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£53.95
Ancient Duel - Mekealian
Prepare for musical combat! The competitors? Metal instruments vs. wooden instruments. Sounds of wooden swords battling metal and stone set the scene of an epic battle. The contrasting musical elements work together to create a musical melee that draws the audience into the fray. Call and response sections provide a fun and exciting method for reinforcing rhythmic accuracy and tempo discipline.
Estimated dispatch 7-14 working days
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£53.95
Scaling The Mountains Of Time - Robert W. Smith
Scaling a mountain requires courage, strength and fortitude. Scaling our musical mountains as our young bands develop their skills requires the same commitment to strength, perseverance and excellence. This masterful composition reinforces fundamental technique through musical scales in an exciting statement for the beginning concert band. Powerful percussion interacting with soaring melodic lines create an engaging and pedagogically rich opportunity for all. The band also has the opportunity to experience and perform mixed meters as they journey to the musical summit. A powerful choice for educationally rich programming!
Estimated dispatch 7-14 working days
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£66.30
Fanfares in Remembrance - Peadar Townsend
Fanfares in Remembrance was commissioned by Nick Jarvis, Principal conductor of the Band of the Royal British Legion, Christchurch, Dorset, UK to be premiered during the Last Post Ceremony at the Menin Gate, Ypres, Belgium on May 27th, 2017. The work is a short reflection two World War One bugle calls, 'The General Salute' and 'Retreat' or 'Sunset' as it is also known. The significance and symbolism of bugle calls from this era are well known and they are still used in Barracks across the world. I have used sections of these famous British bugle calls on two trumpets either side of the band playing in two different musical keys. The band then plays an intermittent low drone like chord, again in a different musical key to the two trumpets. In my mind this opening depicts two buglers at dawn at either end of a misty field directly after a brutal slaughter. The two buglers are almost calling out for their missing comrades only to realise they are gone...... The work moves into a haunting oboe melody signifying loss. The oboe is joined by the full band in a tune of strength, solidarity, yet profound sadness. The work concludes with a recap of the opening idea; however, the two buglers are now united in musical key sounding 'The General Salute'. The music ends as the wind blows gently. The memories live on forever......
Estimated dispatch 7-14 working days
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£214.99El Muro (The Wall) - Ricardo Lorenz
Made up of tightly woven riffs, El Muro suggests a variety of Latin American musical styles, from the Colombian cumbia, Peruvian huayno, Mexican son, and the Cuban montuno. Venezuelan-born composer Ricardo Lorenz personalizes these styles, incorporating them seamlessly without compromising the underlying musical logic of his work. Conceptually, the piece challenges the notion of both physical and imaginary walls which divide and oppress people. The resulting drama that plays out in the piece portrays these rich musical traditions confronting the wall. (Grade 6) Dur: 12:00
Estimated dispatch 7-14 working days
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£89.99
Interruption Overture - Steven Bryant
Interruption Overture is the musical inverse of Bryant's Chester Leaps In. In the latter, a familiar theme interrupts angular, dissonant music, whereas Interruption Overture consists of a straightforward theme in Bb major repeatedly interrupted by dissonant chords and bursts of simple aleatory ideas. These techniques are intended to serve as educational tools in addition to their musical function, exposing younger musicians to a broader-than-usual musical palette.
Estimated dispatch 7-14 working days
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£184.99
ImPercynations - Steven Bryant
Using melodic fragments from each of the six movements of Percy Grainger's Lincolnshire Posy as foils for each other, Steven Bryant has created a unique and brash experiment in musical juxtaposition! Grainger described his work as a bouquet of musical wildflowers, and Bryant describes ImPercynations as a genetically-altered, crossbred, hybrid offspring...a musical Franken-flower. An unconventional gem. (duration: ca. 5:15)
Estimated dispatch 7-14 working days
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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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£86.50
The Bluebonnet Revue - John Wasson
Veteran composer John Wasson has crafted a brilliant Vaudeville and Broadway showstopper with "The Bluebonnet Revue," a humorous musical salute to the great state of Texas. Every section in the band finds their moment in the spotlight in this exciting and fast-paced musical romp across the musical theater stage. Combining both humorous and lyrical treatments of original melodies with snippets of well-known Texas folksongs and a heavy dose of "over the top" percussion writing, this fun work is sure to provide a larger than life ending to your concert that will put a smile on every face! An instant classic!
Estimated dispatch 7-14 working days
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£75.50Jungle Tango - Preston Parker
Prepare to embark on a musical journey as you tango through uncharted jungle territory. Musical motives written in Phrygian mode are accessible to young players with the key signature of Bb as the percussion section leads the way with a groovy rainforest beat. The sultry melody and striking harmonies of this musical adventure are sure to spice up any concert! But, beware; the jungle is full of surprises!
Estimated dispatch 7-14 working days
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£109.99Mozart! - Michael Kunze
Mozart! is Wolfgang Wssners arrangement of melodies from the recent hit musical by Sylvester Levay and Michael Kunze, which describes the turbulent and tragic life of the musical genius Mozart. Along with fragments of Mozart's own music, new melodies, varying from classic musical-songs and ballads to rock-like hits, alternate in this musical extravaganza.
Estimated dispatch 7-14 working days
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