Results
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£68.00Dance For Me - Jan Pfeiffer
Estimated dispatch 7-14 working days
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£53.50Lean on Me - Bill Withers
Originally recorded by Bill Withers in the '70s, and recently updated on the hit TV series Glee, this familiar rock hit will be a fun one for the band and audience alike. Robert Longfield does a nice job of passing the melody around to all sections.
Estimated dispatch 7-14 working days
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£89.99
Take Me Home Country Roads - J. Denver
Estimated dispatch 7-14 working days
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£116.00Don't cry for me, Argentina - Andrew Lloyd Webber
Estimated dispatch 7-14 working days
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£137.99Let Me Entertain You
The songs by the versatile singer and entertainer Robbie Williams, high in the pop charts for a number of years, are popular with an extremely diverse audience. With this medley of four of his greatest hits you will certainly bring great pleasure to all members of your audience!
Estimated dispatch 7-14 working days
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£89.99
Take On Me - a-ha
Estimated dispatch 7-14 working days
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£62.95Coming for to Carry Me Home
Written as an American Juneteenth reflection, this lyrical piece is based on the spiritual "Swing Low, Sweet Chariot". A beautiful tribute to the heroes of pre-emancipation America. Opening with a moving solo that can be played by any instrument, this piece provides an excellent opportunity to feature the finest players in your band. Expertly scored to maximize the sound of your band, this composition works as the lyrical selection in any program.Original Item#: RWS-2336-00
Estimated dispatch 3-5 working days
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£70.50Someone to Watch Over Me - George Gershwin and Ira Gershwin / arr. Warren Barker
What more could one ask for than the music of George and Ira Gershwin and the arranging talents of Warren Barker and his new ? Here is the answer to the crying need for a top-flight arrangement for vocalist (male or female) with concert band accompaniment. An optional alto saxophone solo is included to give you the flexibility of an instrumental version. This will take the musical world by storm! (3:05)
Estimated dispatch 3-5 working days
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£66.95But Not for Me - George Gershwin and Ira Gershwin / arr. Warren Barker
Warren Barker chooses a beautiful Gershwin ballad and gives it his own ethereal harmonic treatment in presenting this opportunity to feature a vocalist with your band (or a solo clarinetist, should you prefer). The lyrics can be adjusted for a male or female vocalist, and with the clarinet player, it doesn't make any difference. Enjoy! (2:44) (Vocal Range: B-flat up to C.) (2:44)
Estimated dispatch 3-5 working days
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£391.20Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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