Results
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£59.95Shout! (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
Shout! was written for Brett Baker to demonstrate a particular musical aspect of his trombone playing. It is a Latin jazz piece subtitled CCC 4 BB - Cha cha cha for Brett Baker - and shows the trombone's ability to act as a declamatory jazz voice, covering much of the range and expressive power of the instrument. In one sense the title also refers to the jazz tradition of a Shout chorus which often appears towards the end of a jazz piece, bringing the players together after they have all taken their improvised solos.Shout! should hopefully be enjoyable to listen to and, although not without its technical challenges, fun to play.Duration: 3.45
Estimated dispatch 7-14 working days
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£68.99JUMPIN' AT THE SWING TRAIN (Concert Band) - Bulla, Stephen
Authentic Big Band swing style music for the concert band! You know this one will be a crowd pleaser, and SO much fun to play! Stephen Bulla works his magic with the great Jazz sounds of the 40s and 50s in such a way that your band will be able to put it together and make it happen. Lots of great jazz style articulation and harmonic considerations ensure that your students are doing more than just playing the piece. They are learning Big Band Jazz style interpretation in the bargain, and loving it as they do. This is a great opportunity to study the historical American roots of Jazz! Duration: 2:21 American Grade 3
Estimated dispatch 7-14 working days
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£391.20Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£69.99
Jumpin' at the Swing Train - Stephen Bulla
Authentic Big Band swing style music for the concert band! You know this one will be a crowd pleaser, and SO much fun to play! Stephen Bulla works his magic with the great Jazz sounds of the 40s and 50s in such a way that your band will be able to put it together and make it happen. Lots of great jazz style articulation and harmonic considerations ensure that your students are doing more than just playing the piece. They are learning Big Band Jazz style interpretation in the bargain, and loving it as they do. This is a great opportunity to study the historical American roots of Jazz!
Estimated dispatch 7-14 working days
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£53.95Groovin' (Concert Band - Score and Parts) - Hodges, Steve
Fingers will be snapping with this cool piece by Steve Hodges. Groovin' features a walking bass line and jazz drum patterns that provide a strong foundation for the catchy melodies and jazz articulations. The drummers will love the short fills and interplay with the rest of the band throughout. A great opportunity for the young concert band to get their groove on with this fun jazz piece! Duration: 2.15
Estimated dispatch 7-14 working days
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£118.99I Remember Clifford (Concert Band - Score and Parts) - Golson, Benny - Mashima, Toshio
The well-known American jazz musician Benny Golson (b. 1929) worked with great names like Benny Goodman, Dizzy Gillespie and Lionel Hampton. He wrote a number of jazz standards, including I Remember Clifford. The Japanese composer/arranger Toshio Mashima has produced this exciting arrangement of this jazz classic for trumpet and concert band.Duration: 4:45
Estimated dispatch 7-14 working days
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£118.99I Remember Clifford
The well-known American jazz musician Benny Golson (b. 1929) worked with great names like Benny Goodman, Dizzy Gillespie and Lionel Hampton. He wrote a number of jazz standards, including I Remember Clifford. The Japanese composer/arranger Toshio Mashima has produced this exciting arrangement of this jazz classic for trumpet and concert band.
Estimated dispatch 7-14 working days
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£54.00Jam on Top
This jazzy piece, written in a standard blues progression, is the perfect introduction to this essential musical style. Written to be performed in either a straight rock or swing feel, directors looking to highlight their saxophonists should consider this piece. There are multiple solo to soli saxophone options in the style of an open jazz vamp. The drum parts are written for multiple players but you can also feature a young drum set performer. An excellent light jazz composition to help students learn about blues chord progressions and blues scales while also having fun!
Estimated dispatch 12-14 working days
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£94.90Moonlight Serenade (Concert Band - Score and Parts) - Miller, Glenn - Thingnaes, Frode
Moonlight Serenade was written by American jazz musician, bandleader and composer Glenn Miller in the late 1930s. His own recording from 1939 was inducted into the Grammy Hall of Fame in 1991. The song is one of the most iconic tunes from the swing-era and is one of the most popular jazz tunes ever written.This masterful arrangement was made for Norwegian band Kampen Janitsjarorkester of Oslo.Duration: 2.48
Estimated dispatch 7-14 working days
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£51.50Bye Bye Blackbird (Flexible Ensemble - Score and Parts) - Dixon & Henderson - Sunde, Inge
Here is a light, medium easy swinging arrangement of this well-known jazz standard.Bye Bye Blackbird was published in 1926 by Ray Henderson and Mort Dixon. It was both their earliest song and the most popular. The song has always been a favourite tune of jazz players, and has been recorded by numerous artists, including Peggy Lee (1959), Nina Simone (1962), Josephine Baker (1927), Miles Davis (1957), Sammy Davis Jr. (1961), John Coltrane (1962), Paul McCartney (2012) and Van Morrison (2017).Flexible instrumentation (Flex 5 ShowBlow) makes it playable for small as well as larger ensembles.Duration: 3.00
Estimated dispatch 7-14 working days
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