Results
-
£50.50Abide with Me - William Henry Monk / arr. David Marlatt
provides ultimate flexibility for ensembles with incomplete instrumentation or odd combinations. These pieces are playable by as few as 5 woodwind, brass or string players with or without percussion. This creates the opportunity for a mixed quintet to perform these titles but also allows for performance for 10-15 players up to full a band/orchestra with parts doubling. Great for music camps, contest use or any band room that has non-standard instrumentation. This beautiful hymn has been arranged to feature all the members in a mixed ensemble. This arrangement opens with a short introduction then proceeds through several verses. Each verse is scored differently for interest with the melody wandering throughout the ensemble. (3:30)
Estimated dispatch 3-5 working days
-
£60.50Just Give Me a Reason
The mega pop hit by fun.'s lead singer Nate Ruess and Pink, comes to your developing concert band with every section arranged to allow a chance to shine on the melody. A lyrical pop break for your concert program. (2:15) This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
-
£53.95You Raise Me Up
Josh Groban's lovely ballad has now been prepared for your beginners' first program. All the emotion remains -- only the more difficult rhythms have been simplified for ease of preparation. Don't miss this hot tune on your first concert of the year. (2:00)
Estimated dispatch 3-5 working days
-
£62.95Me and My Broken Heart
Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00)
Estimated dispatch 3-5 working days
-
£58.50Let Me Weep (Lascia ch'io pianga) - George Frederic Handel / arr. David Marlatt
This beautiful slow piece is ideal for that change of pace piece on a concert. This work was originally a soprano aria, and the lyrical line offers a great demonstration of the singing quality of the band. (3:35)
Estimated dispatch 3-5 working days
-
£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
-
£127.30Knask for aspiranter - Suite in Three Movements - Idar Torskangerpoll
Candy for Beginners is a suite of three songs used by the composer with the youngest beginners throughout several years. The method is to sing the melodies before learning it on the instruments. Lyrics about candy has proven to be very popular among the youngsters.... In English it can goes like this: "Candy floss, candy floss, candy floss, candy floss, oh yeah". And: "Soda for me, give me soda for free". And: "Lefse, it is good, lefse, now you should, Lefse, give me one, lefse, sure is fun." The composer urges the band to find their own lyrics to the melodies, making it their own with a local twist. This is a good rhythmic exercise for the young players.
Estimated dispatch 7-14 working days
-
£183.20Viking Saga - Ray Farr
"Viking Saga" was inspired by my conducting engagements in Norway in the 1980s. Among them was a visit to the Flekkefjord Pike Korps who asked me to write a piece for them. I had just written "Adventures in Brass" which was very popular, particularly with younger bands, so I decided to pursue the creative energy. My teacher, at that time, was Professor Edward Gregson who encouraged me to develop my ideas into a full-scale work. The piece received a few performances in this version but neither I, nor my teacher, were satisfied so the manuscripts lay dormant. In the summer of 2002 a band from Switzerland- Cordula Brass Baden and Christoph Moor, who had played the piece under mydirection in the Swiss National Youth Band, commissioned me to finish the work and make the changes that, I felt, were needed. In 2016 the Tnsberg Wind Band, from Norway, commissioned a wind band version for their performance in the Norwegian Championships held in Trondheim 2017.
Estimated dispatch 7-14 working days
-
£105.10Postcard From Baghdad - Dirk Brossé
Sir Dirk Bross, music director at the Philadelphia Chamber Orchestra, is a versatile composer of orchestral and symphonic repertoire, chamber music, film & musical. His compositions are performed worldwide by the most prominent orchestras and soloists. About the new series of 10 "Musical Postcards" for wind band, Dirk says the following: "Composing is a commitment; it is my life's mission. For me composing means creating a vacuum around myself and allowing myself to be submerged by impressions. It is a continual struggle between fantasy and reality, between dream and reality. Out of chaos of sounds and emotions I try to order my thoughts by juggling shreds of melodies, original chords, striking sound colours and alternating rhythms. Melody, harmony, rhythm and sound colours are finally balanced to generate a harmonious universe. This series of ten 'Musical Postcards' are a reflection of my travels, thoughts, discoveries and musical career so far, which has brought me around the globe. I look forward to you joining me on this voyage of discovery..."
Estimated dispatch 7-14 working days
-
£86.00Postcard From Kampala - Dirk Brossé
Sir Dirk Bross, music director at the Philadelphia Chamber Orchestra, is a versatile composer of orchestral and symphonic repertoire, chamber music, film & musical. His compositions are performed worldwide by the most prominent orchestras and soloists. About the new series of 10 "Musical Postcards" for wind band, Dirk says the following: "Composing is a commitment; it is my life's mission. For me composing means creating a vacuum around myself and allowing myself to be submerged by impressions. It is a continual struggle between fantasy and reality, between dream and reality. Out of chaos of sounds and emotions I try to order my thoughts by juggling shreds of melodies, original chords, striking sound colours and alternating rhythms. Melody, harmony, rhythm and sound colours are finally balanced to generate a harmonious universe. This series of ten 'Musical Postcards' are a reflection of my travels, thoughts, discoveries and musical career so far, which has brought me around the globe. I look forward to you joining me on this voyage of discovery..."
Estimated dispatch 7-14 working days
View Music