Results
-
£5.95Symphony Performance Folio (Oboe) - Monday, Deborah Baker
Here's a highly requested collection of folk tunes and classical works flexibly arranged. All arrangements can be played as a full orchestra, or string orchestra, or concert band, or woodwind ensemble, or brass ensemble, or miscellaneous combination that works for you! A percussion book is also included but not required. The pieces in the book progress from grade 2 to grade 4. Arranger Deborah Baker Monday has creatively arranged each piece for concerts or classroom training. Not to be missed! Includes: Chorale (Drese); Lo, How a Rose E'er Blooming (Praetorius); Old French Hymn; Jana Gana Mana (Tagore); Minuet from Water Music (Handel); My Bonny Lass (Morley); Beach Spring (White); Hatikvah; Rondeau from Abdelazer Suite (Purcell); Menuet from Le Tombeau de Couperin (Ravel); Turkish March from The Ruins of Athens (Beethoven); In the Hall of the Mountain King from Peer Gynt Suite (Grieg); Alborada from Capriccio Espagnol (Rimsky-Korsakov); When Johnny Comes Marching Home.
Estimated dispatch 7-14 working days
-
£5.95Symphony Performance Folio (Flute) - Monday, Deborah Baker
Here's a highly requested collection of folk tunes and classical works flexibly arranged. All arrangements can be played as a full orchestra, or string orchestra, or concert band, or woodwind ensemble, or brass ensemble, or miscellaneous combination that works for you! A percussion book is also included but not required. The pieces in the book progress from grade 2 to grade 4. Arranger Deborah Baker Monday has creatively arranged each piece for concerts or classroom training. Not to be missed! Includes: Chorale (Drese); Lo, How a Rose E'er Blooming (Praetorius); Old French Hymn; Jana Gana Mana (Tagore); Minuet from Water Music (Handel); My Bonny Lass (Morley); Beach Spring (White); Hatikvah; Rondeau from Abdelazer Suite (Purcell); Menuet from Le Tombeau de Couperin (Ravel); Turkish March from The Ruins of Athens (Beethoven); In the Hall of the Mountain King from Peer Gynt Suite (Grieg); Alborada from Capriccio Espagnol (Rimsky-Korsakov); When Johnny Comes Marching Home.
Estimated dispatch 7-14 working days
-
£21.95Symphony Performance Folio (Full Conductor Score) - Monday, Deborah Baker
Here's a highly requested collection of folk tunes and classical works flexibly arranged. All arrangements can be played as a full orchestra, or string orchestra, or concert band, or woodwind ensemble, or brass ensemble, or miscellaneous combination that works for you! A percussion book is also included but not required. The pieces in the book progress from grade 2 to grade 4. Arranger Deborah Baker Monday has creatively arranged each piece for concerts or classroom training. Not to be missed! Includes: Chorale (Drese); Lo, How a Rose E'er Blooming (Praetorius); Old French Hymn; Jana Gana Mana (Tagore); Minuet from Water Music (Handel); My Bonny Lass (Morley); Beach Spring (White); Hatikvah; Rondeau from Abdelazer Suite (Purcell); Menuet from Le Tombeau de Couperin (Ravel); Turkish March from The Ruins of Athens (Beethoven); In the Hall of the Mountain King from Peer Gynt Suite (Grieg); Alborada from Capriccio Espagnol (Rimsky-Korsakov); When Johnny Comes Marching Home.
