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  • £84.99

    To a Friend - Jacob de Haan

    When you have been playing in a band for a long time, you will know that music belongs to the most beautiful moments in life, but also to the roughest times. Making music together can give you strength when things are difficult. To a Friend is a wonderfully comforting work for anyone going through a dark time. Jacob de Haan composed the work for his father in law, Gerard Bosch, a musician to the core. The piece received its first performance just weeks before his passing. On a sun-kissed evening, his friends, the musicians of his two music societies - Oefening Baart Kunst (Practice Makes Perfect) Otterlo, and the Renie Orkest Artillerie Trompetterkorps (Reunion Band Artillery Trumpet Corps) - played the work for Gerard - an unknowing yet beautiful goodbye.

    Estimated dispatch 7-14 working days

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  • £127.00

    Ray of Light - Kevin Houben

    Ray of light was composed for the 75th anniversary of the Royal Wind Band (De Heidegalm Berkenbos). The mining environment of Berkenbos (Heusden-Zolder, B) is a proof of what used to be one of the most flourishing industries inLimburg viz. the Mining Industry. Going down the shaft in the elevator for the first time was a sensational experience for every miner: the noise of the closing doors, the shock experienced when the lift cage started moving tofall down whizzingly into the deep at a speed of 30 km an hour. The opening theme of Ray of Light doesn't only reflect the bravery of the descending miners but also their anxiety, their doubt and insecurity. In the solo passage,the anxiety during the long walk in the dark through the mine corridors with only headlamps and mine lamps is clearly audible. Working in the mines wasn't without any danger. The very flammable and at times explosive mine gasesalways posed a hidden threat. Apart from that there was always the continuous danger of collapse. The beautiful choral movements are therefore an ode to the miners that left their lives in the mine. The eastern scale refers tothe multicultural character of the mining environment of Berkenbos with its many commercial shops and different types of housing inherent in mining architecture. The mining profession is still a very dangerous job, but at the endof the dark corridor the miners still see a beam of light as a sign of hope.

    Estimated dispatch 7-14 working days

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  • £344.30

    Goldberg 2012 - Svein H. Giske

    The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-

    Estimated dispatch 7-14 working days
  • £104.99

    Pilgrims of Wolfryt - Jacob de Haan

    The work Pilgrims of Wolfryt tells the story of the legend Walfridus (also known as Wolfryt), a resident of the town of Bedum in the Netherlands who was born in the 11th century. Wilfridus had an eventful life: he introduced Christianity to Bedum and helped the town build its first legal system, but ultimately his story ended in demise murdered alongside his son at the hands of the Vikings. Pilgrims of Wolfryt is a symphonic poem-like masterpiece, full of evocative melodies in a mix of tonalities to make the most of the impressive rhythmic material.

    Estimated dispatch 7-14 working days

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  • £197.80

    Tales and Myths of Gothia - Jerker Johansson

    Jerker Johansson has lived in Gothenburg, on the Swedish West Coast, since 1984, and is deeply interested in the history of the country. Gothia is the most southern part of Sweden, and Gothenburg, which was founded in 1621, is since many years an important centre for trade and shipping. Old paintings of the harbour with its gigantic sailing ships gave impulse to the heroic character of the piece. The opening fanfare is followed by a lively allegro, which eventually leads to a calm section, containing reminiscences of the fanfare. The flutes introduce a cantabile theme, and a dance reminding of the Renaissance precede a recapitulation of the allegro theme. Gothia ends withthe fanfare, the cantabile theme and the dancelike Renaissance music. Tales and Myths of Gothia was premiered on 8 September 2017 by Gothenburg Wind Orchestra conducted by Niklas Willn.

    Estimated dispatch 7-14 working days

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  • £53.50

    Silhouette of a Dream - Richard L. Saucedo

    Some of the most rewarding moments in band can come when the players are emotionally moved by a well-constructed lyric composition. Richard Saucedo's Silhouette of a Dream offers this type of opportunity with its flowing lines and captivating harmonies. Great for teaching tone quality, phrasing and blend. Dur: 3:40

    Estimated dispatch 7-14 working days
  • £84.99

    Fantasy

    This song was released in 1977 and is one of the famous songs from the legendary band Earth, Wind and Fire. Because of its popularity, it was used in movies and TV series' and was also covered many times throughout the years, with the 1990 version of Black Box being one of the most successful covers. Richard Johnson created this solid arrangement for concert band.

    Estimated dispatch 7-14 working days

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  • £46.95

    Windforce - Douglas E. Wagner

    Wind is one of the most important elemental forces in nature. This original work musically captures that energy with bold melodic lines, expansive harmony, and driving rhythms, climaxing with a dramatic accelerando that brings the work to its dramatic conclusion. (2:00)

    Estimated dispatch 7-14 working days

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  • £109.99

    Soldaat van Oranje - de musical - Tom Harriman

    Soldaat van Oranje (Soldier of Orange) is the most successful musical ever put on stage in the Netherlands. Since its premiere in October 2010, which was attended by the Dutch Royal Family, this theatre production has remained an enormous success. War and love have always been closely connected and the beautiful songs around these themes make this excellent musical an unforgettable project.

    Estimated dispatch 7-14 working days

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  • £94.99

    Soldiers' Chorus - Charles Gounod

    The tale of Faust, who sold his soul to the devil in exchange for knowledge and power, has been a source of inspiration for many authors, poets, film directors and composers. Among these is the French composer Charles Gounod whose opera Faustwas first performed in 1859. This charming Soldiers' Chorus is one of the most famous melodies from the opera. Its musical simplicity and beauty fits any concert programme that needs a well-known classical arrangement.

    Estimated dispatch 7-14 working days

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