Results
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£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated dispatch 7-14 working days
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£87.99Cardigan Bay (Fantasy on Aberystwyth) (Concert Band - Score and Parts) - De Haan, Jacob
This composition is based on the hymn Aberystwyth, named after a seaside town on the west coast of Wales. It is Jacob de Haan's favourite hymn from the 120 Hymns for Brass Band. The work consists of three continuous movements in which the theme of Aberystwyth comes forward in a variety of attractive ways, so that it forms a variegated whole which is captivating to players and listeners alike. Duration: 7.30
Estimated dispatch 7-14 working days
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£90.00God of Our Fathers (Flexible Ensemble - Score and Parts) - Smith, Claude T. - Earp, Joseph Benjamin
God of Our Fathers is based on the hymn with the same name and is one of the most iconic American Christian hymns dating back to the 19th-century. Claude T. Smith's concert band arrangement of this hymn has become a staple of band literature. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated dispatch 7-14 working days
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£242.50Labyrinth for Symphonic Band (Concert Band - Score and Parts) - Aagaard-Nilsen, Torstein
I wrote Labyrinth to celebrate the 450th anniversary for the city of Fredrikstad. The Danish king Fredrik II agreed to establish a new town further down the river Glomma, to make it easier to defend from the Swedes. The piece is a network of quotations mixed with my own pitch material. My versions of the quoted melodies are not authentic, and sometimes hard to recognize. However, the different quotations give the music an aura of tonality. For example, a dance tune composed by the Flemish composer Mattheus Le Maistre (1505-1577). The melody also occurs in the first danish book of hymns written after the reformation. Since Norway for 400 years was a part of Denmark and everybody had to write and read Danish, they used much of the same music, too. I also use regular Danish hymn tunes and quote from a religious folk song from the area around Fredrikstad. The military signals I use are authentic (for example, The Old Danish March), and I am very sure they were used in the Old Town (the fortress) of Fredrikstad. The drums quote from The Downfall of Paris. This could have been heard played by professional soldiers hired by the Swedes from Scotland. This edition is a revised version made in 2020. - Torstein Aagaard-Nilsen. Duration: 23.00
Estimated dispatch 7-14 working days
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£89.99Celebration Fanfare (On a Theme by Hadyn) (Concert Band - Score and Parts) - Curnow, James
Franz Joseph Haydn's famous melody from the second movement of the Emperor Quartet (String Quartet, Op. 76) was the basis for the national anthem of Austria for more than a century, and is frequently heard in hymns, anthems, and alma maters worldwide. In this celebratory extended fanfare, composer James Curnow skillfully weaves this majestic melody into a work which is both exuberant and energetic. Duration: 4:30
Estimated dispatch 7-14 working days
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£150.00Carol Fantasia (Concert Band - Score and Parts) - Fox, John - Noble, Paul
Carol Fantasia was written for the BBC Radio Orchestra's regular Tuesday night BBC Radio 2 showcase programme. It features the following carols and Christmas hymns: God rest you merry, gentlemen, Away in a manger, The First Nowell, While shepherds watched, O come all ye faithful, The Holly and the Ivy, We three kings, and Hark! the Herald Angels sing. The arrangement for Concert/Wind Band contains the original orchestra inclusion of celesta, piano, and harp, all of which are optional in this arrangement, with parts covered elsewhere. A bold, dramatic and colourful setting, this is a joyous and powerful concert opener or closer.
Estimated dispatch 7-14 working days
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£75.00Lo! He Comes with Clouds Descending (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Lo! He Comes with Clouds Descending is a hymn with a text by John Cennick (1718-1755) and Charles Wesley (1707-1788). Most commonly sung at Advent, the hymn derives its theological content from the Book of Revelation relating imagery of the Day of Judgment. Considered one of the Great Four Anglican Hymns in the 19th century, it is most commonly sung to the tune Helmsley, first published in 1763. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£75.00O Come, O Come Emmanuel (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
O come, O come Emmanuel is a Christian hymn for Advent and Christmas. It is a translation of a Latin hymn, Veni, veni, Emmanuel, itself a metrical paraphrase of the O Antiphons, a series of plainchant antiphons attached to the Magnificat at Vespers over the final days before Christmas. The 1861 translation from Hymns Ancient and Modern is the most prominent by far in the English-speaking world, but other English translations also exist., Translations into other modern languages (particularly German) are also in widespread use. This arrangement for Concert/Wind Band represents one in the series of band arrangements compatible with David Willcocks Carols for Choirs, Book 2 (#27).
Estimated dispatch 7-14 working days
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£75.00What Child is This? (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
What Child Is This? is a Christmas carol whose lyrics were written by William Chatterton Dix, in 1865. At the time of composing the carol, Dix worked as an insurance company manager and had been struck by a severe illness. While recovering, he underwent a spiritual renewal that led him to write several hymns, including lyrics to this carol that was subsequently set to the tune of Greensleeves, a traditional English folk song. Although it was written in Great Britain, the carol is more popular in the United States than in its country of origin today. The context of the carol centres around the Adoration of the Shepherds, who visited Jesus during his Nativity. The questions posed in the lyrics reflect what the shepherds were possibly pondering to themselves when they encountered him, with the rest of the carol providing a response to their questions. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£110.00Now Thank We All Our God (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
This powerful setting by John Rutter of one of the world's most beloved hymns is a perfect vehicle for the Concert/Wind Band with Chorus and audience participation, and may be performed by band alone. The extended Festival Fanfare may be omitted, or may be shortened as desired. The organ and harp parts are optional.
Estimated dispatch 7-14 working days
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