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  • £65.00

    Freyja's Call - Andrew Duncan

    According to Viking mythology, following a battle the bravest souls of the slain would be divided between two Gods, Odin and Freyja. Freyja was the Goddess of Love and War and before going into battle many Viking warriors would pray that they would die bravely so that Freyja would take their soul to join her personal army made up of the souls of the bravest of men.'Freyja's Call' describes one of these, a young Scottish soldier, going into battle as part of the Viking army who occupied parts of Scotland for four centuries. First, a slow theme is heard, Freyja's theme, which is the soldier praying to Freyja to keep a watch on him. Then the drums introduce a new rhythm which announces the beginning of the battle.A Celtic Jig is used to describe the progress of the battle with the jig played quietly at first then gradually louder with more percussion being added until a full ff section signifies the soldier fighting the enemy directly.Suddenly, the music drops back to the quiet Jig theme. The soldier has been slain, but will he be chosen by Frejya? After a short time, Freyja's theme is heard as the brave soldier is taken to Freyja's heavenly army of brave warriors, and the piece then ends in triumph.

    In stock: Estimated delivery 1-3 days
  • £67.29

    Caprice (Euphonium Solo with Concert Band) Andrew Batterham

    VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Instrumentation: Euphonium Soloist Piccolo Flute 1-2 Oboe Bassoon Clarinet in Eb Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba String Bass Percussion 1-3

    In stock: Estimated dispatch 1-3 days
  • £46.00

    Call of the Ancient Clans

    This piece takes players back to ancient times, when neighboring tribes would communicate by way of rhythm instruments. With an interesting, pulsating rhythm and catchy woodwind lines, the engaging music gives students the opportunity to create fun musical moments. Notes generally fall within the first year range, but also provide a good challenge with first clarinets going over the break a few times. Dynamic contrasts, interesting percussion parts, and many exciting moments offer an exciting concert finale.

    Estimated dispatch 12-14 working days
  • £40.00

    Step Up!

    This band section feature for beginning students, using only simple rhythms and the first six notes learned, is an excellent showcase for every instrument in the band. Use it to recruit, for assemblies, and first concerts. An excellent concert opener!

    Estimated dispatch 12-14 working days
  • £44.00

    Badlands

    Peter Terry's Badlands represents the dramatic terrain created bysedimentthat iseroded over millions of years. This creates stark but beautifulstructures in a harsh and alien landscape.This piece opens with a first theme that depicts the stark emptiness of the Badland terrain. This moves to a brooding, mysterious second theme followed by variations.The piece ends with a return of the first theme for a dramatic finish.

    Estimated dispatch 12-14 working days
  • £40.00

    Emergence

    Emergence is a positive and uplifting composition for the youngest of concert band students that uses only the first six notes of the Bb concert scale. The sheer joy and excitement beginners exhibit from the discovery inherent in learning their instruments is a wonderful thing. This piece was written as a representation of that joy as these young students emerge from their first foray into music and glimpse of the musicians they can become.

    Estimated dispatch 12-14 working days
  • £40.00

    Fanfare Supernova

    Open your beginning band's very first concert with this bold new fanfare by popular composer Larry Clark. Like a supernova, your band will explode right from the start with this forceful new piece that sounds much more difficult than it is to play. Fanfare Supernova contains biting fanfare-like harmonies, though it only contains the first six notes of the Bb scale and the most difficult rhythms in the winds are quarter notes.

    Estimated dispatch 12-14 working days
  • £42.00

    Cimarron

    Fanfare like gestures and a bold rhythmic push characterize this piece. Clark has kept the range between the first 6 notes that players learn and has used simple eighth note patterns that are well within the grasp of first year groups. The piece is much l less involved and less difficult than it sounds. Perfect for the beginning band!

    Estimated dispatch 12-14 working days
  • £76.99

    Point Five - Laura Estes

    A perfect opening for a beginning band's first concert! A strong melody, harmony developed through creative voicings, and great percussion scoring that gives the piece momentum. A great culmination of all the concepts players learn by the end of their first year.

    Estimated dispatch 7-14 working days
  • £49.50

    Secret Caverns - Sean O'Loughlin

    Sean O'Loughlin takes us on a dark and spooky adventure through ancient caverns in this fun, engaging, and accessible work for the beginning concert band. Using only the first 6 notes of the Bb scale, this one is sure to impress your audience at their first concert.

    Estimated dispatch 7-14 working days