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£199.95STORM SURGE An Elemental Portrait for Concert Band (Prestige Concert Band - Score and Parts) - Clarke, Nigel
Storm Surge is a musical representation of the devastating North Sea storm surge (in Dutch, Watersnoodramp) of 1953. The surge left 2551 dead, 1836 people from the Netherlands alone, together with fatalities in Scotland, England and West Flanders. Storm Surge starts off with calm waters, while we hear the steadily growing sounds of the wind and sea. A specially commissioned poem, written by Martin Westlake, spoken over these sounds, warns of the dangers of ignoring the storm. Slowly, the storm starts to take hold and the sea begins to swell. The violence of the storm then erupts, but before it reaches its climax, the Dutch National Anthem gives a sense of the calm in the eye of the storm. It then returns to the storm surge and depicts the sea breaking through and ravaging the coastline. Eventually the storm surge recedes until a lone trumpet is left quoting broken fragments of the Anthem. The work closes with a calm breeze mournfully revealing the devastation left behind by this natural disaster.
Estimated dispatch 7-14 working days
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£37.95
STORM SURGE An Elemental Portrait for Concert Band (Prestige Concert Band Score inc. Sound Design CD) - Clarke, Nigel
Storm Surge is a musical representation of the devastating North Sea storm surge (in Dutch, Watersnoodramp) of 1953. The surge left 2551 dead, 1836 people from the Netherlands alone, together with fatalities in Scotland, England and West Flanders. Storm Surge starts off with calm waters, while we hear the steadily growing sounds of the wind and sea. A specially commissioned poem, written by Martin Westlake, spoken over these sounds, warns of the dangers of ignoring the storm. Slowly, the storm starts to take hold and the sea begins to swell. The violence of the storm then erupts, but before it reaches its climax, the Dutch National Anthem gives a sense of the calm in the eye of the storm. It then returns to the storm surge and depicts the sea breaking through and ravaging the coastline. Eventually the storm surge recedes until a lone trumpet is left quoting broken fragments of the Anthem. The work closes with a calm breeze mournfully revealing the devastation left behind by this natural disaster.
Estimated dispatch 7-14 working days
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£74.99
Yellow River (Concert Band - Score and Parts)
The little known English group Christie became famous overnight in 1970 when they released the record Yellow River. Yellow River is a Vietnam era song (a protest against the Vietnam War) and describes the wish of a soldier at the front to return home. Band leader, singer and composer Jeff Christie initially wrote the song for The Tremoloes, but as the group were uncertain about it he decided to record it himself. The result was a number one hit in over 25 countries! The catchy melody and beat were reason enough for Stefan Schwalgin to create this arrangement for concert band. 03:00
Estimated dispatch 7-14 working days
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£124.99Black Gold - Thierry Deleruyelle
Black Gold was commissioned by Musikverein 1891 "Harmonie" Saarwellingen e.V. (Germany) to mark its 130th anniversary. This composition pictures the history of the mining industry in the town of Saarwellingen and its surrounding region, where the life of the miners as well as their families revolved around coal, or black gold, for centuries on end. The piece is based on motifs from the famous song "Glck auf, Glck auf, der Steiger kommt..." ("Good luck, good luck, the mining foreman comes"), a veritable anthem for miners the world over.
Estimated dispatch 7-14 working days
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£119.99Tango for Joe - Philip Sparke
Tango for Joe explores the lyrical properties of the trombone. A long introduction builds to the first entry of the soloist, who plays the main tango melody over a rhythmic accompaniment. In this work, the band and solo trombone parts alternate. A cadenza-like passage leads to a faster 'tango nuevo', which makes up the majority of the work. After a climax and extended cadenza by the trombone, the piece ends with a flourish for concert band and soloist.
Estimated dispatch 7-14 working days
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£73.50Proxima B - Steven J. Pyter
Where in the galaxy, other than Earth, could human life survive? Proxima B may be the answer to this cosmic question. The planet orbits the red dwarf star Proxima Centauri, the closest star to our Sun. First discovered in 2016, NASA says, "The exoplanet is at a distance from its star that allows temperatures mild enough for liquid water to pool on its surface." Journey over four light years to the twin star system of Alpha Centauri in Proxima B, by Steven J. Pyter. Hear and feel the excitement and danger of traveling beyond our solar system in this sci-fi-inspired, cinematic-style concert work that is sure to capture the imagination of performers and audiences! This piece was the 2022 winner of the National Band Association Young Band Composition Contest.
