Results
-
£64.99Suite Pigalle - Erik Satie
Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music. He composed in various, often quite divergent, styles. Besides light-hearted,entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Rel che and Les Aventures de Mercure. However, his piano pieces, such as Trois Gymnopdies orGnossiennes will remain his most popular compositions. Satie cooperated with almost all the great artists of his time: Pablo Picasso, Jean Cocteau, Sergei Diaghilev, Georges Braque and composers Darius Milhaud (Le Groupedes Six) and Claude Debussy. Johan de Meij made an orchestration of three short pieces by Erik Satie: I. Petite Ouverture danser - II. Gnossienne No. 1 (1890) - III. Gambades
Estimated dispatch 7-14 working days
-
£64.99Suite Montparnasse - Erik Satie
Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music. He composed in various, often quite divergent, styles. Besides light-hearted,entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Rel che and Les Aventures de Mercure. However, his piano pieces, such as Trois Gymnopdies orGnossiennes will remain his most popular compositions. Satie cooperated with almost all the great artists of his time: Pablo Picasso, Jean Cocteau, Sergei Diaghilev, Georges Braque and composers Darius Milhaud (Le Groupedes Six) and Claude Debussy. Johan de Meij made an orchestration of three short pieces by Erik Satie: I. Les Pantins dansent - II. Choral No. 2 - III. Passacaille
Estimated dispatch 7-14 working days
-
£344.30Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
-
£139.99Breeze in the Forest - Satoshi Yagisawa
Breeze in the Forest was commissioned for the concert to celebrate the 60th birthday of Professor Haruyuki Nakatsukasa of Osaka Kyoiku University. "Kanreki" is a special term used to celebrate reaching the age of 60 in Japan. The composer was inspired by some of Professor Nakatsukasa's admirable characteristics upon composing this work: he speaks softly and at the same level as his students; he is fashionable, stylish and refined. The band accompaniment is at a moderate level of difficulty, allowing the solo flautist to choose this work for many an occasion.
Estimated dispatch 7-14 working days
-
£134.99Philadelphia - Dirk Brossé
In the summer of 2010 Dirk Bross was appointed music director of The Chamber Orchestra of Philadelphia. During his inauguration concert in September that year he brought a musical surprise to the city in which he would work for the next ten years. Philadelphia, an American Overture is dedicated to the people of America's first capital city. We hear the energy, the power, the freedom and the vitality of the multi-ethnic 'City of Brotherly Love.'
Estimated dispatch 7-14 working days
-
£152.99Songs From Across The Water - Philip Sparke
Songs from Across the Water was commissioned by Pennsylvania Symphonic Winds - Phil Evans, Founder and Director. Phil Evans hails from the UK and served for 25 years in the Band of HM Royal Marines. Now resident in the USA he founded Pennsylvania Symphonic Winds in 2008, giving them the tag line 'An American Band with a British Accent', as he wanted to combine the best of both countries' band traditions. With this in mind, composer Philip Sparke decided to create a suite of British folk songs, scored with an American influence to fulfil the philosophy of the band's tag line. The three movements, which are played without a break, are based onthe following folk songs, which come from all corners of the British Isles: 'The Three Ravens & The Cruiskeen Lawn', 'The Lark in the Clear Air' and 'The Piper o' Dundee & Men of Harlech'.
Estimated dispatch 7-14 working days
-
£104.99In Memoriam - Bert Appermont
The terroristic attacks in Paris, Brussels, Nice and Berlin shocked many people and lead to fear, mistrust and unbelieve. To express these emotions, Bert Appermont composed a beautiful and sensitive In Memoriam.He used parts of the children's' song Au Claire de la Lune as a symbolic reference to the innocence that was suppressed by these events. He combined this with a lyrical melody which expresses the hope for a better world. A touching and reflective moment for your concert.
Estimated dispatch 7-14 working days
-
£197.80Holberg Suite - Edvard Grieg
Edvard Hagerup Grieg (1843-1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folkmusic in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity. Grieg is regarded as simultaneously nationalistic and cosmopolitan in his orientation, for although born in Bergenand buried there, he traveled widely throughout Europe, and considered his music to express both the beauty of Norwegian rural life and the culture of Europe as awhole.1884 was the bicentenary year of the birth of Ludvig Holberg (1684-1754)and as a part of the celebrations various Scandinavian composers were commissioned to write commemorative pieces. From Holbergs Time was one of Griegs contributions. It was first written for piano but in 1885 the composer transcribed it for stringorchestra. For his suite Grieg went back to some of the musical forms used by Holbergs contemporaries but although the forms and style may be rococo the contents are unmistakably characteristic of Grieg himself. Grieg gave the first performance ofthe piano version in Bergen, Holbergs birthplace, in December 1884.
Estimated dispatch 7-14 working days
-
£108.60Song of the Koster Girls - Evert Taube
The author of Kosterflickornas visa "the Song of the Koster Girls" is Evert Taube (1890-1976). It is one of the 200 popular and beloved songs he wrote and which have made him one of Sweden's "national poets". His popularity and greatness is madeevident since he is honoured to be on the new 50 Kronor banknote which will be issued during 2015. The Koster islands are the most westerly inhabited part of Sweden. The islands are situated in the northern part of the county Bohusln, not far fromthe Norwegian border. The song text goes:Here is the sea that embraces our Bohusln islandsand carries our father and brother in a rocking boat.Come to the beach, come with me, come singby my sideout over Skagerack inthe calm summer night.The arrangement for flute and wind band is written by Jerker Johansson (born 1967), who is conductor of the Gteborg Wind Orchestra, which has made a CD-recording of the song with Evert Taube's son Sven-Bertilinterpreting his father's work.
Estimated dispatch 7-14 working days
-
£191.00
Dirty Dancing - Torstein Aagaard-Nilsen
In November 2014, the conductor Peter Szilvay, on behalf of Christiania Wind Ensemble (Oslo), commissioned a piece from me. He was looking for a quite short piece of music, effective, intense and dance-like.He mentioned A Short Ride in a Fast Machine by John Adams, and I answered his request by writing my piece, Dirty Dancing. It is a rather easy listening piece that play with riffs and rhythms.Szilvay did not conduct the premiere of the piece. Trond Huseb took over and conducted the premiere the 7th of March 2015 in Oslo.
Estimated dispatch 7-14 working days
View Music