Results
-
£184.99Children'S March Over The Hills And Far Away - Percy Aldridge Grainger
Percy Grainger's extraordinary scoring skills permeate this classic, carefree work for symphonic band. Children's March: Over the Hills and Far Away, originally a piano solo, was orchestrated by the composer while he was a member of the U.S. Coast Guard Artillery Band. It includes two unusual scoring elements for the time - a prominent part for piano (cued in the winds), and brief four-part vocal interludes to be sung by members of the band (or a small chorus ad lib). Grainger believed that the greatest expressivity could be found in the lower instruments of the band (particularly the lower woodwinds), and Children's March includes a liberal and highly specialized use of the bassoons, English horn, bass clarinet and low saxophones. The march was first performed by the renowned Goldman Band in 1919, and was recorded in its original form by the same band with the composer conducting. (Full set includes a vocal score.)
Estimated dispatch 7-14 working days
-
£47.50Bella's Lullaby (from Twilight) - Carter Burwell
From the blockbuster movie Twilight, here is the hauntingly beautiful main theme. This marvellous setting features a Piano solo as well as beautifully scored woodwind passages. An optional solo Flute part is also included as a substitute for the Piano. This memorable melody is sure to stick with you.
Estimated dispatch 7-14 working days
-
£113.30
Rumanian Folk Dances - Béla Bartók
Bla Bartk (1888 - 1945) showed from the beginning of his career an interest in popular music. He began studying music at the age of five and eventually focused on composition and piano. He collected a lot of popular songs, especially during his studies in Hungary, but also music from Romania and Slovakia. This had a lot of influence on his style. In his compositions, Bartk uses many Hungarian popular themes and rhythms, and even his own original works always refer to the same rhythmic and melodic folk character. At the beginning of the twentieth century, Bartk detached himself from romanticism and began to delineate his style on harmonic procedures based on diminished and augmented intervals, on bitonality, and on marked percussiveness, characteristics that are at the core of popular music.The Romanian Dances are a collection of seven folk dances, originally composed for piano (1915, the first six) and then transcribed for a small symphonic orchestra (1917). Of purely modal language, like almost all Bartk's music, each dance comes from a different area of Romania (Stick Dance, Sash Dance, In One Spot, Horn Dance, Romanian Polka, Fast Dance of Belnyes, and Fast Dance of Nygra).
Estimated dispatch 7-14 working days
-
£109.99Roger Cicero On Stage - Matthias Hass
The son of a jazz pianist and a singer, Roger Cicero (born 1970 in Berlin) stepped onto stage for the first time when he was only seven years old! He went on to study piano, guitar and singing, and appeared with well-known swing and jazz orchestras. After first working as a composer, he began performing as a vocalist and represented Germany in the 2007 Eurovision Song Contest. Peter Schller has combined three hits from an artist who makes the language of Goethe swing: Frauen regier'n die Welt, Nicht artgerecht and Zieh' die Schuhe aus. This arrangement contains optional parts for piano/keyboard, and electric or bass guitar.
Estimated dispatch 7-14 working days
-
£60.99Dreamsong - Richard L. Saucedo
Here is a special composition that serves a very special purpose for young band programs - an opportunity to feature a piano soloist with concert band. The piano part itself is lyrical and not technically demanding. The band parts are easy to learn and lend support for the soloist in addition to sharing in the melody at times. A wonderful change of pace for your next concert. Dur: 3:00 (Includes Full Performance CD)
Estimated dispatch 7-14 working days
-
£174.10Street Life - Sample
Randy Crawford led R&B veterans the Crusaders on the transatlantic hit "Street Life" (1979). A specially re-recorded version was featured in the soundtrack for the films Sharky's Machine and Jackie Brown. The composer Joseph Leslie "Joe" Sample (February 1, 1939 September 12, 2014) was an American pianist, keyboard player, and composer. He was one of the founding members of the Crusaders. but he enjoyed also a successful solo career and guested on many recordings including Miles Davis, George Benson, Jimmy Witherspoon, B. B. King, Eric Clapton, Steely Dan, Joni Mitchell, and the Supremes. Sample incorporated jazz, gospel, blues, Latin, and classical forms into his music. This arrangement can be used with a singer, but then need some attention to balance and please take away most melody lines. Electric Bass, Piano and Guitar are optional. If you would like to add an improvisation, please repeat bar 54 -62 without melody as many times you want. (Look at the piano part for chords).
