Results
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£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated dispatch 7-14 working days
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£256.0014 Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the modernity of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 39.00
Estimated dispatch 7-14 working days
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£122.20Elegi (Elegy) (Concert Band - Score and Parts) - Torskangerpoll, Idar
This piece originates as a piano piece written by the composer as he was convalescing after an illness and operation. In the music there is an outlet for emotions of uncertainty and doubt, but also of hope for the future. The piece was later arranged for wind and brass band, and premiered at a music summer camp in 2021.This piece has a melancholy character and suits bands looking for a piece to work on sound, phrasing, dynamics and expression.Duration: 3.45
Estimated dispatch 7-14 working days
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£68.80Adagio (Concert Band - Score and Parts) - Brahms, Johannes - Houben, Kevin
Johannes Brahms can be considered to be one of the top composers of the nineteenth century chamber music. He was a giant in this field and an eminent successor of Beethoven and Haydn. A masterpiece from his chamber music oeuvre is the trio in Eb opus 40 for piano, violin and natural French horn. In 1865, the year of his Horn trio, Brahms's mother Christiane died. It's well known that he fostered deep feelings for her. The slow part of the Horn trio with the tempo indication Adagio Mesto (sad) can be considered as a lamentation for his mother. The first performance of the piece took place in Zurich on 28th November 1865 and it was published a year later in November 1866. In this version for Wind Band Kevin Houben stays as true as possible to the original. The result is a deep and dark orchestration of the wonderful Adagio Mesto. A challenge for any orchestra and extremely suitable as concert piece. Duration: 6.00
Estimated dispatch 7-14 working days
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£64.00Suite Montparnasse (Concert Band - Score and Parts) - Satie, Erik - De Meij, Johan
Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music. He composed in various, often quite divergent, styles. Besides light-hearted,entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Rel che and Les Aventures de Mercure. However, his piano pieces, such as Trois Gymnopedies or Gnossiennes will remain his most popular compositions. Satie cooperated with almost all the great artists of his time: Pablo Picasso, Jean Cocteau, Sergei Diaghilev, Georges Braque and composers Darius Milhaud (Le Groupedes Six) and Claude Debussy. Johan de Meij made an orchestration of three short pieces by Erik Satie: I. Les Pantins dansent - II. Choral No.2 - III. Passacaille. Duration: 7.00
Estimated dispatch 7-14 working days
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£64.00Suite Pigalle (Concert Band - Score and Parts) - Satie, Erik - De Meij, Johan
Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music. He composed in various, often quite divergent, styles. Besides light-hearted,entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Rel che and Les Aventures de Mercure. However, his piano pieces, such as Trois Gymnopedies or Gnossiennes will remain his most popular compositions. Satie cooperated with almost all the great artists of his time: Pablo Picasso, Jean Cocteau, Sergei Diaghilev, Georges Braque and composers Darius Milhaud (Le Groupedes Six) and Claude Debussy. Johan de Meij made an orchestration of three short pieces by Erik Satie: I. Petite Ouverture Danser - II. Gnossienne No.1 (1890) - III. Gambades.Duration: 8.45
Estimated dispatch 7-14 working days
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£64.00Suite Montmartre (Concert Band - Score and Parts) - Satie, Erik - De Meij, Johan
Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music. He composed in various, often quite divergent, styles. Besides light-hearted, entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Rel che and Les Aventures de Mercure. However, his piano pieces, such as Trois Gymnopedies or Gnossiennes will remain his most popular compositions. Satie cooperated with almost all the great artists of his time: Pablo Picasso, Jean Cocteau, Sergei Diaghilev, Georges Braque and composers Darius Milhaud (Le Groupedes Six) and Claude Debussy. Johan de Meij made an orchestration of three short pieces by Erik Satie: I. Petit Prelude, La Mort de Mr. Mouche - II. 1ere Gymnopedie - III. Rag-Time Parade.Duration: 6.45
Estimated dispatch 7-14 working days
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£45.00The Girl with the Flaxen Hair (Flexible Ensemble - Score and Parts) - Debussy, Claude - Brand, Michael
'La fille aux cheveux de lin' is the original French title of this piano prelude by Debussy. He wrote it in 1910 as one of a set of twelve. Michael Brand's arrangement for Concert Band is firmly established in the repertoire but now he has brought his orchestration skills to the Flexible format which allows many more ensembles to enjoy the subtlety of Debussy's most well-known miniature. Duration: 2.30
Estimated dispatch 7-14 working days
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£94.00Heinzelmannchens Wachtparade (Concert Band - Score and Parts) - Noack, Kurt - Strand, Oyvind
The story of the Heinzellmannchen (Gnomes) is connected to the German city of Cologne. The gnomes were small creatures living underground but appeared during the night, when the people were asleep, doing all the work that had to be done in the city, so that the citizens of Cologne could be lazy, relaxing the whole day. At last, there was a tailor's wife getting so curious about the gnomes that she scattered dried peas onto the floor so that the gnomes slipped and fell, making a lot of noise. The gnomes got infuriated and disappeared forever and the citizens of Cologne must thereafter do all the work themselves.Kurt Noack (1893-1945) was a German composer, arranger and orchestra leader, working mainly with light music and marches. The characteristic piece Heinzellmannchens Wachtparade (Gnome's parade) from 1912 is his most famous composition, originally written for piano.This arrangement is made a little parodic, filled with joyful interjections, trying to give these little gnomes a bit of character, with pictures from Disney's Santa's workshop in mind.Duration: 7.00
Estimated dispatch 7-14 working days
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£72.99Sing Gently (Flexible Ensemble - Score and Parts) - Whitacre, Eric - Mosenbichler-Bryant, Verena
An adaptable arrangement of Whitacre's Sing Gently arranged by Verena Mosenbichler-Bryant during the COVID-19 pandemic. An audio track that can be used to replace the piano part in performance is included as part of the purchase of the score. Duration: 6.45
Estimated dispatch 7-14 working days
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