Results
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£127.99Symphonic Suite from 1805 - A Town's tale - Otto M. Schwarz
In 2013 the short film 1805 A Town's Tale was released, produced by Refos Film, with music by Otto M. Schwarz. A fateful autumn day in the year 1805: the morning mists hang heavy over the sprawling field near Drnstein. The captain's tent and some smaller tents are seemingly lifeless in their deep slumber. In dawn's half-light, the fires now only steam and barely glow. A figure sneaks past the main tent. This is Phillipe, a soldier of Napoleon's troops, leaving the camp early to warn Mina, his lover, and the other inhabitants of the town of Krems of the planned raid ... The Symphonic Suite is a compilation of various main themes from the soundtrack. In addition to this version, there is also a larger edition in which the orchestra can play 'live' to the film with a click track.
Estimated dispatch 7-14 working days
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£89.99Hymn of Cittaslow - Jacob de Haan
Cittaslow is an international network of more than 220 towns in 30 countries. Its members are towns where people are still finding themselves reminiscing over the old times; towns that are rich in theatres, squares, cafs, restaurants and spiritual places; towns with untouched landscapes and charming craftsman where people are still able to recognize the slow course of the seasons, and respect their authentic products, true taste as well as their health. The Hymn of Cittaslow, which was commissioned by the organisation itself, is entirely inspired by their commitment to the preservation of the member towns. The tempo is naturally 'slow', and the themes somehow soundfamiliar. On the one hand, the music emanates peace and quiet, but it also sounds grand in its lyricism, thereby reflecting the beauty of the Cittaslow towns.
Estimated dispatch 7-14 working days
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£68.99Requiem Aeternam - Giacomo Puccini
Giacomo Puccini was commissioned to write a second opera after the resounding success of his first, Le Villi. However, the original four-act, grand opera Edgar, to a libretto by Ferdinando Fontana, received a rather lukewarm reception at its premire in La Scala in Milan in 1889 - initially, the work was only performed three times. Of all the planned performances in the subsequent two years, only one took place, in Lucca, Puccini's birthplace. There, the work was well received. Nevertheless, the composer decided to make drastic changes to Edgar the most radical being the reduction of the opera to three acts, as well as altering a few arias, charactersand instrumental parts. In its revised form, the work was even less popular than before. The discarded fourth act later provided material for Tosca (the duet Amoro sol' per te), but Puccini never felt the need to defend Edgar - as he did other less fortunate operas, such as La Rondine and Suor Angelica. On a piano excerpt for his female friend Sybil Seligman he even corrupted the title to 'E Dio ti GuARda da quest' opera' (may God preserve you from this opera). This did not prevent Arturo Toscanini performing the Requiem from the third act at Puccini's funeral in Milan Cathedral on 3 December 1924. The Requiem in the third act is being played when the long funeral procession carries the alleged body of Edgar - the confusedyoung man hesitating between the love of the virtuous Fidelia and the exotic Tigrana. The mass hails Edgar as a hero, but a monk claims that he has betrayed his country for a few gold pieces. When the soldiers try to desecrate the body, they discover that the armor contains none. The monk reveals himself as Edgar. He wants to leave with his faithful Fidelia, but the vengeful Tigrana stabs him and kills Fidelia. Edgar grieves over the lifeless body of his beloved, while Tigrana is arrested and the people submerge into prayer.
Estimated dispatch 7-14 working days
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£78.99North Bay Vistas - Robert W. Smith
Composer Robert W. Smith's journey to the San Francisco Bay Area inspired this musical panorama. Beginning with an intriguing fanfare statement representing the unforgettable skyline of San Francisco and the unique images of the Golden Gate and Bay Bridges, our journey begins north over the waters of the bay. Sailing across the water, we are treated to magnificent vistas including both the city and the surrounding mountains. An early morning sunrise looking down on the vineyards of Sonoma was the inspiration for the center of the piece. The early morning mist combined with light and shadow creates a very peaceful scene that is not soon forgotten. The piece concludes with the return to the city providing a new perspective of this truly unique American landscape.
