Results
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£50.50Fire Caves of Golgathon (Concert Band - Score and Parts) - Ford, Ralph
Using only the first six notes of the B-flat Major scale, Ralph Ford has crafted a dynamic new chart for your beginners' first concert. With significant doubling throughout, by careful attention to the basic articulations and dynamics, Fire Caves of Golgathon is certain to make your group sound huge. Duration: 2:30
Estimated dispatch 7-14 working days
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£50.50Glacier Bay (Concert Band - Score and Parts) - Hodges, Steve
Inspired by the majestic Alaskan landscape, Glacier Bay provides plenty of opportunities for dynamic and expressive playing by the young musicians. Following a brief introduction, the main theme is presented first by the trumpets and then by the low brass and trumpets in a lively and flowing manner. The active syncopated accompaniment patterns in the low brass and woodwinds provide an effective contrast to the melody. The B section of the piece moves smoothly into a stately, alla breve tempo with a clarinet choir making the first presentation of the melody. Following a very peaceful conclusion to the B section, an abbreviated restatement of the A section melody leads to the dynamic ending. Duration: 3.30
Estimated dispatch 7-14 working days
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£44.95Lift Off (Concert Band - Score and Parts) - Meechan, Peter
Lift Off! is a short suite of descriptive pieces, all inspired by a short flight from Manchester, England to Brussels. In the first movement we hear the engine start, and after the plane has moved into position, it takes off. The second movement depicts the beautiful view of the clouds from above. It all seems timeless and you don't even feel as if you are moving. The last movement starts nervously (I'm not a great flier!), as the plane begins its descent from the sky. However, as we land safely back on earth, the piece ends in a flurry of excitement and triumph, returning to a theme heard in the first movement.
Estimated dispatch 7-14 working days
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£8.95
Lift Off (Concert Band - Score Only) - Meechan, Peter
Lift Off! is a short suite of descriptive pieces, all inspired by a short flight from Manchester, England to Brussels. In the first movement we hear the engine start, and after the plane has moved into position, it takes off. The second movement depicts the beautiful view of the clouds from above. It all seems timeless and you don't even feel as if you are moving. The last movement starts nervously (I'm not a great flier!), as the plane begins its descent from the sky. However, as we land safely back on earth, the piece ends in a flurry of excitement and triumph, returning to a theme heard in the first movement.
Estimated dispatch 7-14 working days
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£53.95Rhapsody in Blue (Concert Band - Score and Parts) - Gershwin, George - Lucas, Elena Roussanova
Creatively orchestrated at the beginning level for the first time, this arrangement of the time-honoured classic allows you to capture the energy of the original on your first spring concert with the two most well-known melodies.Duration: 2:30
Estimated dispatch 7-14 working days
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£53.95You Raise Me Up (Concert Band - Score and Parts) - Graham & Lovland - Adams, Doug
Josh Groban's lovely ballad has now been prepared for your beginners' first program. All the emotion remains -- only the more difficult rhythms have been simplified for ease of preparation. Don't miss this hot tune on your first concert of the year. Duration: 2.00
Estimated dispatch 7-14 working days
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£84.99Toccata (Concert Band - Score and Parts) - Monteverdi, Claudio - De Haan, Jacob
Claudio Monteverdi composed this toccata as an instrumental introduction for the opera L'Orfeo (1607). According to the composer, this introduction should be played three times before the rising of the curtain. This is actually the first overture in the history of opera.)The story of Orfeo, who enchanted nature with his music, is tragic, as he loses his beloved Eurydice and decides to retrieve her from the underworld. On their return journey, one glance back at her is fatal: he loses her for the second time.)This arrangement for wind band is very suitable as a concert opener. The toccata is played three times just like the original. The first time it is played by a quintet consisting of two trumpets and three trombones.)Various ways of performing this toccata are possible. The tension builds up more intensely if the quintet starts off stage. Eventually, these five players join the band, after which the tutti version follows two times. You can also have the brass play from the gallery during the second or third time for a double choir effect.Duration: 2:00
Estimated dispatch 7-14 working days
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£50.50Dance Celebration (Concert Band - Score and Parts) - Smith, Robert W.
Inspired by his daughters' first dance recital, Mr. Smith has created this beginning band composition. It is a pleasure to offer great original performance literature for beginning strings in their first year of instruction. A most charismatic work that will evoke a musical celebration.Duration: 2.00
Estimated dispatch 7-14 working days
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£209.95Euphonium Concerto (Euphonium Solo with Concert Band - Score and Parts) - Horovitz, Joseph
The three movement structure reflects a classical outlook concerning concertos. Traditionally, this design favours the listener, first in the head, then the heart and finally in the toes. In the first movement, the soloist combines clear strong phrases with gentle melismatic meandering as well as negotiating many acute-angled leaps which justify themselves by enharmonic changes beneath. The slow movement has a long main melody and contains the only cadenza element in the work: two pastoral passages, homage to the mysteriously beautiful Border Country. The finale opens with a driving, motoric introduction followed by a cheeky rondo theme. Repeated quotations of this are elaborated with increasingly intricate variations until an unaccompanied whole-tone version of the theme brings the work to a fast close.
Estimated dispatch 7-14 working days
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£44.95
Euphonium Concerto (Euphonium Solo with Concert Band - Score only) - Horovitz, Joseph
The three movement structure reflects a classical outlook concerning concertos. Traditionally, this design favours the listener, first in the head, then the heart and finally in the toes. In the first movement, the soloist combines clear strong phrases with gentle melismatic meandering as well as negotiating many acute-angled leaps which justify themselves by enharmonic changes beneath. The slow movement has a long main melody and contains the only cadenza element in the work: two pastoral passages, homage to the mysteriously beautiful Border Country. The finale opens with a driving, motoric introduction followed by a cheeky rondo theme. Repeated quotations of this are elaborated with increasingly intricate variations until an unaccompanied whole-tone version of the theme brings the work to a fast close.
Estimated dispatch 7-14 working days
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