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£209.99Codon - Kevin Houben
"Codon" is a term used in the field of molecular genetics to describe the interaction between the three elements that are important for both the creation and the preservation of life. Kevin Houben uses this term as a metaphor for the interaction between the conductor, the musicians and the committee of a concert band. They all have the same goal, to preserve the life of the band. This work consists of three movements, symbolising birth, life and death - either of a human being or a band. From the foundation of a band over good and bad times up to the optimistic future, this work will appeal to the soul of every band member in the world!
Estimated dispatch 7-14 working days
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£179.99Outback - Thomas Doss
This work was commissioned by the "-sterreichische Blasmusikjugend" (Austrian Brass Band Association - Young Musicians).The Aboriginal indigenous people of Australia are among the oldest surviving human cultures. The arrival of the Europeans markedtheir decline and endangered their existence. The many secrets the Aborigines hold served as inspiration for this work. Aboriginal SpiritOver many centuries, the Aboriginal people have cultivated a unique ability to live in harmony with theworld around them. Maintaining the delicate balance between their trinity - nature, man, and creation - is an important factor for bliss and happiness.Primeval Sound and Dreamtime The tens of thousands-year-old stories from the era calledDreamtime - the Aborigines' creation myth - play an important role in not only their beliefs, but their everyday lives and laws as well. Ancestral worship and various other rituals and ceremonies are still held in high regard to this veryday.Running HunterThe Aborigines are extremely skilful hunters and are able to run for extended periods of time when chasing their prey. Hunting weapons, such as the boomerang, exemplify their abilities.Uluru (Red Rock)Uluru, also knownas Ayers Rock, is a natural sandstone "inselberg" rising 348m above Australia's plains, and is one of the country's most recognisable icons. Uluru is also a sacred place for the local Aborigines. Its history stretches back to Dreamtime, although itdid not exist in its current state at that time.Encounter with the White MenUnfortunately, the "White Men" did not realize the significance and importance of the Aborigines and their culture until the end of the 20th century. Before then, theywere unaware that the Aborigines were quite possibly one of the oldest known cultures on earth, with a seamless history stretching back to creation itself; Dreamtime. BushfireFire has been present on the Australian continent for millions ofyears. Many of the indigenous flora and fauna have needed to adapt to fire, and evolution has led to unique solutions for survival. Over time, a complex symbiotic relationship has grown between life and the continually returning bushfire.
Estimated dispatch 7-14 working days
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£104.99Prelude and Polonaise - Nikolai Rimsky-Korsakov
Nikolai Rimsky-Korsakov (1844-1908) composed his opera The Night before Christmas in 1894-95. The premiere took place on December 10 1895 in St. Petersburg. The libretto to the opera came from Rimsky-Korsakov himself and is based on a tale by Nikolai Gogol, which some years earlier had already served as operatic material for Pjotr Tchaikovsky. The opera tells the story of Vakula, the blacksmith of a small Ukranian village. He is madly in love with Oxana who demands - as proof of his love - a most unusual Christmas present: the magnificent slippers of the Empress. Knowing full well that, in normal circumstances, he would never be able to fulfil Oxana's wish, Vakula seekssupernatural assistance and finds it in the shape of the devil, who comes up with a ploy to help him. The devil carries him on his back to St. Petersburg, where during a lavish reception at court Vakula finds an opportunity to present his request to the empress. The Empress actually agrees to Vakula's wish and hands over her slippers to him. Thereupon he returns to his own village. Here, in the meantime, he had been given up for dead, and Oxana had been plunged into great sorrow as she had come to realise that she also truly loved Vakula. In the end, however, all misunderstandings are resolved and all adversities overcome: Oxana receives her extravagant present, the lovers are united, and the church bells call the villagers to the Christmas service.The vibrant Polonaise is played in the 3rd act of the opera at the entrance of the Empress, whose appearance is anticipated in the prelude by the fanfare motives. The music paints a vivid picture of the party atmosphere and the marvellous dcor at the imperial court of St. Petersburg, which Rimsky-Korsakov conjures up in his opera and which can also be played outside of the Advent and Christmas season, for example as an opening piece to any festive concert.
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£59.99Jamaica - Timothy Travis
Jamaica is an island in the Caribbean. In 1494 it was discovered by Christopher Columbus, who used it as private property until 1509. After some skirmishes it fell under British rule and the sugar trade on the island flourished. After the abolition of slavery in 1834 it was only granted Home Rule in 1944, but it remained a member of the British Commonwealth of Nations. Whereas the export of cane sugar used to be Jamaica's main export product for many years, nowadays music has taken over this role. At first American music used to be very popular on the island. Later, however, Jamaican musicians started to experiment and thus in the end created their ownmusical style called Reggae. Well-known Reggae musicians are Bob Marley and Peter Tosh. The most important instruments used in Reggae are the bass and the drums. Together they form the base for the style: the riddim. A bass drum accent on the second and fourth beat are characteristic of a typically reggae drum beat. To this syncopic patterns are often added. The rhythm guitarist plays chords in a characteristic Reggae rhythm, not on, but between the beats.