Estimated dispatch 7-14 working days
-
£150.00Cockaigne Overture (In London Town) (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul
Cockaigne Overture was composed when Edward Elgar received a commission from the Royal Philharmonic Society, and he reported that the new piece was "cheerful and Londony, 'stout and steaky'...honest, healthy, humorous and strong, but not vulgar." The first performance was in the Queen's Hall, London, on 20 June 1901, conducted by the composer. He dedicated the work to his "many friends, the members of British orchestras." The music was an immediate success and became one of Elgar's most popular works. In its 15 minutes or so, the overture gives a lively and colourful musical portrait of Edwardian London. 'Cockaigne' was a term used by moralists at that time as a metaphor for gluttony and drunkenness, while Britain adopted the name humorously for London, and from it we get the Cockney. Cockaigne or Cockayne /ka' kein/, the word origin tracing back to the 13th century, is a land of plenty in medieval myth, an imaginary place of extreme luxury and ease where physical comforts and pleasures are always immediately at hand and where the harshness of medieval peasant life does not exist. The work presents various aspects of turn-of-the-century London and Londoners. It begins with a quiet but bustling theme which leads into an unbroken sequence of snapshots: the cockneys, the church bells, the romantic couples, a slightly ragged brass band (perhaps the Salvation Army) and a contrastingly grand and imperious military band. The broad theme representing Londoners has been stated as the first occurrence of Elgar's trademark direction, 'nobilmente.' The work ends in a characteristically Elgarian blaze of sound, including an optional full organ.
Estimated dispatch 7-14 working days
-
£52.95School Detective (Concert Band - Score and Parts) - Viitasaari, Jukka
The ever-vigilant hall monitor, always on patrol for delinquents running amok, needs a secret assistant in tough times like this. That's where the School Detective comes in! Navigate through winding chromatic passages set to groovy ostinati and drum fills.Duration: 2.15
Estimated dispatch 7-14 working days
-
£134.99Aretha! (Concert Band - Score and Parts) - Tinner, Gilbert
Aretha Franklin - the 'Queen of Soul' - was an icon and inspiration for women all around the world, and the first female artist to enter the 'Rock and Roll Hall of Fame' in 1987. This medley by Gilbert Tinner contains Aretha Franklin's most famous hits: 'Respect', '(You Make Me Feel Like) A Natural Woman', 'Son of a Preacher Man' and of course 'Think', one of the greatest up-tempo tracks of all time.Duration: 7.45
Estimated dispatch 7-14 working days
-
£76.95The Mountain (Concert Band - Score and Parts) - Oliva & O'Neill - Megaw & Phillips
Great for the holidays like all Trans-Siberian Orchestra pieces, yet based on classical music, so also fitting for any pops concert! Based upon "Mars, the Bringer of War" from The Planets by Gustav Holst and "In the Hall of the Mountain King" by Edvard Greig, this energetic setting of beloved favourites will rock your concert. Includes optional electric guitar, electric violin, electric bass, percussion, and piano parts. For a great opener or closer, this piece can be combined with the string arrangement by the same name for a joint performance. A compelling and unique addition to your holiday program or any pops concert.Duration: 4.45
Estimated dispatch 7-14 working days
-
£85.00Letter from Home (Windependence Concert Band - Score and Parts) - Copland, Aaron - Belski, Brian
Letter from Home was commissioned as a patriotic work in 1944 by Paul Whiteman and his Radio Hall of Fame Orchestra. Composed toward the end of the Second World War, this music suggests the emotions of a soldier reading a letter from home. The music has been described as Copland's 'most sentimental' and reflects his own homesickness while visiting Mexico. This sensitive transcription by Brian Belski has produced another wonderful wind band setting from America's most iconic composer.
Estimated dispatch 7-14 working days
-
£118.90Sing Sang Sung (Concert Band - Score and Parts) - Goodwin, Gordon - Gilje, Reid
Sing Sang Sung is inspired by Sing Sing Sing from the legendary 1938 Carnegie Hall Concert by Benny Goodman & His Orchestra. The famous Jungle Groove presented by drummer Gene Krupa and the opening riff from the 1938 performance is retained in this brilliant, swinging tune composed by Gordon Goodmin. The style changes from swing to jungle groove (with extensive use of tom-toms), is essential for both these tunes. Duration: 4.30
Estimated dispatch 7-14 working days
-
£37.95The Year of the Dragon (Prestige Concert Band - Score only) - Sparke, Philip
The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated dispatch 7-14 working days
View Music