Results
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£60.00A New Orleans Promenade (Flexible Ensemble - Score and Parts) - Neeck, Larry
A New Orleans Promenade is fun-filled from start to finish! This unique medley, arranged in traditional New Orleans Jazz style, consists of three classic songs, "What A Friend We Have In Jesus," "St. Louis Blues," and "When The Saints Go Marching In." To spice things up even more, an optional jazz combo can be featured as part of the ensemble. This cheerful, engaging arrangement will provide a treat for your students and audience alike. Great fun, and excellent for small groups and distance learning! Duration: 4.50
Estimated dispatch 7-14 working days
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£75.00Aria (from Suite Antique) (Flute Solo with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. This arrangement for Concert/Wind Band and Solo Flute adheres to the original presentation, but is expanded for a full band accompaniment to the solo flute. The harpsichord is optional, being cued elsewhere, but may be performed as in the original score by either harpsichord or an electronic keyboard with a similar setting. A jazz drumset is optionally included in the fourth (jazz waltz) movement, and other percussion discretely added in other movements. It is exciting to hear earlier musical forms brought into today's music appreciation, and this setting of a flute solo with band is especially refreshing for both soloist and band.
Estimated dispatch 7-14 working days
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£95.00Chanson (from Suite Antique) (Flute Solo with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. This arrangement for Concert/Wind Band and Solo Flute adheres to the original presentation, but is expanded for a full band accompaniment to the solo flute. The harpsichord is optional, being cued elsewhere, but may be performed as in the original score by either harpsichord or an electronic keyboard with a similar setting. A jazz drumset is optionally included in the fourth (jazz waltz) movement, and other percussion discretely added in other movements. It is exciting to hear earlier musical forms brought into today's music appreciation, and this setting of a flute solo with band is especially refreshing for both soloist and band.
Estimated dispatch 7-14 working days
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£90.00Ostinato (from Suite Antique) (Flute Solo with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. This arrangement for Concert/Wind Band and Solo Flute adheres to the original presentation, but is expanded for a full band accompaniment to the solo flute. The harpsichord is optional, being cued elsewhere, but may be performed as in the original score by either harpsichord or an electronic keyboard with a similar setting. A jazz drumset is optionally included in the fourth (jazz waltz) movement, and other percussion discretely added in other movements. It is exciting to hear earlier musical forms brought into today's music appreciation, and this setting of a flute solo with band is especially refreshing for both soloist and band.
Estimated dispatch 7-14 working days
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£75.00Prelude (from Suite Antique) (Flute Solo with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. This arrangement for Concert/Wind Band and Solo Flute adheres to the original presentation, but is expanded for a full band accompaniment to the solo flute. The harpsichord is optional, being cued elsewhere, but may be performed as in the original score by either harpsichord or an electronic keyboard with a similar setting. A jazz drumset is optionally included in the fourth (jazz waltz) movement, and other percussion discretely added in other movements. It is exciting to hear earlier musical forms brought into today's music appreciation, and this setting of a flute solo with band is especially refreshing for both soloist and band.
Estimated dispatch 7-14 working days
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£110.00Rondeau (from Suite Antique) (Flute Solo with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. This arrangement for Concert/Wind Band and Solo Flute adheres to the original presentation, but is expanded for a full band accompaniment to the solo flute. The harpsichord is optional, being cued elsewhere, but may be performed as in the original score by either harpsichord or an electronic keyboard with a similar setting. A jazz drumset is optionally included in the fourth (jazz waltz) movement, and other percussion discretely added in other movements. It is exciting to hear earlier musical forms brought into today's music appreciation, and this setting of a flute solo with band is especially refreshing for both soloist and band.
Estimated dispatch 7-14 working days
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£395.00Suite Antique (Flute Solo with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. This arrangement for Concert/Wind Band and Solo Flute adheres to the original presentation, but is expanded for a full band accompaniment to the solo flute. The harpsichord is optional, being cued elsewhere, but may be performed as in the original score by either harpsichord or an electronic keyboard with a similar setting. A jazz drumset is optionally included in the fourth (jazz waltz) movement, and other percussion discretely added in other movements. It is exciting to hear earlier musical forms brought into today's music appreciation, and this setting of a flute solo with band is especially refreshing for both soloist and band.
Estimated dispatch 7-14 working days
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£110.00Waltz (from Suite Antique) (Flute Solo with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. This arrangement for Concert/Wind Band and Solo Flute adheres to the original presentation, but is expanded for a full band accompaniment to the solo flute. The harpsichord is optional, being cued elsewhere, but may be performed as in the original score by either harpsichord or an electronic keyboard with a similar setting. A jazz drumset is optionally included in the fourth (jazz waltz) movement, and other percussion discretely added in other movements. It is exciting to hear earlier musical forms brought into today's music appreciation, and this setting of a flute solo with band is especially refreshing for both soloist and band.
Estimated dispatch 7-14 working days
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£225.00Birthday Madrigals (Concert Band with opt. Choir - Score and Parts) - Rutter, John - Noble, Paul
Birthday Madrigals was written in 1995 to celebrate the seventy-fifth birthday of the great jazz pianist, George Shearing. This arrangement is written for combined band and choir, but may be performed by band alone. In honour of George Shearing's noted style, a vibes part has been added to this arrangement, as well as an optional piano part. The original setting was a suite of five movements. The arranger has chosen three of the movements, numbers 1, 3 and 5, because of their similarity in style. This is a special opportunity for Concert Bands, or combined Concert Bands and Choirs, to perform in a true jazz medium, featuring a set drummer and string bass along with the full band.
Estimated dispatch 7-14 working days
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£140.00Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
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