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£77.00Piratene kommer! (The Pirates are Coming) (Concert Band - Score and Parts) - Minde Fagerli, Roar
The Pirates are coming! is a four movement suite of music originally composed for a summer course arranged by The Norwegian Band Federation. The four movments describes the pirates tale. In the first movement they set the sails for new adventures. In the second movememt we meet the pirates early one morning when the sun rises. I the third movememt the pirates are looking for a treasure map at the Isle of the Dead. In the fourth and last movememt, they hunt the teasure! The Composer has been inspired by TV-series and films with pirate themes. The Music is written especially for beginners. Duration: 7.00
Estimated dispatch 7-14 working days
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£150.00Cockaigne Overture (In London Town) (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul
Cockaigne Overture was composed when Edward Elgar received a commission from the Royal Philharmonic Society, and he reported that the new piece was "cheerful and Londony, 'stout and steaky'...honest, healthy, humorous and strong, but not vulgar." The first performance was in the Queen's Hall, London, on 20 June 1901, conducted by the composer. He dedicated the work to his "many friends, the members of British orchestras." The music was an immediate success and became one of Elgar's most popular works. In its 15 minutes or so, the overture gives a lively and colourful musical portrait of Edwardian London. 'Cockaigne' was a term used by moralists at that time as a metaphor for gluttony and drunkenness, while Britain adopted the name humorously for London, and from it we get the Cockney. Cockaigne or Cockayne /ka' kein/, the word origin tracing back to the 13th century, is a land of plenty in medieval myth, an imaginary place of extreme luxury and ease where physical comforts and pleasures are always immediately at hand and where the harshness of medieval peasant life does not exist. The work presents various aspects of turn-of-the-century London and Londoners. It begins with a quiet but bustling theme which leads into an unbroken sequence of snapshots: the cockneys, the church bells, the romantic couples, a slightly ragged brass band (perhaps the Salvation Army) and a contrastingly grand and imperious military band. The broad theme representing Londoners has been stated as the first occurrence of Elgar's trademark direction, 'nobilmente.' The work ends in a characteristically Elgarian blaze of sound, including an optional full organ.
Estimated dispatch 7-14 working days
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£89.99Hymn of Cittaslow (Concert Band - Score and Parts) - De Haan, Jacob
Cittaslow is an international network of more than 220 towns in 30 countries. Its members are towns where people are still finding themselves reminiscing over the old times; towns that are rich in theatres, squares, cafes, restaurants and spiritual places; towns with untouched landscapes and charming craftsman where people are still able to recognise the slow course of the seasons, and respect their authentic products, true taste as well as their health. The Hymn of Cittaslow, which was commissioned by the organisation itself, is entirely inspired by their commitment to the preservation of the member towns. The tempo is naturally slow, and the themes somehow sound familiar. On the one hand, the music emanates peace and quiet, but it also sounds grand in its lyricism, thereby reflecting the beauty of the Cittaslow towns.Duration: 4.00
Estimated dispatch 7-14 working days
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£42.50Spirit of the Wolf (Stakaya) (Concert Band - Score and Parts) - Baker, Bob - Buckley, Robert
From a song shared by Squamish First Nation and performer Bob Baker, comes a new work for concert band shaped by Robert Buckley that will allow your students to experience the music of one of North America's First Peoples. Using aleatory elements, Spirit of the Wolf flows from a powerful pentatonic melody and grows into a work that is at once atmospheric and exciting. Duration: 3:20
Estimated dispatch 7-14 working days
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£62.95On the Cape (Concert Band - Score and Parts) - Bernotas, Chris M.
Inspired by Delaware's beautiful Cape Henlopen, this piece musically captures the playful feel of a family vacation on one of its lovely beaches. A reflective opening is followed by a light and energetic theme, including bits of the familiar sea shanty Drunken Sailor.
Estimated dispatch 7-14 working days
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£72.99Wolf Song (Takaya Slulem) (Concert Band - Score and Parts) - Baker, Bob - Buckley, Robert
From a song shared by Squamish First Nation artist and performer Bob Baker, comes a new work for concert band shaped by Robert Buckley that will allow your students to experience the music of one of North America's First Peoples. Using aleatory elements, Wolf Song flows from a powerful pentatonic melody and grows into a work that is at once atmospheric and exciting.Duration: 6:30
Estimated dispatch 7-14 working days
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£75.00And There Were Shepherds (Concert Band with Optional Choir - Score and Parts) - Bach, Johann Sebastian - Noble & Willcocks
And There Were Shepherds is from The Christmas Oratorio by Johann Sebastian Bach, intended for performance in church during the Christmas season. It was written for the Christmas season of 1734. The annunciation to the shepherds is an episode in the Nativity of Jesus described in the Bible in Luke 2, in which angels tell a group of shepherds about the birth of Jesus. The recitative begins with a tenor solo (the evangelist), followed by the soprano solo (the angel) describing the birth of Jesus. It concludes with the chorale, Break forth, O beauteous heavenly light, for full choir. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£75.00Come, Thou Redeemer of the Earth (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Come, Thou Redeemer of the Earth is an Advent hymn with roots in a Latin hymn attributed to St. Ambrose of Milan (340 - 397), 'Veni Redemptor gentium.' It was translated into English by John Mason Neale in the middle of the nineteenth century and set to music from another old Latin hymn, 'Puer nobis nascitur' in the 17th century by Michael Praetorius (1571 - 1621). This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs. With eight verses (two of which may be omitted), it offers versatility in scoring, allowing the conductor to select the instrumental grouping for accompaniment as desired.
Estimated dispatch 7-14 working days
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£75.00How Far is it to Bethlehem? (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Written by Frances Alice Chesterton, wife of G. K. Chesterton, How far is it to Bethlehem? this carol expresses the profound longing we feel to experience firsthand the miracle of the Christmas story, not just as thinking adults, but with the wonder of children. The childlike question How far is it to Bethlehem? and the simple response Not very far begin this gentle carol. The lyrics go on to reveal the little smiles and tears that children bring as their gifts, as well as their inherent trust, as they fall asleep. This arrangement by David Willcocks is for SSA, and the instrumental accompaniment is the same voicing in groups of woodwinds and trumpets. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£75.00It Came Upon the Midnight Clear (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
It Came Upon the Midnight Clear (1849), sometimes rendered as It Came Upon a Midnight Clear, is a poem and Christmas carol written by Edmund Sears, pastor of the Unitarian Church in Wayland, Massachusetts. Writing during a period of personal melancholy, and with news of revolution in Europe and the United States' war with Mexico fresh in his mind, Sears portrayed the world as dark, full of sin and strife, and not hearing the Christmas message. In Commonwealth countries, the tune called Noel, which was adapted from an English melody in 1874 by Arthur Sullivan, is the usual accompaniment. This tune also appears as an alternative in The Hymnal 1982, the hymnal of the United States Episcopal Church. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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