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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£80.95The Rakes of Mallow (from The Irish Suite) (Concert Band - Score and Parts) - Anderson, Leroy
This Leroy Anderson classic work typifies his musical genius. Freshly engraved with a full score for the first time, Anderson's own arrangement of the third movement from his Irish Suite is full of excitement and energy. Performable as a stand-alone work, or in tandem with the rest of the movements.
Estimated dispatch 7-14 working days
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£48.70First Sounds for Junior Band, Volume 2 (Flexible Ensemble - Score and Parts) - Wood, Stephen D.
4 Part Flexible Ensemble and PercussionIncludes:Three Warm-Ups For BandWilliam Tell Goes MarchingGround BassHows That?Theme From The New World SymphonyBig Band BounceKum Ba YahA Blues Suite
Estimated dispatch 7-14 working days
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£72.99Partita for Band - Timothy Broege
Composed as a suite, this descriptive work uses four short movements to create varied and distinctive moods. First is a bold Fanfare with rich harmonies, followed by the March in a traditional style. The third movement is a Bluesin a minor key, followed by the final Rondo in triple meter. An appealing and creative addition to the young band repertoire. Dur: c. 7:30
Estimated dispatch 7-14 working days
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£72.99Partita for Band (Concert Band - Score and Parts) - Broege, Timothy
Composed as a suite, this descriptive work uses four short movements to create varied and distinctive moods. First is a bold Fanfare with rich harmonies, followed by the March in a traditional style. The third movement is a Blues in a minor key, followed by the final Rondo in triple meter. An appealing and creative addition to the young band repertoire.Duration: 7:30
Estimated dispatch 7-14 working days
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£242.00Dutch Masters Suite (Concert Band - Score and Parts) - De Meij, Johan
For this exciting work Johan de Meij took his inspiration from Rembrandt's The Night Watch, Vermeer's Love Letter and Steen's Prinsjesdag. In the first movement the solo trombone keeps watch at night, whilst in the second movement lyrical lute music accompanies Vermeer's Love Letter. The third movement takes place in a tavern, where the drinking, singing and (increasingly inarticulate) music take place. An epilogue from the watchful trombone brings the piece to a peaceful end. This work by Johan de Meij was the set-piece for 2nd division concert bands at the 16th WMC in Kerkrade 2009. Duration: 21.00
Estimated dispatch 7-14 working days
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£44.55Ringwood Lake Overture (Concert Band - Score and Parts)
Imagine opening your next concert with this dramatic composition! Can be effectively programmed as the first movement of the Second Suite for Band.
Estimated dispatch 7-14 working days
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£70.50Greensleeves: A Fantasia for Band
In tribute to Ralph Vaughan Williams, Robert Smith's second movement of the Vaughan Williams Suite is entitled . Beginning with a lyric solo statement by the flute, the compellingly beautiful melody is explored using the unique timbres of the contemporary concert band. The first movement, Wassail, is also available as item (00-24758). This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£170.00First Suite in E flat - Gustav Holst / arr. Frederick Fennell
A companion edition to Fennell's landmark edition of Lincolnshire Posy, this work is a must for every serious band library. The score and parts are based on original sources and contain Dr. Fennell's performance practices which were based on though research and his many years of conducting this monument of wind literature. Movements: I. Chaconne, II. Intermezzo, III. March.
Estimated dispatch 3-5 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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