Estimated dispatch 7-14 working days
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£164.50Promising Skies - Robert W. Smith
In late August of 2005, the normally festive skies over the city of New Orleans began to change. As Hurricane Katrina approached the city, the skies promised a weather event of unprecedented proportions. Composer Robert W. Smith was commissioned by the United State Marine Forces Reserve Band of New Orleans to create this symphonic tone poem recreating and commemorating the Katrina experience. Beginning with "Blue Sky," the jazz of the historic city provides the musical inspiration. Soon, the "Threatening Sky" arrives giving way to the "Raging Sky." Finally, the "Dawn of a New Sky" brings hope as the city is reborn to share its musical gifts once again."Promising Skies" is large work for concert band at the medium advanced level. Using the American art form of jazz as its base along with unusual percussive effects, the piece is a unique and welcome contribution to the repertoire.
Estimated dispatch 7-14 working days
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£332.99Cantica de Sancto Benedicto - Jacob de Haan
Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, whereBenedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements ofCantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the othertexts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the threemovements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint's day of the holy Benedict (11 July). Notes to the conductor:For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never soundstogether with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensionalperformance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir couldalso sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately.
Estimated dispatch 7-14 working days
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£119.60BAIA - Lionel Beltrán-Cecilia
BAIA is a symphonic episode inspired by the submerged Italian city. Through its melodies and sound effects, the authoraims to transport the audience to different moments, providing an aquatic perspective from the eyes of a restless andadventurous fish. This musical journey leads to the exploration of the city of Baia and its archaeological richness preservedbeneath the marine depths, even across time.[...In its time, Baia was an ancient Roman city that flourished during the 1st and 2nd centuries AD. It was a luxuriousdestination and a significant political and social centre in the Roman Empire. Renowned for its thermal baths, impressivearchitecture, and beautiful natural surroundings, the city became a popular retreat for Roman high society, including emperors,nobles, and artists. However, over the centuries, Baia was affected by volcanic activity and changes in the coastline, resulting ina significant portion of the city being submerged underwater. Today, the remains of Baia lie beneath the waters of the gulf,turning it into a fascinating underwater archaeological site...]
Estimated dispatch 7-14 working days
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£91.20King Arthur - Antonio Petrillo
The legendary figure of Arthur, British leader, is mainly the result of folklore and literary invention. According to the tales Arthur, who in the most ancient sources is called "Warlord," defended Great Britain from the Saxon invaders between the fifth and sixth centuries. In the introductory measures of the piece, we can hear the basic themes developing freely one after the other. The first movement (Allegretto - march) describes Arthur with his most faithful riders galloping on his horse for simple rides in the woods or hunting moments. The second movement (Vivace - gigue), describes court dances to celebrate his victories over the Saxons. The third and last movement (Moderato - grandiose) portrays the special relationship between Arthur and Excalibur, the magical and mysterious sword that only he managed to extract from the rock before being proclaimed king. Excalibur's scabbard is said to have the power to protect King Arthur from being wounded in battle.
Estimated dispatch 7-14 working days
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£149.99Moretus - Bart Picqueur
Jan Moretus (1543-1610) was a book printer and publisher in his native city of Antwerp. He worked as assistant to his father-in-law, the renowned master printer and publisher Christoffel Plantijn. After Plantijn's death in 1589 Moretus took over the business.The composition Moretus consists of four parts that draw on the remarkable personality of Jan Moretus aswell as the printing business. In both the titles of the movements and the thematic structure we can see a certain symmetry: a playful allusion to the process of printing.Part 1, A Celebrated Gentleman, describes the illustrious figure of Moretus in a festive chorale. In the second part, ExpressiveImpressions, the printing press itself is brought to life in repeated motifs - despite the industrial, mechanical nature of the process, the product always has an artistic and cultural dimension. In the third part, Impressive Expression, the wind band is invited (or challenged), to intone the slow theme with a poignant expressiveness. Part 4, A Gentle Celebration, is a celebratory finale with a fresh theme.
Estimated dispatch 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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