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  • £159.99

    Fantasia Per La Vita E La Morte - Bert Appermont

    The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...

    Estimated dispatch 7-14 working days
  • £64.95

    December Joy (Concert Band - Score and Parts) - Wagner, Douglas E.

    Arranged by Douglas E. Wagner, three well-known secular carol tunes are showcased in this big and brassy, bright and flashy seasonal extravaganza, especially suited as a concert opener. Beginning with a cascade of chimes, soaring woodwind runs, and bold brass lines, "Deck the Hall" and "Here We Come A-Caroling" are presented with dynamic flair, interspersed with brief fanfare-like episodes. The mood transitions to a jaunting sleigh ride across the winter landscape, partnering the second time through with "Jingle Bells," as the spirited celebration closes with a short coda, drawn from musical materials heard in the opening measures of the work. Duration: 3.00

    Estimated dispatch 7-14 working days

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  • £80.00

    Ghillie Dhu (Flexible Ensemble - Score and Parts) - Earp, Joseph Benjamin

    Elf of the Forest from Scottish FolkloreGhillie Dhu (Gill-e Dew) Elf of the Forest is inspired by a friendly but often wild creature from Scottish Folklore. This mythical being is given life through the captivating writing of Joseph Benjamin Earp. Scored for flexible instrumentation, Ghillie Dhu is a wonderful teaching tool for instrumental ensembles focused on polyrhythms and compound time signatures. Appropriate for any concert or festival performance.Duration: 3.00

    Estimated dispatch 7-14 working days

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  • £109.99

    Back on Track (Concert Band - Score and Parts) - Schwarz, Otto M.

    Back on Track is a spectacular composition for Concert Band. Otto M. Schwarz composed an opening fanfare for the beginning, which can also be played as a short 'teaser' at festive events. A motif is treated through various rhythms and time signatures and leads to an epic finale, splendidly brought to life by the glorious timbres of the brass.Duration: 3.00

    Estimated dispatch 7-14 working days

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  • £109.60

    When the Lights Go Down (Concert Band - Score and Parts) - Houben, Kevin

    Kevin Houben created with When the Lights Go Down, a wonderful chorale that can be a moment of reflection in any concert program. The resigned, magnificent melodies at the beginning of this composition slowly build up to a highlight with an increasing orchestration. The piece starts with a suggestive Adagio Meditativo, after which the main theme is immediately announced. A central bridge section takes the listener along through the different spheres at which the melodic and rhythmic drums embellish the chorale melodies. Thematic elements from the introduction brings the piece to a quiet and peaceful end. The sheer simplicity with which this work is written, makes it a resplendent, magnificent concert piece. 'When the Lights Go Down', refers to a moment when time stand still for a while, stillness within and around yourself. Duration: 9.00

    Estimated dispatch 7-14 working days

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  • £78.50

    Mont Blanc (Concert Band - Score and Parts) - Schwarz, Otto M.

    With its height of 4,808 meters, Mont-Blanc is called the roof of Europe. The highest mountains on our planet have been insurmountable for a long time. Only in the past 250 years have those giants been mounted. Crystal-hunter Jacques Balmat and Michel-Gabriel Paccard, a doctor, were the first to climb Mont-Blanc, in 1786. Many paths lead to Mont-Blanc's peak: the regular ascent goes through the magnificent voie royale of Saint-Gervais-les- Bains, which was opened in August 1855 by the Englishmen Hudson, Kennedy, and Smythe. Today's most common route to climb up, starting from Saint-Gervais via Aiguille du Gouter (3,863m), Dome du Gouter (4,304m), and Arete des Bosses (4,547m), was first used in 1861. Otto M. Schwarz composed this work inspired by the roof of Europe with its luminous and huge glaciers. Early in the morning, mountain-climbers set off to the peak; they witness the sunrise, and experience the hazards that the journey up to the summit brings along. A snowstorm and falling rocks at Arete des Bosses aggravate their journey. A sudden change of weather, however, enables them to reach the top after a strenuous ascent. This piece invites you to an imaginary journey from Saint-Gervais-les-Bains via the voie royale to the top of Mont-Blanc.Duration: 6.45

    Estimated dispatch 7-14 working days

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  • £84.99

    To a Friend (Concert Band - Score and Parts) - De Haan, Jacob

    When you have been playing in a band for a long time, you will know that music belongs to the most beautiful moments in life, but also to the roughest times. Making music together can give you strength when things are difficult. To a Friend is a wonderfully comforting work for anyone going through a dark time. Jacob de Haan composed the work for his father in law, Gerard Bosch, a musician to the core. The piece received its first performance just weeks before his passing. On a sun-kissed evening, his friends, the musicians of his two music societies, Oefening Baart Kunst (Practice Makes Perfect) Otterlo, and the Re?nie Orkest Artillerie Trompetterkorps (Reunion Band Artillery Trumpet Corps), played the work for Gerard, an unknowing yet beautiful goodbye. Duration: 3.45

    Estimated dispatch 7-14 working days

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  • £85.00

    Ghillie Dhu (Elf of the Forest) (Concert Band - Score and Parts) - Earp, Joseph Benjamin

    Ghillie Dhu (Gill-e Dew) "Elf of the Forest" is inspired by a friendly but often wild creature from Scottish Folklore. This mythical being is given life through the captivating writing of Joseph Benjamin Earp. A wonderful teaching tool for instrumental ensembles focused on polyrhythms and compound time signatures. Appropriate for any concert or festival performance. Duration: 2.45

    Estimated dispatch 7-14 working days

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  • £85.00

    Being Stardust (Concert Band - Score and Parts) - Fairlie, Edward

    Recognising the connection we all have with the stars in the universe, Being Stardust presents a magical and mystical experince in sound and mood. The surreal opening represents a time before the Earth came into being, then with a "star-shattering" crack, we tumble through space to find ourselves on a newly created planet with the promise of wonder and self-realization as a human race. Sure to be a unique concert experience for players and audiences alike.

    Estimated dispatch 7-14 working days
  • £74.00

    Swirling in the Light Bulbs (Concert Band - Score and Parts) - Sciaino, Peter

    Infectiously rhythmic and energizing, "Swirling in the Light Bulbs" is a refreshing addition to any concert program! Conjuring images of an electrical current through swirling melodic lines and irresistible grooves, this engaging selection explores the wonder of harnessed energy. "Swirling in the Light Bulbs" is inspired by former U.S. Poet Laureate Billy Collins's take on this often overlooked modern miracle. In his poem "August," Collins writes "and time to offer some thanks to the electricity swirling in the light bulbs." Allow audiences to be captivated as your ensemble generates a relentless pulse and builds exhilarating sonic momentum before a whimsically abrupt ending signals the band "powering off." Duration: 3.30

    Estimated dispatch 7-14 working days

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