Estimated dispatch 7-14 working days
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£104.99Jubilant Prelude - Toon Hagen
'Jubilant Prelude' is an orchestration of the 'Preludium over Psalm 150' originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the 'Grote or Sint Michalskerk' in Zwolle (the Netherlands). He has written several 'contemporary' compositions for organ.'Jubilant Prelude' has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax, which is both dynamic and harmonic, the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register, with motifs in ornamentation for saxophones, bugles and trumpets. The finale, like the prelude is capricious and vehement.The instrumentation for concert band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section.
Estimated dispatch 7-14 working days
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£117.80Freedom Defended - Rossano Galante
Inspired by the non-violent civil rights protest of February 1, 1960 against a segregated lunch counter in Greensboro, NC, Freedom Defended strives to encapsulate the story of this now historic event. Commissioned by the band directors of the North Carolina Central District and East Central District Bandmasters Associations, this four movement piece honors each of the North Carolina Agricultural and Technical State University students known as the "Greensboro Four", Joseph McNeil, Franklin McCain, Ezell Blair Jr., and David Richmond. Their actions directly led to the Civil Rights Act of 1964 which mandated desegregation in public spaces. Movement 1 (Da Sogno) - The opening thematic material is dream-like and idyllic as the "Greensboro Four" enter the Woolworth Store at 132 South Elm Street and peacefully sit at the lunch counter and order coffee. Movement 2 (Con Fuoco) - The piece takes a dark turn when they are refused service and are told "We don't serve Negros here". The music is somewhat dissonant and rhythmic but a heroic theme captures the tenacity and courage of these brave young men. Movement 3 (Molto Cantabile) - A plaintiff theme portrays the hopelessness the four freshmen faced as they continued to be refused service until they leave when the store closed that night. Movement 4 (Con Spirito) - Undeterred, the "Greensboro Four" returned the next day, this time joined by more than twenty other black students. While they were again refused service, the sitins began to attract media attention and each day more and more students, both black and white, joined the cause. By February 4th, over 300 students staged sit-ins not only at the Woolworth Store but also the lunch counter at Greensboro's S. H. Kress & Co. The music is rejoicing and uplifting, similar to the opening statement, but now fully orchestrated and more fully developed. Coda - a quiet theme based on the motives from the opening thematic material brings the work to a reflective close as we remember these four men who, in the face of adversity, stood up for equality for all men and women.
Estimated dispatch 7-14 working days
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£78.20Caribbean Summer - Luigi di Ghisallo
Most people who live in the Caribbean are of an outspokenly straightforward nature, and always in good mood. "Caribbean Summer", a three-movement piece, captures this very mood: Very early in the morning, a summer day begins with "Guadeloupe", a Caribbean waltz. In this the change from a triple meter to a duple meter counter rhythm is of prime importance. From it, the music draws a particular lilt.At noon there is a happy and lively hustle and bustle on the beach. Vendors ("The Coconut Vendor") sing and offer their sugar-peanuts ("Chou-Cou"). A guest spontaneously begins to drum his fingers on a table, a second one reaches for a calabash or a cowbell - a cha-cha-cha is born. Finally, in "Caribbean Nights" a joyful parade of happy people march down the streets. Based on this very feeling, a special dance developed chiefly in the Dominican Republic: a simple basic two-step pattern in even rhythm becomes a "Merengue" together with the right, so to speak contra rotating motion of the hips! This cheerful dance then marks the close of day in a happy way - and in the morning everything will begin over again...
Estimated dispatch 7-14 working days
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£205.30
Balkan Blues - Örjan Fahlström
Balkan Blues is music from the musical Bergets Hjrta (the Heart of the Mountain), which was a cooperative production between Norrbotten Big Band and Norrbottens Teatern, 1997 in Lule in the north of Sweden.Balkan Blues is music whichrelates to the historical railway life in the beginning of the 20th century when the railroad, Ofotenbanan, between Kiruna in Sweden and Rombaksbotn in Norway was built.Balkan Blues is inspired by the fantastic and exciting life includingpeople from all over Europe trying to find their fortune in the village Rombaksbotn, in the venue of the railroad working site of the Ofotenbanan.
Estimated dispatch 7-14 working days
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£94.99Stratosphere - Otto M. Schwarz
What do the American Joseph Kittinger and the Austrian Felix Baumgartner have in common? They both jumped from over 30km high with a parachute. While Kittinger's attempt on 16 August 1960 was from a height of 'only' 31,333 meters, Felix Baumgartner broke this record on 14 October 2012 with a breath-taking 38,969 meters.This composition Stratosphere describes the adventure, from climbing into the capsule with help of a balloon, to the short pause in the stratosphere, and the jump, the turbulence during the free-fall descent, and finally the opening of the parachute and the safe landing.
Estimated dispatch 7-14 working days
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