Results
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£103.20
Brasilien - James Last
Estimated dispatch 7-14 working days
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£98.20Golden suite - Lorenzo Pusceddu
In the Non Valley, during spring when the water of Lake Santa Giustina starts lowering, the old main traffic system and the steep terrain with the Groppello vineyards resurface. The majestic and uncompromising Mount Ozolo dominates this landscape and acts like a guard of the fertile valley. The people who had to walk along the Regiai road to leave their village in search of fortune keep those memories very alive. Their trip started by descending the valley along the Regiai road, walking through the luxuriant vineyards that were supported by dry stone walls, downright mosaics of stones built to help the growth of the vineyard. Those who left and casted a glance at their village for one last time could catch sight of the Ozolo, the mountain of the primordial man, of hunting and friendship. They also had to cross a bold stone bridge that still exists and is jealously safeguarded by the lake water, which has also sunken together with the bridge hectares of vineyards of Groppello, the vine of the traditional and vigorous wine produced in the Non Valley. Its name is said to come from the typical structure of the grapes, which are compact and resemble a thick tangle ("groppo" in local dialect), almost a defense against the shifting temperatures of the fall that gives the grapes a bright color and a honey-like sweetness. The production at the end of the nineteenth century was of circa fifty thousand hectoliters of wine, but today it has reduced to only five hundred hectoliters produced by about thirty courageous farmers who want to preserve an authentic patrimony of taste and flavor. These wine makers have the will to safeguard a vineyard that is at risk of extinction and work the land as they used to do many years ago: with hoe, shovel, and a lot of sweat! The Groppello vineyard extended to the bottom of Mount Ozolo, but on the higher slopes the more rigid temperatures allowed only for the growth of pines, spruces, larches, broad-leaved trees, and pastures. In the course of the years, this typical vegetation of the mountain has provided the population with the raw material to build houses, to keep warm during the winter, and to feed the animals. Mount Ozolo has also been since ancient times the "sacred" mountain of the valley, and today it has become a game preserve and a site of socialization for young people who know how to love and respect nature.
Estimated dispatch 7-14 working days
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£292.00
Marco Polo (French text) - Antonio Rossi
Marco Polo (Venice, 1254), son of Venetian merchants, left in 1271 with his father Niccol and his uncle Matteo, towards the distant China at the court of the Mongol emperor Kublai Khan. The long journey, which lasted three and a half years, led the Polos to cross Turkey, Central Asia, the Pamir, and the Gobi desert. The intelligence of the young Marco and his curiosity towards new customs and languages raises the interest of the emperor so much that he decides to keep him at his court by appointing him ambassador. This assignment takes him to newly conquered southern China and other parts of southern Asia. In 1292, the Great Kublai Khan agrees, albeit reluctantly, to let him go.Marco, after 17 years at his service, can finally return to Venice, but not before completing a last mission for the Grand Khan: accompanying his niece, Princess Kokachin, to Persia, where she would marry. A few years after his arrival in Venice, Marco finds himself involved in a naval battle against the Genoese people in which the Venetians are defeated. Consequently, Marco is captured and taken to prison in Genoa. There, he meets the storyteller Rustichello da Pisa to whom he tells the story of his adventurous journey. After his release, Marco returned to Venice and led a comfortable life until his death in 1324.
Estimated dispatch 7-14 working days
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£91.20King Arthur - Antonio Petrillo
The legendary figure of Arthur, British leader, is mainly the result of folklore and literary invention. According to the tales Arthur, who in the most ancient sources is called "Warlord," defended Great Britain from the Saxon invaders between the fifth and sixth centuries. In the introductory measures of the piece, we can hear the basic themes developing freely one after the other. The first movement (Allegretto - march) describes Arthur with his most faithful riders galloping on his horse for simple rides in the woods or hunting moments. The second movement (Vivace - gigue), describes court dances to celebrate his victories over the Saxons. The third and last movement (Moderato - grandiose) portrays the special relationship between Arthur and Excalibur, the magical and mysterious sword that only he managed to extract from the rock before being proclaimed king. Excalibur's scabbard is said to have the power to protect King Arthur from being wounded in battle.
Estimated dispatch 7-14 working days
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£59.30
The Lonely Shepherd - James Last
Estimated dispatch 7-14 working days
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£157.50Flumen - Marco Somadossi
In October 2000, the River Po produced its highest flood waters in the last hundred years, provoking a natural disaster of dramatic dimensions. To the thousands of valiant men and women committed to defending their villages against the threat of the flood is dedicated the symphonic poem entitled "Flumen" (river, in Latin), inspired by the thematic material in the Gregorian sequence, "Victimae paschali laudes". The main melody is elaborated and its essence is transfigured in an alchemy of modern sounds from which, at times, archaic echoes emerge. The composition is structured in two parts: the first ("The River") is sullen and menacing, with sounds that portray the turbulent water and the inexorable and frightening rise of the flood;this contrasts with a second section ("The People"), with its primitive rhythms and vaguely multiethnic character (expressed through modal harmonies). Here the work evokes man's ancestral struggle against the forces of nature: the strenuous defence of the Po riverside communities to against the threat of flooding. In the finale, the two themes interweave and overlap, re-establishing a symbolic and primordial equilibrium where man and nature are again in harmony with each other.
Estimated dispatch 7-14 working days
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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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£82.50An English Yuletide - Nancy H. Seward
This is the last composition from the pen of the talented composer and music educator, Nancy Seward. It is based on traditional English Christmas carols.
Estimated dispatch 7-14 working days
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£121.00Variations On A Revolutionary Hymn - Claude T. Smith
Commissioned and premiered in 1987 by the U.S. Army Field Band, this was Claude T. Smiths last completed work, written to commemorate the 200th anniversary of the U.S. Constitution. Based on the hymn tune Resignation (How Firm a Foundation), this is a mature work by the celebrated American bandmaster, displaying the technical capabilities of each section of the wind band. A bold concert statement and a fitting commentary on the founding fathers whose faith and determination launched the great American Experiment.
Estimated dispatch 7-14 working days
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£137.00Three Dances From The Maid Of Orleans - Peter Ilyich Tchaikovsky
This fine addition to the Bourgeois Editions is from Tchaikovskys grand opera, The Maid of Orleans. Based on the story of Joan of Arc, the three movements can be performed together, or the first and last dances can stand alone in performance as well. Movements include: Dance of the Bohemians - a bright and lively display of virtuosity; Dance of the Pages - an elegant minuet scored for chamber winds; and Dance of the Actors - a fiery and robust finale ideal for any performance. Its a brilliant showcase for upper-level ensembles.
Estimated dispatch 7-14 working days