Results
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£108.40
Musical Fantasy (A) - Salvere
Estimated dispatch 7-14 working days
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£71.80
Three Musical Haikus for Band - Stephen Melillo
Estimated dispatch 7-14 working days
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£57.50Highlights from High School Musical
Breaking free = F major (1 flat)Start of something new = Eb major (3 flats)We're all in this together = C major (no sharps or flats)
Estimated dispatch 7-14 working days
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£18.99INTERRUPTION OVERTURE (Concert Band Extra Score) - Whitacre, Eric
Score only. Interruption Overture is the musical inverse of Bryant's Chester Leaps In. In the latter, a familiar theme interrupts angular, dissonant music, whereas Interruption Overture consists of a straightforward theme in Bb major repeatedly interrupted by dissonant chords and bursts of simple aleatory ideas. These techniques are intended to serve as educational tools in addition to their musical function, exposing younger musicians to a broader-than-usual musical palette. Interruption Overture is the musical inverse of Bryant's Chester Leaps In. In the latter, a familiar theme interrupts angular, dissonant music, whereas Interruption Overture consists of a straightforward theme in Bb major repeatedly interrupted by dissonant chords and bursts of simple aleatory ideas. These techniques are intended to serve as educational tools in addition to their musical function, exposing younger musicians to a broader-than-usual musical palette.
Estimated dispatch 7-14 working days
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£89.99
INTERRUPTION OVERTURE (Concert Band Set) - Whitacre, Eric
Score and Parts. Interruption Overture is the musical inverse of Bryant's Chester Leaps In. In the latter, a familiar theme interrupts angular, dissonant music, whereas Interruption Overture consists of a straightforward theme in Bb major repeatedly interrupted by dissonant chords and bursts of simple aleatory ideas. These techniques are intended to serve as educational tools in addition to their musical function, exposing younger musicians to a broader-than-usual musical palette. Interruption Overture is the musical inverse of Bryant's Chester Leaps In. In the latter, a familiar theme interrupts angular, dissonant music, whereas Interruption Overture consists of a straightforward theme in Bb major repeatedly interrupted by dissonant chords and bursts of simple aleatory ideas. These techniques are intended to serve as educational tools in addition to their musical function, exposing younger musicians to a broader-than-usual musical palette.
Estimated dispatch 7-14 working days
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£391.20Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£76.95, Suite from
is a musical about the life of American Founding Father Alexander Hamilton, with music, lyrics, and book by Lin-Manuel Miranda and others. In 2016, it was nominated for a record-setting 16 Tony Awards, winning 11 (including Best Musical), and was also the recipient of the 2016 GRAMMY Award for Best Musical Theater Album and the 2016 Pulitzer Prize for Drama. Jerry Brubaker has chosen six of the most musical selections from the Broadway show to use in this arrangement, including "You'll Be Back," "Helpless," "My Shot," "Dear Theodosia," "It's Quiet Uptown," and "One Last Time." Experience the beauty and excitement of this amazing musical! (6:00)
Estimated dispatch 3-5 working days
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£65.00Passing Storm (Concert Band - Score and Parts) - Hoefle, Heather
From the first rumbles of distant thunder to the fury of the storm, this composition by Heather Hoefle will engage your students and audience in musical imagery. Composed by a master teacher that works every day in the classroom, "Passing Storm" provides context and reinforcement of musical skills and concepts including articulation and dynamics. Your students will love this musical experience as they tell the story of the storm through their musical performance! Duration: 3.30
Estimated dispatch 7-14 working days
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£450.00Concertango (Alto Sax Solo and Jazz Trio with Concert Band - Score and Parts) - Alarcon, Luis Serrano
This work explores musical fusion on multiple levels through the contrast of symphonic winds to a jazz trio (piano, bass, drums). Both groups are independent at times followed by a merge into a single unique musical force. The alto saxophone soloist stands as the uniting musical element between the two groups. The omnipresent and uniting musical force is the tango and, in particular, the works of Astor Piazzolla. Luis Serrano Alarcon has transformed the rhythms, ensemble settings and stylistic idioms into a powerful artistic statement that communicates to all. A highly effective work for mature ensembles.Duration: 26.45
Estimated dispatch 7-14 working days
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£104.95The Spirit Of Pageantry (Grand March) (Concert Band - Score and Parts) - Fletcher, Percy
Percy Eastman Fletcher (1879-1932) was born in Derby, England. He made his living as a Musical Director in the London theatre world, directing and orchestrating the long-running musical Chu Chin Chow. Fletcher was a prolific composer and wrote a large number of suites for light orchestra as well as military band marches The Crown of Chivalry, Spirit of Pageantry, V.C. March, and a Sultan's March, extracted from his musical 'Cairo In 1909 the Worshipful Company of Musicians in London, England offered 5 prizes for original military band compositions. This competition attracted the attention of some fine British composers. Holst's 'Suite in Eb' was placed 3rd and this Grand March, ' The Spirit of Pageantry' was awarded 2nd prize. The winning composer was B,Walton O'Donnell, who later became an outstanding Musical Director of the BBC Wireless Military Band. The Spirit of Pageantry is a wonderful evocation of Edwardian England and deserves to be reinstated into the Concert Band repertory
Estimated dispatch 7-14 working days
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