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  • £83.50

    The Eternal Journey - David Shaffer

    Written as a tribute to Mike Bandman, Ruth Moore and Jeff Worth, band directors in Gurnee School District 56 Gurnee, Illinois in recognition of their 94 years of combined service to the band and music programs, "The Eternal Journey" opens with a strong brass flourish and delightfully simple melodic statement which is developed throughout the composition. The slower middle section is a powerful hymn-like setting written as an expression of gratitude from a grateful music community, leading us into a dramatic and powerful conclusion. "The Eternal Journey" is a perfect festival piece and is sure to be one of your student's favorite.

    Estimated dispatch 7-14 working days

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  • £49.50

    First Decree - R.W. Smith

    A joyous and authoritative opening statement for the beginning band! Beginning with a flourish of woodwinds and metallic percussion, the brass section follows with a musical fanfare conveying confidence and pride in the band's newfound musical skills. The percussion section provides a bold response completing the features of each instrumental family in the concert band. Composed using the first six notes introduced in most band methods, "First Decree" is an accessible and musical showcase for your beginning band.

    Estimated dispatch 7-14 working days
  • £65.99

    Christmas Declaration - R. W. Smith

    Robert W. Smith's "Christmas Declaration" has become a standard of holiday band concerts, and this arrangement for the Barnhouse "Build-A-Band" series now presents this modern classic in a setting accessible to bands of limited instrumentation and size. Subtitled "A Holiday Flourish For Band," this work is the perfect opener or closer for your holiday program. Guaranteed to add holiday cheer to your Christmas concert!

    Estimated dispatch 7-14 working days
  • £50.50

    Christmas Encore

    Close your holiday concert with a flourish. Beginning with a heralding brass fanfare statement, this arrangement quickly transitions into a fun and energetic interplay between the wind sections. The fanfare returns leading to a classic orchestral ending that will bring the audience to their feet. This could become a tradition on your annual holiday program.

    Estimated dispatch 7-14 working days

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  • £84.99

    Kiwanisca - Stephen Bulla

    A bright technical flourish in the introduction, a toe-tapping theme following in the Woodwinds, fanfare-like syncopation from the Brass, and even a Piccolo solo in the Trio section make Stephan Bulla's KIWANISCA a sure winner. The fresh timbres and exhilarating melodies will add zest to your next concert whether you choose to program it as your closer or at any other time in the concert. The vitality is contagious! Don't miss it!

    Estimated dispatch 7-14 working days

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  • £98.99

    Ars Vitae - Larry Clark

    Art is Life! This sentiment is abundant in this wonderful new work for concert band by Larry Clark. Full of flourish and thick brass writing harkening back to the days of Alfred Reed, Ars Vitae has everything you could want in a contest and festival work.

    Estimated dispatch 7-14 working days
  • £57.50

    Smash the Windows - Robert Xavier RodrÝguez

    Smash the Windows is a vigorous piece full of energy and motion. The work is based on a traditional Irish jig with the same name. Robert Xavier Rodrguez calls the piece a toccata moto perpetuo, the music gradually builds from its quiet beginning to a brilliant flourish that, with sound effects, truly befits the title. Learn more on YouTube! BandQuest, an exciting series of new music and accompanying curricula for band, is a program published by the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new, fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have created challenging pieces that are a true departure from standard middle school repertoire. Every BandQuest project includes a residency component in which the composer works collaboratively with a middle school as they create their new piece.Many BandQuest pieces are accompanied by an interdisciplinary curriculum designed to assist students as they learn the music and to integrate each piece with non-music studies. Visit www.bandquest.org to learn more about this innovative series, and email [email protected] to request a free downloadable audio catalog.

    Estimated dispatch 7-14 working days
  • £113.30

    Moderate Dances - Angelo Sormani

    This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.

    Estimated dispatch 7-14 working days
  • £104.50

    Music For A Celebration - Patrick J. Burns

    A festive original work for band, Music for a Celebration was written for the Montclair State University Symphonic Band, Dr. Mary Ann Craig, director. Written in a traditional form, it utilizes bright, fresh harmonic and rhythmic ideas. Opening with a flourish, it proceeds joyously to a high-energy, and highly effective, finale. This is a work that everyone will enjoy.

    Estimated dispatch 7-14 working days
  • £71.50

    Starburst - Mark Lortz

    Starburst is dedicated to the Johnston County Eighth Grade All-County Middle School Band in Benson, North Carolina. Its a sparkling work that was specifically written to feature all sections of the band. Attention is immediately focused on the hard-driving full-ensemble introduction that moves into a feature for the woodwinds and horns. The trumpets then get the spotlight, followed by a brief woodwind interlude that transitions to the final recap to close with a resounding flourish.

    Estimated dispatch 7-14 working days