Estimated dispatch 7-14 working days
-
£13.95
The Very Best of Festival of Music Volume 3
1In the MoodRazaf & GarlandThe Royal Air Force Squadronaires3.302Moonlight SerenadeMillerThe Royal Air Force Squadronaires4.153Don't Sit Under the Apple TreeStept, Tobias & BrownThe Royal Air Force Squadronaires2.444StardustParish & CarmichaelRoy Castle & Sgt. Geoffrey Lawrence (Trumpets) with The Royal Air Force Squadronaires2.415American PatrolGrayThe Royal Air Force Squadronaires3.406Blue SkiesBerlinThe Royal Air Force Squadronaires2.477A Foggy DayGershwinThe Royal Air Force Squadronaires2.218A Nightingale Sang in Berkeley SquareMaschwitzPeter Appleyard (Vibraphone) with The Royal Air Force Squadronaires4.569Tuxedo JunctionHawkins, Johnson, Dash & FayneThe Royal Air Force Squadronaires3.1710FeverCooley & DavenportThe Royal Air Force Squadronaires3.5711Marching Thro'McParland & StirlingThe Royal Air Force Squadronaires3.2912String of PearlsGrayThe Royal Air Force Squadronaires3.1513After You've GoneCreamer & LaytonPeter Appleyard (Vibraphone) with The Royal Air Force Squadronaires4.1214Birth of the Bluesde Sylva, Brown & HendersonRoy Castle (Vocal & Trumpet) with The Royal Air Force Squadronaires3.1615SkylinerBarnetThe Royal Air Force Squadronaires3.1216Cheek to CheekBerlinThe Royal Air Force Squadronaires4.1417Owed to Mr ChopinDorseyFlight Lieutenant Stuart Stirling (Piano) with The Royal Air Force Squadronaires3.3718Pennsylvania 65000Sigman & GrayThe Royal Air Force Squadronaires3.3719Travelogue: The Big Countryarr. StirlingThe Massed Bands of TheRoyal Air Force and Squadronaires11.06
Estimated dispatch 7-14 working days
-
£38.50The Last Flower of Autumn (Male Voice Choir - 25 Pack) - Sparke, Philip
In this work for male voice choir and piano, Philip Sparke aptly captures the mood of the poem The Last Flower of Autumn by Edith Sodergran (1892-1923), a Swedish-speaking Finnish poet. This solemn composition echoes the idyllic, romantic mood of the poem, which can be understood as an allegory of human existence with all its hardships and life's inevitable difficulties.Duration: 10.15
Estimated dispatch 7-14 working days
-
£132.00Journey in the Dark (from Symphony No.1: The Lord of the Rings) (Concert Band - Score and Parts) - De Meij, Johan
Revised 2023 editionJohan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. The fourth movement describes the laborious journey of the Fellowship of the Ring, headed by the wizard Gandalf, through the dark tunnels of the Mines of Moria. The slow walking cadenza and the fear are clearly audible in the monotonous rhythm of the low brass, piano and percussion. After a wild pursuit by hostile creatures, the Orks, Gandalf is engaged in battle witha horrible monster, the Balrog, and crashes from the subterranean bridge of Khazad-D m in a fathomless abyss. To the melancholy tones of a Marcia funebre, the bewildered Companions trudge on, looking for the only way out of the Mines, the East Gate of Moria.Duration: 9.00
Estimated dispatch 7-14 working days
-
£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated dispatch 7-14 working days
View Music