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  • £22.50

    BEGINNING BAND BOOK No.5 (Score inc. CD) - Edmondson & McGinty

    An affordable collection of concert repertoire for beginning bands; great sight reading material for more advanced bands! Features include: Grade 1 concert band music; Playable with only 1 flute, 2 clarinets, 1 alto saxophone, 2 cornets/trumpets and percussion, up to full instrumentation; Full, complete sound, even without bass clef instruments. The bass clef part in octaves is optional; Both clarinet parts stay below the break; Optional F Horn and Tenor Saxophone parts are written in their best ranges; Bell part for teaching melodic percussion. Contents: Canterbury Overture; Chant and Gloria; Clouds; The Debonair Dragon; Flute Loops; Folk Song Folks; Little Rhondo for Band; Mariachi Serenade; Mount Rushmore March; Omega March; Oxford Overture; A Regal Procession; Serenade and Dance; Serpents; Those Dynamic Drummers.

    Estimated dispatch 7-14 working days

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  • £144.99

    Ross Roy (Concert Band - Score and Parts) - De Haan, Jacob

    Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.Duration: 9:20

    Estimated dispatch 7-14 working days

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  • £64.99

    A Haunted Trilogy - J. Johnson

    "A Haunted Trilogy" is guaranteed to become a favorite for student and audience alike. Set as a trilogy of three short movements, your band can play one for a quick novelty piece, or all three as a divertimento or program music. "March of the Gremlins" opens the suite with an eerie march. "Tarantella For Trolls" continues the spooky musical fun with a slightly twisted little dance. "Goblin's Gavotte" closes our haunted suite with an ominous romp. It's mischievously impish, looming, conniving, and a great learning piece for chromatics in three different styles. Boo!

    Estimated dispatch 7-14 working days
  • £35.50

    Triglav - Julius Fucik

    Julius Fuc k (1872-1916) appreciated life in Sarajevo. First compositions were written, which soon made him become one of the leading representatives of his profession in Austria-Hungary. Among those works also figured his elaborate piece "Austria's Glory and Honor", which unfortunately remains kind of ill-fated up to now. Yet another area of activities, where Fu k was able to demonstrate his talents was to stage the symphony concerts introduced by him in Sarajevo. Late in fall of the year 1900 Fuc k's time had come, when the regiment deployed from Sarajevo to Budapest. He lived in that metropolis on the Danube for the next some ten years, and during that period most of hisworks were composed. At that time his popularity also grew from day to day. The first performances of his works met with general interest, and not only numerous officers most of them were friends of Fuc k attended these events, they rather were attractions for all ranks of the society. It should also not be overlooked that music publishers were anxious to secure almost each one of his works for their publishing company, and most of them were printed immediately after their premieres. In 1899 the "Laban March" was written as his Opus 44. It was dedicated to Major General Rudolf Laban of Vralje, commander of the 3d Mountain Brigade which was stationed in Nevesinje. The title of the march then changed to "Eiserne Brigade" ("Iron Brigade") until it finally became known as "Danubia". It was first printed as late as 1933 by Bohuslav Leopold (Edition Continental). Leopold was a musician in Fuc k's regimental band, and later a successful publisher. He succeeded in securing the best of Fuc k's works for his company. Sketches of "Triglav" date back to 1903. The title alludes to the highest mountain of the province of Slovenia, and this was probably an apt means in the eyes of the composer to demonstrate his "Slavonic patriotism".

    Estimated dispatch 7-14 working days
  • £144.99

    Ross Roy - Jacob de Haan

    Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". Thismovement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.

    Estimated dispatch 7-14 working days

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  • £39.95

    Christmas Joy - Score and Parts - Erik Leidzén

    Program NotesThe name Erik Leidz?n appears at the top of many brilliant compositions for brass band. His imaginative scoring and skillful use of musical colouring and texture in nothing less than outstanding.His march Christmas Joy is one of the most rewarding and satisfying items of this genre and is arguably the Christmas march against which all others will be measured! Including references to Joy to the World, Jingle Bells, and Love and Joy Come to You (Here We Come a-Wassailing), the march encapsulates the joy of Christmas and its availability to the wider community in this wind band transcription by Brian Bowen is welcome.

    Estimated dispatch 7-14 working days
  • £6.95

    Christmas Joy - Score only - Erik Leidzén

    Program NotesThe name Erik Leidz?n appears at the top of many brilliant compositions for brass band. His imaginative scoring and skillful use of musical colouring and texture in nothing less than outstanding.His march Christmas Joy is one of the most rewarding and satisfying items of this genre and is arguably the Christmas march against which all others will be measured! Including references to Joy to the World, Jingle Bells, and Love and Joy Come to You (Here We Come a-Wassailing), the march encapsulates the joy of Christmas and its availability to the wider community in this wind band transcription by Brian Bowen is welcome.

    Estimated dispatch 7-14 working days
  • £87.50

    The Wild One! (Concert Band - Score and Parts) - Balmages, Brian

    The Wild One! is a blistering circus march by Brian Balmages. Designed to showcase your entire ensemble, this adrenaline-packed work will bring your audience to its feet regardless of where you program it in your concert. Cleverly combining the traditional march form with contemporary elements, this barnburner is sure to turn heads and be a ton of fun for performers and audiences alike. There are plenty of opportunities for percussionists, including several optional parts for directors with larger sections.Duration: 2.45

    Estimated dispatch 7-14 working days

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  • £63.50

    Sverige pa Vakt (Sweden on Guard) (Concert Band - Score and Parts) - Widqvist, Viktor - Blixt, Niclas

    Sweden On Guard is part of Widkvist's earliest march production. It was composed around 1914 when he served in the engineering troops.It is worth noting that the march from the beginning was probably intended for a small sized brass band and was later rearranged for a full military band by the composer. When I searched in the Swedish War Archives many years ago, looking for more or less forgotten marches, this work, among others, appeared. I immediately became attached to the young Widkvist's catchy melodies and clear harmonic tonal language that express faith in the future and optimism.Sweden On Guard has never been published in print before, and the work of modernizing the setting without resorting to the elegance and resilience of the original has been a challenge.- Niclas BlixtDuration: 2.30

    Estimated dispatch 7-14 working days

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  • £65.00

    Them Basses (Flexible Ensemble - Score and Parts) - Huffine, Getty H. - Glover, Andrew

    A march in which the bass instruments have the melody throughout. Who says bass instruments never get the melody? This classic march, and please forgive the ungrammatical title, gives the melody to the basses all the way through! Perhaps no other march is better suited to the Build-A-Band flex/limited instrumentation format. Them Basses is a guaranteed hit for musicians and audiences alike.Duration: 3.00

    Estimated dispatch 7-14 working days

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