Estimated dispatch 7-14 working days
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£159.99Resurrection - Kevin Houben
"Man wird mit Keulen zu Boden geschlagen und dann auf Engelsfittichen zu den hchsten Hhen gehoben." (Mahler over zijn 2de symfonie "Wederopstanding", Juli 1894)*"You are clubbed to the ground and then lifted to the highest heights on angels' wings"Commissioned by and dedicated to Concertband Maasmechelen (BE), conducted by Mark Prils.Kevin Houben was inspired for this work by Gustav Mahler's 2nd symphony, better known as the Resurrection symphony.The work can be regarded as a Ma(h)lerei of various compositional and spherical elements that refer to the Austrian composer but that appear in this composition in an embedded, contemporary way.As Mahler often drew his inspiration from nature, the opening of this piece brings nature right to the audience. The work starts with a solo for alto flute accompanied by a pedal note in four octaves with harmonic responses echoing the solo.From the start, Kevin Houben provides Mahler's material with a contemporary touch. He replaces the nature sounds that Mahler uses (perfect fourth) with tritone intervals. The off stage trumpet signals have been preserved but are provided with a new accompaniment. Gradually, throughout the work, the orchestra undergoes its own independent development. Mahler's musical signature remains recognizable, but Kevin Houben allows it - e.g. through the use of various timbres - to flourish in a more modern musical idiom, which characterizes numerous contemporary compositions for wind band (cfr. Where Angels Fly).The work comes to a grandiose end with a passage of the famous chorale from Mahler's 2nd symphony. The rich orchestration of this chorale gives the listener the illusion of the presence of a choir and organ without actually using them.In Resurrection, each instrument group comes into its own: in solo fragments, in transparent thematic passages or in splendid tuttis. Therefore, the work forms an interesting challenge for a wind band on several levels, both technically and melodically - the latter due to the long suspenseful melodic phrases that the musical structure requires.The piece is accessible to a wide audience and can be regarded as an enrichment for any concert programme. Resurrection takes the audience through various atmospheres and experiences: from stunning to chilling, from calming to delighting...Die Musik muss immer ein Sehnen enthalten, ein Sehnen ber die Dinge dieser Welt hinaus." (Gustav Mahler, 1860-1911)"Music must always involve a longing, a yearning beyond the things of this world."
Estimated dispatch 7-14 working days
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£139.99Schola Vitae - Georges Sadeler
Schola Vitae, dedicated to the former director of UGDA Music School in Luxembourg, Paul Scholer, describes in an 8-minute piece that learning and playing music is a school for life.Starting with popular scales that ascend and descend through various keys, an essential tool familiar to every musician appears: the metronome. It sets the tempo, and musicians practice their themes together or against each other, register by register.In music, however, it's not just about technique and precision, but also about emotions. Music connects people, fosters friendships, and accompanies them through the highs and lows of life. The sense of togetherness in music becomes increasingly audible. Everyone works together and pulls in the same direction to ultimately achieve something great.Georges Sadeler, born in 1988 is a Luxembourgish composer and saxophonist with the Grand Ducal Military Band of Luxembourg. His father kindled his interest in composing and arranging at an early age, a study he later continued under his two teachers Marco Ptz and Claude Lenners, both of whom taught at the Conservatoire of Music, Luxembourg. He gradually began to establish his own style, combining the enormous range of possibilities of contemporary music and classical music and, in the years that followed, he won six first prizes at various national and international composition competitions. His works have since been performed all over Europe.
Estimated dispatch 7-14 working days
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£193.20CASTRVM - Lionel Beltrán-Cecilia
CASTRVM is a symphonic episode inspired by four of the main civilizations that have coexisted over time in Ulldecona's Castle. With its melodies and sound effects, the composer tries to transport the listener through a trip to four uninterrupted movements, from the beginnings of this small settlement, creating a natural atmosphere recreated by the voice and the singing of birds to take us into the history with the first inhabitants, the Iberians, giving strength to the introduction of the composition, to move on to the time of the Andalusians, which with a melody in the form of a dance marked by percussion will transport us to take a walk in the surroundings of its circular tower. Next, and with strength, we arrive at the medieval and Christian period, marked in the score by the brass instruments, in this fragment we find moments that take us into the church of "Santa Mara de los ngeles", with melodies that evoke resonance and pomposity, continuing until we find the immense square tower, symbol of the fortress and homage, finally used as a prison and arsenal of those times. Then, there is a small slow march that will move us to some measures of strong stridency to finish with the whole section of low brass having its great moment of prominence, down to we reach the last part, Qna, a name that is recited during the musical piece and one of the names given in the past to the area that could be seen from the castle, where the change of location of the new town is recreated leaving the castle site, but always looking at it with respect and admiration as at the beginning of what is now the current Ulldecona, in this part, the composer plays a bit with a very well-known and significant melody for the inhabitants of Ulldecona, the "Jota Vieja", first making a reflex effect of all its melody and then only with the first six notes of this one, which builds a bridge until reaching the march and, later, the grand finale of this symphonic episode. The work was commissioned by Ulldecona Town Council and the Ulldecona Music Band, led by its conductor Joan Nadal i Girona, to commemorate the 800th anniversary of the donation of the Town Charter of Ulldecona "the old" (1222-2022), as part of the PATRIMONIUM 20.22 programme, "La Banda (Sonora) del Castell" (The soundtrack of the Castle).CASTRVM consists of: I.Iberians: stone and ironII.AndalusiansIII.The square tower: fortress and homageIV.Qna
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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