening lines in the winds. Some solo opportunities are offered for your flute, trumpet, and euphonium, supported by rhythmic ostinato figures in the upper woodwinds. Orchestration, texture, and ever changing timbres add to this work's strong rhythmic drive, making this one piece you will never forget!
Estimated dispatch 7-14 working days
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£97.40ROMANTIC BLUE (Flexible Solo with Intermediate Concert Band) - Armitage, Dennis
Solo for Flute, Oboe, Clarinet, Basson, Tenor Sax, Trumpet, Horn, Tenor/Bass Trombone, Euphonium, Tuba, Violin or Cello. Duration: 4:45
Estimated dispatch 7-14 working days
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£64.35Rondo for Solo and Wind Band - Mozart, Wolfgang Amadeus
For flute, oboe, clarinet, alto saxophone, bassoon, bass clarinet, trumpet or euphonium solo with band accompaniment. A tasteful arrangement of the third movement of Mozart's Bassoon Concerto which was chosen because the original solo would work so well with a large variety of wind instruments. The perfect setting to show off your top student no matter what they play! Wonderful music that will be an impressive addition to any concert!
Estimated dispatch 7-14 working days
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£174.95RUNCORN BRIDGE (Professional Concert Band - Score and Parts) - Carpenter, Gary
The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.
Estimated dispatch 7-14 working days
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