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  • £154.60

    Rendezvous - Torstein Aagaard-Nilsen

    Rendezvous was commissioned by Krohnengen Brass Band for their 50th Anniversary in 2019. This version for Concert Band was scored autumn 2020.Rendezvous is devided into three sections. Each section are referring to Edvard Grieg's own titles. but twisted, to make sure that everybody understand that this music is a mash-up of themes Edvard Grieg used in opus 54 (for piano) and opus 61 (songs for children).1. Trolltog med avsporing (March of the Trolls derailment)March of the Trolls is a famous part of Edvard Grieg lyric pieces, opus 54.2. Klokkeklang i feil sang (Bell ringing in wrong tune).Bell ringing show that Grieg was one of the first composers to write the way impressionists did. What happens if this beatiful piece is combined with several other themes from the same book? It somehow works in its own way.3. Pep talk til Blakken (Pep talk to Blakken)The riff used in the first part becomes an important part of the third part: a funky treat of the childrens song "Kveldssang for Blakken" (Evening song for Blakken).I felt that a rather tired old horse needed a pep talk more than a slow tune. So that is why you get this music(!) - and this is how my rendezvous with Grieg ends.Not sure what maestro Grieg would have thougt... But, I have read that the fiddlers that played the tunes Grieg used was not happy with the way Grieg used them.So there you go...Torstein Aagaard-Nilsen

    Estimated dispatch 7-14 working days

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  • £154.60

    Oriental Dance - Wilhelm Peterson-Berger

    Wilhelm Peterson-Berger (1867 1942), Swedish composer, beloved most of all for his collections of small piano pieces, Frsblomster 1 3 (Flowers from Frs). Peterson-Berger himself, primarily treasured his five symphonies and five operas, but todayit is mainly his songs and piano pieces which are performed. Besides composing he worked as a music critic at the daily paper Dagens Nyheter, and was feared by many for his sharp, sometimes almost vicious, pen.Peterson-Berger originallycomposed Oriental Dance for piano during his studies in Dresden in 1890, and immediately orchestrated the piece. It is one of his earliest pieces,somewhat of a bagatelle, admittedly, which mighthave found its inspiration in Griegs Peer Gyntsuite, yet it has a na ve charm which well compensates for its weakness. Oriental Dance was first performed by the Knstlerverein in Dresden in February, 1890.

    Estimated dispatch 7-14 working days
  • £149.40

    Minnen frn Holmen - Jerker Johansson

    The first theme played by the solo clarinet was written by Jerker Johansson the summer 1997, when he was composing in Swedish folk music style for an intended radio programme in which his father should participate reading poems in local dialect. Unfortunately, the project was discontinued. In the spring 2015 Mr. Johansson however started to work on the theme again, this time adding a song theme of broader character. Holmen is the name of the homestead where Mr. Johansson's father Arne grew up. It is beautifully located in the parish of Skrv, situated east of Skara, one of the oldest towns in Sweden. At Holmen, the composer spent his childhood summers and his recollections are filledwith many bright moments and happy memories. The piece was premiered May 22, 2015 by the Gteborg Wind Orchestra conducted by the composer.

    Estimated dispatch 7-14 working days

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  • £91.20

    King Arthur - Antonio Petrillo

    The legendary figure of Arthur, British leader, is mainly the result of folklore and literary invention. According to the tales Arthur, who in the most ancient sources is called "Warlord," defended Great Britain from the Saxon invaders between the fifth and sixth centuries. In the introductory measures of the piece, we can hear the basic themes developing freely one after the other. The first movement (Allegretto - march) describes Arthur with his most faithful riders galloping on his horse for simple rides in the woods or hunting moments. The second movement (Vivace - gigue), describes court dances to celebrate his victories over the Saxons. The third and last movement (Moderato - grandiose) portrays the special relationship between Arthur and Excalibur, the magical and mysterious sword that only he managed to extract from the rock before being proclaimed king. Excalibur's scabbard is said to have the power to protect King Arthur from being wounded in battle.

    Estimated dispatch 7-14 working days
  • £77.90

    La matita di leonardo - Luciano Feliciani

    2019 coincided with the 500-year anniversary of the death of Leonardo Da Vinci, one of the greatest men of genius in history, a universal genius who was a scientist, philosopher, architect, painter, musician, engineer, anatomist, botanist, designer, and planner. This composition entitled La Matita di Leonardo (Leonardo's Pencil), represents an ideal journey into the mind of the Tuscan genius: in the first part of the piece, percussion instruments underline the ticking of the passage of time that anticipates the birth of the idea, while short thematic cells in various instruments alternate, drawing the rhythmic melodic line. On this background, we hear the main theme entrusted to the dark tones of trombone and euphonium. The music proceeds with a growing pace and an adventurous character to represent the genesis of Leonardo's machines, which are in fact the result of the drawings of his pencil. In the second, more animated part, a new theme is introduced, varied, and elaborated, thus giving life to a vigorous movement meant to describe the drawings that come to life, leaving the pages of Leonardo's codes. In the coda the two themes overlap, transporting the listener towards a resolute and rhythmically energetic conclusion in an enthralling and engaging finale.

    Estimated dispatch 7-14 working days
  • £126.50

    Discanto - Daniele Carnevali

    The opening of this piece is characterized by a solemn thematic exposition carried performed by the brass section which, treated with various composition techniques, both horizontally and vertically, forms the melodic and harmonic elements of the work, a one movement composition characterized by polyrhythmic patterns, with the central part containing a moment of serene reflection entrusted to the solos by the flute and English horn.

    Estimated dispatch 7-14 working days
  • £104.50

    Fallen Fallen Is Babylon - Jared Spears

    Babylon opens with a subtle percussion introduction followed by the statement of the motive by the flute, then resolving into the developmental section utilizing fragments of the motif. Again the percussion sets up a driving introduction to further the developmental section, this time in an allegro setting. Rich harmonies and active percussion lines prevail with this piece, making it one of this composers best works for concert band.

    Estimated dispatch 7-14 working days
  • £82.50

    Caves In The Mountains - Barry E. Kopetz

    Here is an exciting musical journey through underground terrain with all the sensations that one might feel when traveling through such mysterious places! This piece is a musical depiction of a set of explorations through various chambers found within a series of caves. Each new section represents a different cave, providing a slightly varied emotional content. This unique selection will be an interesting addition to any program.

    Estimated dispatch 7-14 working days
  • £121.00

    Polish Dance - Mikhail Glinka

    Taken from the patriotic-heroic opera "A Life for the Tsar," in which Glinka presents a tableau of four Polish dances. One dance is the Krakoviak, a fast, syncopated imitation of horses. Well-loved in the Krakow region for military as well as civilian use, the horses steps are mimicked by a large on-stage band. This fiery dance is an important part of this popular piece of the Russian operatic repertory.

    Estimated dispatch 7-14 working days
  • £104.50

    Shock Wave - Gary D. Ziek

    Shock Wave is a high-energy piece, driven by a constant sense of propulsion and rippling waves of motion. The initial shock wave is provided by percussion, leading into a tension-filled section with multiple layers of sound scattered throughout. Each new entrance or wave is accompanied by solo percussion which builds to a frenzied, swirling state. Layer upon layer of musical pressure builds until the final resolution with the percussion getting the last word, providing one final "aftershock" for a decisive finish.

    Estimated dispatch 7-14 working days