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£79.99Siorai September (Concert Band - Score and Parts) - Hazo, Samuel R.
Translated from Gaelic as "Eternal September," this marvellous setting for band is designed to take each listener back to their own vivid fall memories on a college campus. Commissioned by the University of Notre Dame and premiered at their Carnegie Hall performance in 2010, this work is also dedicated to the composer's father, Dr. Samuel J. Hazo, a 1949 graduate of Notre Dame. Additionally, Dr. Hazo's poem "Home Are the Sailors" is incorporated in the middle of the piece. Rich in musical references and varied textures, this is a dramatic and rewarding work for mature ensembles.Duration: 5:30
Estimated dispatch 7-14 working days
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£53.95The Joy of Christmas (Concert Band - Score and Parts) - Bullock, Jack
The performance of music is a significant part of the celebration of the holiday season with solemn and heartfelt songs and compositions. There are spirited works as well which exclaim the joy of the season. Three of these musical favourites, "Hark! The Herald Angels Sing," "I Saw Three Ships," and "Deck the Hall," are presented in a joyful medley of Christmas musical cheer.Duration: 3.00
Estimated dispatch 7-14 working days
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£64.99Three Scenes from Penn's Woods (Concert Band - Score and Parts) - Jager, Robert
Referring to the founder of Pennsylvania, William Penn, this suite of three appealing settings reflects on the origins and character of this state. The suite opens with the lighthearted 6/8 setting "Punxsutawny Phil." Next is "Moravian Hymn Variants" which is solemn and rich-sounding, but with a brief spirited middle variation. "Independence Hall" concludes this well-written work in a stately and majestic style.Duration: 7:30
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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£129.99...Go (Concert Band - Score and Parts) - Hazo, Samuel R.
"...Go puts the hall on notice that a concert has just begun," writes composer Samuel R. Hazo. Dynamic brass hits, woodwind runs, shimmering chorales and percussion breaks keep both the player and the listener on seat's edge during this tour-de-force overture. Guaranteed to raise the heart rate of anyone within earshot!Duration: 3:00
Estimated dispatch 7-14 working days
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£49.95Angel Trumpets (Concert Band - Score and Parts) - Phillips, Richard
Christmas MarchThis piece is a quick march and one that deviates from a regular march meter, containing a selection of carols with linking themes.Hark! the Herald Angels Sing and Angels, from the Realms of Glory proclaiming Joy to the World is clearly evident. The latter stage of the march employs an English traditional carol, The Holly and the Ivy and a Welsh traditional carol, Deck the Hall with Boughs of Holly.
Estimated dispatch 7-14 working days
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£180.00Spring (Concert Band - Score and Parts) - De Meij, Johan
This overture recounts the magical re-awakening of Spring's arrival in Sweden with the help of two Swedish folk songs. A melancholic, haunting song is first heard from afar as various instruments from different locations in the concert hall echo the solitary female voice. A soulful melody gradually transforms to a polka-like variant that gradually builds into the joyful main theme. The score contains valuable notes from the composer on how various effects and placement of musicians throughout the space can enhance Spring's performance. Duration: 10.45
Estimated dispatch 7-14 working days
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£75.00Brighton Camp, Suite of Cotswold Folkdances (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
The Suite of Cotswold Folkdances (not to be confused with Cotswold Dances) was commissioned by the Stroud Festival to celebrate HRH, the Princess Anne and her family taking up residence in the Cotswolds, near Stroud. The suite of dances is based on traditional Morris tunes prevalent in the Cotswolds at the turn of the century. Although the tunes themselves are left largely untouched, their implied harmonies and moods are treated more freely to create a balanced work for the concert hall. Numbers 2, 3, and 4 may recall more familiar variants since it is in the nature of folksong/dance for there to be more than one version when examples were transmitted, not always accurately, by word of mouth or note of pipe.
Estimated dispatch 7-14 working days
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£75.00Constant Billy, Suite of Cotswold Folkdances (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
The Suite of Cotswold Folkdances (not to be confused with Cotswold Dances) was commissioned by the Stroud Festival to celebrate HRH, the Princess Anne and her family taking up residence in the Cotswolds, near Stroud. The suite of dances is based on traditional Morris tunes prevalent in the Cotswolds at the turn of the century. Although the tunes themselves are left largely untouched, their implied harmonies and moods are treated more freely to create a balanced work for the concert hall. Numbers 2, 3, and 4 may recall more familiar variants since it is in the nature of folksong/dance for there to be more than one version when examples were transmitted, not always accurately, by word of mouth or note of pipe.
Estimated dispatch 7-14 working days
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£150.00Divertissement (Clarinet Solo with Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
Divertissement was originally commissioned by clarinetist Verity Butler in 1994 and first performed by her that year in Cheltenham Town Hall. The orchestra version, for harp and strings, was made in 2000. It is a delightful showcase for a clarinet soloist with thematic material quoted throughout in a variety of musical expressions. The harp (or electronic keyboard) has an important role in this piece.
Estimated dispatch 7-14 working days
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