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£134.99Gulliver's Travels - Bert Appermont
The book Gullivers Travels (1726) by author Jonathan Swift formed the provocation for writing this composition. Even though this composition isnt a literal representation of the original story, a number of elements were still retained. The shipsdoctor Gulliver finds himself in 4 (fictive) areas, each with their own inhabitants and customs. Each part of this suite also received the name of one of these areas:I. Lilliput The enterprising Lilliputians are represented by a playful, common themein the first part.II. BrobdingnagIn the land of "Brobdingnag" Gulliver is carried off by gigantic giants, which you hear approaching with the sounds of the bassinstruments. The same theme is constantly repeated and quickened in order to increase thetension.III. LaputaLaputa is an island that floats in the air; its inhabitants are strange people with slanting heads. The dreamy, special atmosphere is especially well conveyed here.IV. The HouyhnhnmsFinally Gulliver finds himself in the land of theHouyhnhnms, where intelligent and noble horses rule over the primitive, undeveloped people (yahoos). The trumpets in the brilliant opening express the galloping horses; the gallant theme that follows (horns and trombones) symbolises the primitiveyahoos. The whole composition ends with a big finale.I intentionally tried to limit the degree of difficulty of Gullivers Travels. Despite this I think that this work can appeal to many orchestras due to the colourful orchestration (cues areprovided where needed), the simple and clear theme and the highly imaginative breeding ground of a beautiful story around which this composition is built."
Estimated dispatch 7-14 working days
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£53.50Palladio - Karl Jenkins
Although this composition sounds like it came straight out of the Baroque period, it is actually the first movement of a suite written in 1996 by Karl Jenkins. Instantly recognized as the 'diamond commercial' theme, its relentless pulse and dramatic nature make it a natural for bands. Robert Longfield's skilled arrangement puts it within reach of most groups.score and parts - 4 Flute I, 4 Flute II, 2 Oboe, 4 Bb Clarinet I, 4 Bb Clarinet II, 4 Bb Clarinet III, 2 Bb Bass Clarinet, 2 Bassoon, 2 Eb Alto Saxophone I, 2 Eb Alto Saxophone II, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 2 F Horn I, 2 F Horn II, 3 Bb Trumpet I, 3 Bb Trumpet II, 3 Bb Trumpet III, , 3 Trombone I,3 Trombone II, 2 Baritone B.C., 2 Baritone T.C., 4 Tuba, I String Bass, I Timpani, 2 Percussion I, 2 Percussion II - wind/concert band
Estimated dispatch 7-14 working days
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£58.50Red - Robert W. Smith
"Red" is a powerful and energetic work for concert and festival performance. As the first movement from Krisanna's Colors, the suite is inspired by her color choices used to describe her daily emotions and moods. Beginning with somber clarinet solo and choir, the mood quickly changes to bombastic and extreme energy. You may consider programming "Red" (Mvt. 1) along with "Blue" (Mvt. 2) and "Yellow" (Mvt. 3) for even greater effect. An excellent choice for your concert/festival program!Original Item#: RWS-1705-00
Estimated dispatch 3-5 working days
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£64.50Selections from - Alfred Reed / arr. Douglas E. Wagner
Part I of is the first of a four-movement suite drawn from the folk song arrangements and original musical works of Armenian composer Komitas Vardapet collected during the early 20th century. Each of Reed's four movements is represented in this lush through-played medley. Douglas Wagner has crafted a rewarding musical addition to the young band repertoire. (3:00) This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£70.50Greensleeves: A Fantasia for Band
In tribute to Ralph Vaughan Williams, Robert Smith's second movement of the Vaughan Williams Suite is entitled . Beginning with a lyric solo statement by the flute, the compellingly beautiful melody is explored using the unique timbres of the contemporary concert band. The first movement, Wassail, is also available as item (00-24758). This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£70.50Old Brenton Carol (from the Holst ) - Gustav Holst / setting by Robert W. Smith
This tender Holst melody has been magnificently scored to be performed independently as a beautiful serence carol or in conjunction with the other movements of . The first movement, (BD00972), was completed last year. The second movement is (BD00972). With this final movement complete, the finished suite is a welcome addition to modern band literature. (1:52)
Estimated dispatch 3-5 working days
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£62.95Wassail - Robert W. Smith
Robert W. Smith, in tribute to the great composer, has crafted a setting for the concert band of Wassail Song in the style of Vaughan Williams. Beginning with a lively solo statement of the melody, the clarinet choir introduces the song in its original form. Using Vaughan Williams as the inspiration, the melody is explored and restated in multiple variations using the various timbral colors of the concert band. This publication marks the first movement of Smith's "Vaughan Williams Suite."
Estimated dispatch 3-5 working days
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£66.95Everybody Sang - Jack Wilds
Written to celebrate the universal tradition of folksong, this multi-movement suite is based on songs from China, Mexico, and Bulgaria. The piece runs the emotional gamut with nostalgic harmonies, beginning with the invigorating first movement and serene second movement. The final movement invokes a dramatic fanfare and irresistible rhythmic drive, bringing the entire piece to a powerful conclusion.
Estimated dispatch 3-5 working days
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£34.96Processional from 'A Renaissance Christmas' (Wind Band) Kevin Norbury
VIEW SCORE PDF This exciting and uplifting processional is the first movement of a festive suite, A Renaissance Christmas, written by Kevin Norbury for the Pierre Elliott Trudeau High School Wind Symphony. Based on Personent hodie (On this day earth shall ring), this is a short piece imagining a torchlight Yuletide procession (perhaps bearing the traditional roasted wild boar), using a well-known Christmas melody from the large collection of music compiled in the 16th century called Piae Cantiones (1582). The tune is presented twice with accompanying, related melodic material. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Medium-Easy Instrumentation: Piccolo Flute Oboe Bassoon Clarinet in Bb 1-2 Bass Clarinet in Bb Alto Saxophone in Eb 1-2 Tenor Saxophone in Bb Baritone Saxophone in Eb Trumpet in Bb 1-2 Horn in F 1-2 Trombone 1-2 Euphonium Tuba Double Bass Timpani Glockenspiel Tubular Bells Tambourine Snare Drum Tenor Drum
In stock: Estimated dispatch 1-3 days
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